Fliege – The Invisible Seam

Every year, I grow more impressed by the breadth of new ideas introduced into the world of black metal. I’ve long held the belief that the “blackened” prefix manifests in more unique ways than any other metal subgenre. Even the lightest introduction of black metal aesthetics can significantly alter the…

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Kvlt Kolvmn // 2019 in Review

Welcome, friends, to the final installment of Kvlt Kolvmn in the year of our infernal overlords 2019. What a year it’s been. From releases by foolproof genre legends like Mayhem, Blut Aus Nord, and Abbath to seething experimental shots across the proverbial bow from Liturgy and Botanist, this past year…

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Kvlt Kolvmn // November 2019

The holidays are in full swing. Here I sit, engorged with fowl meat and more than slightly drowsy due to my more-than-slight overindulgence in wine. Last week’s festivities have yet to wear themselves off, and the month of December will only see the excess worsen. Thankfulness, I suppose, exists even…

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Hey! Listen to God Alone!

Irish quintet God Alone may be young enough to have no functional memories of the nineties, but they are already up to their third release – a self-titled EP that you can find linked at the bottom of this article – and have cast their net of influence wide enough…

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Liturgy – H​.​A​.​Q​.​Q.

For a six-year run leading up to and through The Ark Work (2015), Hunter Hunt-Hendrix’s output as Liturgy made him public enemy number one in the black metal community. Some of this wasn’t entirely his fault, namely the unexpected “indie seal of approval” bestowed on Aesthethica (2011). The album’s response…

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Best of Closing Tracks

An album doesn’t really end when its last note is sounded. Or, at least, great albums don’t; there are definitely works out there that only span the time during which the music is playing. But truly great releases, like all great art, stick with their consumer far beyond than the…

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Alcest – Spiritual Instinct

Deafheaven’s Sunbather may have blown up the post-black metal sound to a wider audience in 2013, but it was France’s Alcest — lead by prolific black metal musician Stephane “Niege” Pault — that is perhaps ultimately responsible for the wash of reverberating tremolo picks, blastbeats, and emphasis on melodic and…

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