A collective in both genres amassed and sheer body count, Wrekmeister Harmonies has made good on its multifarious ethos. Founder and principal member JR Robinson has enlisted a slew of metal and experimental musicians over his past three records, including Jef Whitehead of Leviathan; Lee Buford and Chip King of The Body; members of Indian, Corrections House and Twilight; and Marissa Nadler, among several others. Robinson's fourth album under the Wrek-Harm name - Light Falls - arguably contains his most high-profile ensemble yet, as he's joined by three members from seminal post-rock pioneers Godspeed You! Black Emperor (Thierry Amar on bass and contrabass; Sophie Trudeau on piano, violin and vocals; and Timothy Herzog on drums). Yet, despite the notability of this trio's inclusion, it's not the most striking feature of Light Falls, an album which changes a crucial aspect of Wrek-Harm's compositional approach up until this point.
There have been a few recent HLT articles I’ve done about bands that sort of take the metal aesthetic and reshape it in really cool and funky ways. Forndom and Goatpsalm both take a folky approach to metal, and then add a sort of mysticism to it that sounds like some pagan sacrifice in the woods of Scandinavia. Mirrors For Psychic Warfare—the side project of Neurosis frontman Scott Kelly and frequent collaborator Sanford Parker (Buried At Sea, ex-Nachtmystium)—does something similar to the latter artists, in that their sound very much relies on buildup of sound using a sparse amount of instrumentation and a slow but steady beat, much like a Neurosis album.
The ever-revolving door of black metal supergroup Twilight has made it an incredibly interesting project to follow. Over the years and the course of three albums, members of some pretty formidable bands have come and gone, including Xasthur Nachtmystium, and Isis to name but a few. So, naturally, the final chapter in their blackened tome comes complete with a new line-up, this time boasting members of The Atlas Moth, Leviathan and Sonic Youth(!?). That's all well and good in terms of pedigree, but how does the music match up to the promise?