Pointing out that Shvpes singer Griffin Dickinson is, indeed, the son of Iron Maiden frontman Bruce Dickinson, might not be the biggest selling point, given his brother Austin’s track record with the quickly dismissed Rise to Remain and As Lions. Nevertheless, while it may have taken them a couple of…
Each month, we always seem to come to the same conclusion when it comes to our Editors’ Picks column: Friday release days open the floodgates and unleash a seemingly endless stream of quality new music. But while some of our Editors and Contributors sit down gleefully each week to dive into this newly stocked treasure…
Heavy Pod Is Heavy Cast!
This week we have a bunch of weird shit. Dr. Phil performing with Good Charlotte, Betraying the Martyrs covering Avenged Sevenfold, and then some normal news. Like new music from Black Queen, Psycroptic, Cryptopsy, Irreversible Mechanism and Arsis. Also, a feel-good story about The Ghost Inside. Then we do a cool people section on Ozark, Marvel’s Spider-Man (PS4) and Destiny 2. Enjoy!
If you’re not convinced that we’re currently deep in the middle of the metalcore resurgence, then the simple fact that tomorrow sees the release of the first Bleeding Through record in over six-years should lay those doubts to rest. You’ll have to wait until then for Jordan to tell you just how good Love Will Kill All is, but this seems like as good an opportunity as ever to look back upon the career of a band who were foundational to the dominant heavy metal movement of the new millennium, and who certainly carved out a strong following for themselves, yet who—in retrospect—feel somewhat overlooked compared to their peers, especially considering the sheer quality and consistency of their output. You might say, that their genre’s Testament and, if new single “Fade Into The Ash” is anything to go by, it would also seem they haven’t lost any of that edge in the more than half-decade interim.
This week we do the promised Deep Segment on After the Burial! They’re one of my favorite bands and I have a lot to say about them, so it takes quite a while. We dig into their career and talk about it all. We barely have time for news, but we do discuss a few items. Namely Avenged Sevenfold protesting the Grammys, Converge politely trolling a fan who disrupts their show, and Pestilence kinda accidentally releasing their album, maybe? Also cool people stuff – Eden finishes All the Birds in the Sky, I talk about the new J.K. Simmons series Counterpart, and Eden plays Subnautica. Enjoy!
The year is 1984 and Iron Maiden are in an interesting position. Hot off the tails of two great releases and their first major tour, the band are starting to feel the pressures and joys of success at the same time. This is a crucible in which many bands have faltered, unable to reproduce the original sound which garnered them their first modicums of recognition. Line-ups shake, creative differences being to tear at the structure of the sound, as each member brings forth their own vision as to what the future should contain. In this situation, there were many divergent paths down which Iron Maiden’s story could have gone; they had already faced several major line-up changes and their future was anything but secure. They could have easily broken up or lost track of what made their first albums work.
But, instead, they made Powerslave.
We don’t have Eden this week, so Kellan and I discuss Every Time I Die’s Jordan Buckley getting sued for stage diving into a fan, causing her to have a concussion and a fractured neck. As a result, he’s being sued, and of course the metal community reacts very poorly to this. We then discuss the Linkin Park show held in memory of Chester, featuring members of bands such as Avenged Sevenfold, Korn, System of a Down, Blink 182, Bring Me The Horizon and more. Finally, we discuss the new Trivium and August Burns Red albums. Enjoy!
Last year I took it upon myself not only to organize and compile our own staff’s AOTY list, but to take things one insane step further and compile a bunch of lists from major metal or metal-covering publications and websites into one MEGA AOTY list to rule them all. Eden and I then analyzed the list and made some (mostly snarky) comments about the metal journalism industry and how they approach these sorts of things. Though I still 100% stand by what we wrote there and the conclusions we drew from it, I was really interested in seeing how well some of them would stand up to another year to use as a data point. Thankfully, this year I had a lot of help in all of our list-making efforts thanks to fellow editor Noyan, who put a ton of work into coming up with the method we ended up using to aggregate our lists (if you haven’t already, you should absolutely read his post delving into the nitty-gritty of that methodology) and then did the actual number-crunching.
Welcome back to our Heavy Blog Guest List feature where we give some of the bands we covered (or just adored) in 2016 a chance to publish their own Top 10 Albums of 2016. Brutai, after having released their debut album Born, are set to rock the mainstream prog world…
As you can tell, we talk about the new Mithras album.
Obviously, we talk about news. That is the established format of this podcast after all! We talk about the new Painted in Exile album (finally!), The Corelia kickstarter, the new Avenged Sevenfold album (that came out of nowhere), the new Korn album (yep), the Scale the Summit “breakup”, the Allegaeon Patreaon, Frontierer’s first live show and Arkona’s new old song. We also reflect back on things, like Linkin Park’s Hybrid Theory turning 16 and our discussion on Slice the Cake from last week. We also mention a few other things, like a Guitar Hero chart of A Sense of Gravity’s Echo Chasers, and some shitty flute covers, including this excellent one of Dragonforce’s masterpiece. Then, our underrated album, which is Rishloo’s Living As Ghosts With Buildings As Teeth. Also, our cool people section covers some important topics! I promise!