Change and progression have been requirements for respected rock bands (and art) for as long as there have been rock bands that want to be taken seriously. If you evaluate He Is Legend by this criteria only, they are one of the most successful bands of all time. Now He Is Legend are back with Few, their first album since Heavy Fruit in 2014.
When analyzing art, it is important to keep both the artist's experience in creating the art and the experience of the consumer absorbing the art in mind. Often times, an artist's vision can be obscured by our view point and we can lose sight of what was meant to be gained from the experience. On the other side, regardless of what an artist's intent may be, the consumer has every right to like or dislike something based on their own personal preference. There's even the possibility that you can completely understand where the creator of art is coming from and appreciate their intent and artistic integrity, but think that the art itself isn't something remotely enjoyable. In this middle ground of understanding and distaste for what is understood, we find the new self-titled Suicide Silence album nestled quite comfortably.
Omar Rodriguez-Lopez is a hot-shit guitar player, no doubt about it. He was a core member of post-hardcore firebrands At The Drive-In and his Herculean strongman solos defined the sound of The Mars Volta, the love ‘em or hate ‘em prog punk freakout machine. After recording over 900 solo albums, he seemed to have decided that his maximalist style was maxed out. First it was Noctourniquet, the fairly straightforward, (allegedly) final album from the Volta. Then it was a new band with the longtime Plant to his Page—vocalist Cedric Bixler-Zavala—and the post-punkish Antemasque. Their debut record was even more conventional than Noctourniquet, with catchy choruses and riffs, and the least cryptic lyrics Bixler-Zavala has ever put to wax. So maybe, in retrospect, Crystal Fairy is not that surprising.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
There are bands whose members keep to themselves, and when their career is up, they recede into the background, never really to be heard from again, except for maybe a side project that is inevitably less well-received than their main band. However, there exists another breed of musicians that seem to make an entire scene out of their own presence alone, and manage to both write solid music and remain incredibly prolific.
Well that didn't last very long. After what was a kind of an awkward end to the psychedelic voyage that was The Mars Volta, various sources found Cedric Bixler-Zavala and Omar Rodríguez-López at odds with ea... Read More...