Alarmist – Sequesterer

By now, you’ve probably seen us rant and rave about the new wave of “post-math rock”; more specifically, the trend of bands blending the traditional bouncy melodies of math rock with post-rock structures, jazz-influenced technicality, and generally progressive and experimental ideas. As I’ve outlined before, Art As Catharsis and Small…

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The Biology of Plants – Vol. 2

Sixty years after Ornette Coleman released The Shape of Jazz to Come, contemporary musicians continue to challenge and expand upon the core tenets of the genre. Besides its notable anniversary, I mention Coleman’s breakthrough specifically due to its embodiment of disruption. The reception for his playing style has softened considerably…

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ALBUM REVIEW/PREMIERE: Lisathe – Lisathe

Covering music for the blog provides both an avenue for curation as well as a means of tracking stylistic movements in various scenes. We’ve used our platform to chronicle the evolution of dissonant death metal, the new wave of traditional heavy metal, progressive stoner/sludge/doom, and a myriad of other subgenres…

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Zvi – Deer Pink

Sometimes music critics can benefit from adhering to the notion that “form follows function.” It’s an abstract use of the bauhaus principle, but one which feels especially relevant in the modern music landscape. We often slather genre tags on scenes and artists that are growing more and more stylistically agnostic,…

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El Ten Eleven – Banker’s Hill

The creative process is such a fascinating part of the human condition. Whether it’s writing, songwriting, filmmaking, speech, or any number of other creative pursuits, the process of making something just to make it is so uniquely human and yet completely out of grasp to understand until you do it.…

Stern – Missive: Sister Ships

One of the greatest traits of the underground music community is its deeply collaborative nature. A journey into one artist’s discography will often illuminate connections to other like-minded artists, which initiates the insatiable quest to devour yet another intriguing discography. Such is the case with Stern, which likely attracted attention due to its…

PREMIERE: Spooky Cool’s “Black Wine” Is The Deviously Infectious Summer Jam You Need

Maybe I’m finally showing my age, but I’ve gotten to the point where it takes something really special in the indie rock sphere to impress me. Albums still come through occasionally that scratch that itch I felt so often throughout college and much of my 20s, but few things really stick and weave their way into my brain like they used to. I still keep my ears out though for new bands and tunes that can bring those earworm melodies packaged with interesting songwriting that deftly balances hooks with more challenging meat that I crave. This is exactly what drew my attention to Richmond, VA’s Spooky Cool when I found their debut EP Every Thing Ever in my inbox. Formed in 2015, the band blend the big hooks and powerful melodies of classic indie like The Pixies, unconventional art-rock/pop noodling and vocal stylings reminiscent of Dave Longstreth and Dirty Projectors, with the occasional outbursts of angular guitars and noise that wouldn’t sound out of place on a Deerhoof record. The band have already premiered the excellent tracks “Strange Rooms” and “Old Hair Mine,” which you can hear on their Bandcamp. We are pleased to be premiering another track, the epically groovy “Black Wine,” which you can listen to here!

Gazpacho – Soyuz

Creating an album based on a singular, defined concept has always been an intriguing prospect for lots of bands and artists. The practice seems to be more common amongst bands with artistic and progressive tendencies than ones churning out heavier fare. Norway’s six-piece outfit Gazpacho have evolved over a career…

Unmetal Monday – 5/7/18

There’s a lot happening in the music world, and we here at Heavy Blog try our very best to keep up with it! Like the vast majority of heavy music fans, our tastes are incredibly vast, with our 3X3s in each Playlist Update typically covering numerous genres and sometimes a different style in each square. While we have occasionally covered non-metal topics in past blog posts, we decided that a dedicated column was warranted in order to more completely recommend all of the music that we have been listening to. Unmetal Monday is a bi-weekly column which covers noteworthy tracks and albums from outside the metal universe, and we encourage you all to share your favorite non-metal picks from the week in the comments. This week, we’ll be highlighting a few albums and tracks that struck our fancy over the past few weeks. Head past the jump to dial down the distortion: