Even a cursory glance of our biweekly playlist updates will reveal that there is a great deal of variety among our staff’s musical tastes. Due to this, we brainstormed the idea of Playlist Swap, where two of ou... Read More...
Welcome back to Heavy Buys! We launched this feature a couple months ago to share some recent physical music purchases we’ve made, whether it’s a small-time purchase to round out one’s collection, or a debt-inducing splurge. Vinyl, CDs, and even cassettes are all possible topics here. As long as its physical media, it’s fair game. While Jimmy's inaugural installment covered his autographed copy of John Zorn's Hemophiliac, I'm starting a monthly column covering all of the vinyl I've purchased in the past 30 days (give or take). This stack of records comes from several hours spent in four separate stores, including trips during a weekend visit with friends in Maine, my go-to hometown shop in New Hampshire, and a Black Friday binge while down in Connecticut with my girlfriend for Thanksgiving with her family. After you've gone through all of my picks, be sure to comment with any of your own finds!
Music considered “psychedelic” tends to fall, loosely, into two categories. The first camp includes weird, off-kilter compositions, lots of trippy vocal effects and weird keyboard/synth flourishes (Animal Collective, Black Moth Super Rainbow, The Flaming Lips). The second camp tends to be defined by long instrumental passages, mostly partially or totally improvised jams (Earthless, Kyuss, Sleep, Phish, Grateful Dead). Billed as a “psychedelic stab of death infused metal,” Skeleton of God’s Primordial Dimension is the rare animal that combines both camps in a heady crockpot of healthy extreme metal.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
Ten years ago yesterday, on September 5, 2006, a little-known band from Brooklyn named Grizzly Bear released a rather unassuming album called Yellow House. It was technically their second album, though for all intents and purposes it was their first. Founding member, singer-songwriter Ed Droste, had released one full-length under the Grizzly Bear moniker a few years prior entitled Horn Of Plenty that featured drummer Christopher Bear. That album, though, wasn’t too much more than a collection of scraggly demos and sketches, a mere hint of the potential within. Yellow House brought with it the addition of fellow singer-songwriter Daniel Rossen - who had already made some minor waves in the NYC indie scene as one half of the hybrid folk and samples-heavy duo Department of Eagles - and multi-instrumentalist/producer Chris Taylor - who would rotate between bass and a multitude of woodwinds while almost singularly shaping the band’s recorded sound. This album was their first released as a full quartet and would turn out to be a powerful opening statement of what this group could achieve together. But that’s not why I’m writing this.