EXCLUSIVE PREMIERE: Worship at the “Shrines of the Wakhan” with Hashshashin’s Psychedelic Middle Eastern Post-Rock

With my current schedule being as tight as it is, there has to be something compelling about a release to warrant one of my verbose, 1,000+ word reviews; the days where I’d publish near daily reviews on Sputnikmusic during college are long since gone. This occasionally results in more of…

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Jute Gyte – Birefringence

Up to this point, Jute Gyte has made an almost annual tradition of releasing the boldest black metal album of the year. With this project, multi-instrumentalist Adam Kalmbach has channeled the black metal blueprint through classical composition techniques—microtonality and serialism, primarily—and paired the results with elements of dark ambient, industrial,…

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ALBUM REVIEW/PREMIERE: Lisathe – Lisathe

Covering music for the blog provides both an avenue for curation as well as a means of tracking stylistic movements in various scenes. We’ve used our platform to chronicle the evolution of dissonant death metal, the new wave of traditional heavy metal, progressive stoner/sludge/doom, and a myriad of other subgenres…

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Surachai – Come, Deathless

There are certain electronic artists who have logical crossover appeal with metal fans; Merzbow and Prurient immediately come to mind, as well as industrial-leaning acts like Author and Punisher. Yet, there are other purveyors of dark electronics whom I’ve always felt should have more fans in the metal community, specifically…

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Riverside – Wasteland

Warsaw’s Riverside return with their seventh studio album in Wasteland. Whereas 2015’s Love, Fear and the Time Machine sought to connect with sounds of progressive giants Ayreon and Opeth (who themselves are heavily influenced by the progressive music of the ’80s), Wasteland embraces something in between the progressive and psychedelic…