Zonal – Wrecked

Collaborations are the ultimate musical wild card, offering up either a pleasant surprise or unfulfilled potential. Fortunately for us, both Justin Broadrick (Godflesh and Jesu) and Kevin Martin (The Bug) have made it their mission to form some of the most intriguing super-duos over the past decade. Broadrick has worked…

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EXCLUSIVE PREMIERE: Worship at the “Shrines of the Wakhan” with Hashshashin’s Psychedelic Middle Eastern Post-Rock

With my current schedule being as tight as it is, there has to be something compelling about a release to warrant one of my verbose, 1,000+ word reviews; the days where I’d publish near daily reviews on Sputnikmusic during college are long since gone. This occasionally results in more of…

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Jute Gyte – Birefringence

Up to this point, Jute Gyte has made an almost annual tradition of releasing the boldest black metal album of the year. With this project, multi-instrumentalist Adam Kalmbach has channeled the black metal blueprint through classical composition techniques—microtonality and serialism, primarily—and paired the results with elements of dark ambient, industrial,…

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ALBUM REVIEW/PREMIERE: Lisathe – Lisathe

Covering music for the blog provides both an avenue for curation as well as a means of tracking stylistic movements in various scenes. We’ve used our platform to chronicle the evolution of dissonant death metal, the new wave of traditional heavy metal, progressive stoner/sludge/doom, and a myriad of other subgenres…

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Surachai – Come, Deathless

There are certain electronic artists who have logical crossover appeal with metal fans; Merzbow and Prurient immediately come to mind, as well as industrial-leaning acts like Author and Punisher. Yet, there are other purveyors of dark electronics whom I’ve always felt should have more fans in the metal community, specifically…

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