203 – In Flames At Home

Heavy Pod Is Heavy Cast! This week we talk about M. Shadows of Avenged Sevenfold making a statement about BLM, Clipping's new song on the matter, System of a Down being divided on the issue, and Fit for An Autopsy guitarist Pat doing his part. Also, some new and not so new music, in the form of Nevermore covers from Paladin, some techno-thrash in Lör and Vauxdvihl and Alarum, In Flames remastering and re-recording Clayman, and then new stuff from Protest the Hero, Cytotoxin and Unleash the Archers. Then, cool people stuff with Hannibal and The Last of Us Part II. Enjoy!

Alarum – Circle’s End

The thing about Australia is, it's very big. Really, its very hard to imagine how big that place is and it's not helped by the fact that most of it is endless desert. More pertinent to our discussion today is ... Read More...

Ben Boyle of Hadal Maw: The Heavy Blog Is Heavy Interview

Last week we spoke with Brendan Brown of Infinite Density, Ne Obliviscaris and Vipassi fame, and today we’re joined by another very special guest. His bandmate in two of those projects, the inimitable Ben Boyle, contributed vocals to Infinite Density’s debut 2016 release Recollapse of the Universe, and guitars and composition on Vipassi’s debut EP Śūnyatā. As well as those two projects, Ben is the mastermind behind the experimental grind band A Million Dead Birds Laughing (got to be the best band name ever, am I right?), and is perhaps best known for his role as a guitarist and songwriter in the death metal band Hadal Maw. Every single one of these projects is creating art of the highest quality, and they absolutely deserve all of your time.

Multidimensional Unity With Brendan Brown Of Infinite Density: The Heavy Blog Is Heavy Interview

Today we’re lucky enough to be joined by the mastermind behind technical death metal band Infinite Density, Brendan Brown, also of Ne Obliviscaris and Vipassi fame. This year marked the release of Infinite Density’s debut album, Recollapse of the Universe, and it’s one of the best releases we’ve heard all year. Bearing strong thematic and musical similarities with bands such as Wormed and Inanimate Existence, the album showcases a varied vocal approach, massive grooves, ear worm melodies and a few nice surprises along the way too. It’s definitely going to sit pretty high on this writer’s end of year list, and we’re super excited that Brendan has made himself available to talk us through the album itself, how it came about, the Australian scene, and maybe even a word or two on his other projects.