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 Dillinger Escape Plan - One Of Us Is The KillerThe Dillinger Escape Plan

One Of Us Is The Killer

01. Prancer
02. When I Lost My Bet
03. One Of Us Is The Killer
04. Hero of the Soviet Union
05. Nothing’s Funny
06. Understanding Decay
07. Paranoia Shields
08. CH 375 268 277 ARS
09. Magic That I Held You Prisoner
10. Crossburner
11. The Threat Posed By Nuclear Weapons

[05/14/13]
[Sumerian/Party Smasher Inc.]

At this point in their careers, one would expect seminal mathcore giants The Dillinger Escape Plan to slow down a bit and fully embrace their inner Faith No More more extensively. This isn’t necessarily to the fault of Dillinger or an expectation that they’ve created and fostered in themselves, but is an expectation based on real trends with similarly influential bands who have risen in fallen in the decades past their initial breakout. If you take a look at some of the metal’s biggest bands — In Flames and Opeth come to mind for their respective subgenres — it’s not uncommon for bands to soften with age. Needless to say, this doesn’t apply to The Dillinger Escape Plan, who in their fifth album One Of Us Is The Killer are at their most volatile since 1999′s Calculating Infinity.

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Dillinger Escape Plan - One Of Us Is The Killer

Two of the biggest releases of not only May but the entire year have got to be Tesseract‘s Altered State and The Dillinger Escape Plan‘s One Of Us Is The Killer. Both leaked last week and this weekend both records finally received full-length streams. First up, The Dillinger Escape Plan’s new record One Of Us Is The Killer is out tomorrow, May 14th, on Sumerian Records/Party Smasher, Inc. The album is just a blast of chaotic and progressive metal. It’s hard to say where it stands among their discography, but it seems like a nice mesh of every Dillinger album so far! Check out the stream over at Pitchfork.

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Dillinger Spring Tour 2013

One of the coolest tours I’ve been to in a while has got to be the pairing of The Dillinger Escape Plan and The Faceless, two of the more important names in progressive extreme music active in the last decade. Resident photographer Maclyn Bean hit up his local stop on April 27th at Music Hall of Williamsburg to capture the show, and you can see the photos after the jump.

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I’m absolutely in love with The Dillinger Escape Plan. I’m of the opinion that they are one of the greatest bands on the planet, and it’s a shame that most people just don’t get it. Just take a look at any of the comments in The Summer Slaughter Tour’s desperate Facebook feed. Every time I click “Show Comments,” I immediately regret it. The band are widely misunderstood, but that’s the nature of their often oppressive music. You either get it or you don’t.

I mean, just look at this and try not to rage.

The Dillinger Escape Plan performed three songs in this week’s Revolver Golden Gods Awards, and judging by the motionless crowd, it would appear that they didn’t get the group either despite a high-energy performance. Let’s face it though; the folks at the awards show aren’t interested in mathcore; they’re either industry insiders or fans of mainstream or traditional metal. It’s Revolver, after all. Hopefully one day Decibel will be as big, but that’s unlikely because music is scary.

Look at me sounding elitist when I have no right to be.

Check out the video below, featuring the tracks ‘Prancer,’ ‘When I Lost My Bet,’ and a cover of Depeche Mode’s ‘Behind the Wheel’ with guest vocals from Deftones’ Chino Moreno. Insane performance involving blood, destruction, and FIRE.

- JR

 Dillinger Escape Plan - One Of Us Is The Killer

The Radio 1 Rock Show is getting more and more legitimate as the weeks go on. It used to be just pretty good, with smatterings of amazing acts peppered in with the usual less-than-desirable suspects but over the past months each show has been been progressively leaning more and more towards the former rather the latter and, in the most entitled and pretentious way possible, I’m really glad to see some great music being put out there by what is probably the biggest alternative radio show in the UK. Just last night they debuted new tracks from Tesseract, Evile and even The Dillinger Escape Plan — I wasn’t aware it was possible to condense that much amazing new music into one place. And that’s not all of it, the Beeb also quietly unveiled another new DEP track earlier in the week and no one seems to have noticed, meaning you only have a limited amount of time left to listen to it.

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Summer Slaughter 2013

This year’s iteration of The Summer Slaughter Tour — which features headliners The Dillinger Escape Plan and support from Periphery, Animals as Leaders, Norma Jean, Cattle Decapitation, The Ocean, Revocation, Aeon, Rings of Saturn, and Thy Art Is Murder — is likely the most exciting tour I’ll have a shot at seeing in 2013. Sure, the death metal elitists and deathcore fanboys aren’t all too stoked on this year’s iteration of the annual trek, but I find it impossible to NOT get excited over a bulk of this lineup.

What makes this tour so excellent from my perspective is that they always seem to hit the appropriate secondary markets for me. Knoxville, Louisville, Cincinnati, or Columbus tend to be hit by Summer Slaughter. Sure enough, while not incredibly extensive yet (dates are still waiting to be announced) the tour at least manages to pass through the midwest/southeast. Dates are as follows:

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 Dillinger Escape Plan - One Of Us Is The Killer

We’re now two new tracks, a bunch of teasers and now a new video into the hype machine for the new Dillinger Escape Plan album One Of Us Is The Killer and it’s seriously blowing my mind every single time. The video for ‘When I Lost My Bet‘ mixes blood and gore with delicate snow and feathers, whilst creating one of the strangest and morbidly fascinating experiences I’ve had all year, but beyond that, the track itself absolutely slays.

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black-sabbath-13Black Sabbath

13

01. End Of The Beginning
02. God Is Dead?
03. Loner
04. Zeitgeist
05. Age Of Reason
06. Live Forever
07. Damaged Soul
08. Dear Father

[06/11/13]
[Vertigo/Universal]

DISCLAIMER: This track by track review was written as a one time run through listen of the new album at the exclusive listening event in L.A.. This is not definitive nor refined. A more cohesive review of the album will be released when it is available.

Now that we have that out of the way, let us explore this sensational piece of heavy metal history. 13 is the first new Black Sabbath  album since 1995′s Forbidden, the first with Ozzy Osbourne since 1978′s Never Say Die!, and the first with Geezer Butler since 1994′s Cross Purposes. In the current age where comebacks have been a growing trend, few others have me more excited than the return of Black Sabbath with Ozzy on vocals (though it’s sad that Bill Ward will not be on the album, who was replaced by Rage Against The Machine/ex-Audioslave drummer Brad Wilk). With so much controversy and disagreements conflicting their highly publicized reunion that was shown last year, things were put off to a point where it seemed like things might never work out. Thankfully, they did.

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tim lambesis

Tim Lambesis is one of the most recognized singers in metal. Whether it be with the band that established him as an amazing frontman in As I Lay Dying or with his wacky side project Austrian Death Machine, you have probably heard his voice or seen a show of his at some point. With the release of his newest side project, Pyrithion, I got a hold of Tim and asked all the important questions, ranging from family to bench pressing.

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57031082-1

Into the Moat were a band before their time, doing tech metal before the tech metal thing really took off like it has now. I discovered them on MySpace “back in the day” while searching for bands similar to The Dillinger Escape Plan during the rise of mathcore in the mid-to-late 00′s. Also, back in the day totally now means “about half a decade or so, I guess.” But back on point, while not sonically all that similar to The Dillinger Escape Plan, they did have some of that chaotic and technical metalcore sound that I was searching for, and not too long after that discovery, they sort of faded out of existence up until last year when the band played a reunion show.

Now the group are putting their toes back into the waters, it seems. Into the Moat have given their initial offering Means By Which The End Is Justified a facelift by releasing a newly remastered version of the EP on Bandcamp for free. Check it out below:

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