Arkaik – Nemethia

Death metal in the current era is unfortunately met with a divide among generational fans, effectively causing a bit of an old-head vs youth situation. If you’re just getting into the genre now, you’re probably brought into this world by bands such as Fit for an Autopsy, Thy Art is…

What Heavy Blog Is Really Listening To – 9/1/17

For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.

Enfold Darkness – The Adversary Omnipotent

In 2009, shredtastic metal was the name of the game in metal. Between the huge boom in technical death metal, the rising progressive deathcore bands, and the old prog guard releasing some of their best material, it was a great time for guitar wankery. Buried under the popularity of huge albums like Cosmogenesis, Oracles, and The Great Misdirect, was a little blackened tech death album by a band from Nashville: Our Cursed Rapture by Enfold Darkness. Finding a unique niche in their black metal influenced music, Enfold Darkness turned some serious heads with their debut. Unfortunately, their momentum was lost and they ended up not following up their minor underground success until this year with The Adversary Omnipotent.

The Anatomy Of: Harbinger

For all the shit I give the UK for it’s inherently inbred scene politics, there are some ridiculously suave acts plying their trade in the home nations right now. Harbinger have been slowly amassing a following verging on screaming teen girl fandom (I’m a Harbingal, what can I say) and on their recent Basick Records debut Human Dust they’ve cemented their place in the new elite of UK metal. Their sound is awash with technical flair, hair whipping groove and solid death metal riffing. 99% of bands trying to incorporate stylish leads and crushing breakdowns end up falling victim to the ten-ideas-at-oncecore that isn’t pleasing on the ear whatsoever. Not Harbinger. The riff and lick factory that they operate produces seamless and wholly satisfying modern death, even with the wide array of influences present in the band; an array of influences which each member of the band gives us an insight into below. Enjoi.

The Celtic Connection – Scottish and Irish Tunes, Eh

It’s been awhile since I knocked out a Best of British feature for you, the dedicated Heavy Blog reader. This isn’t because there has been a lack of quality content coming outta the island, actually far from it. Being “British” doesn’t really mean anything anymore though. You’ve got yer English bands and then there’s everything else. Because I feel like our two nations have been poorly under represented elsewhere, I now give you The Celtic Connection. I’m gonna rant and rave about the best music coming out of Scotland and Ireland, leaving England and Wales (sorry Wales) to the side, because they get plenty of coverage as is. This isn’t me being a nationalist or picking a fight, I’m just keeping it in the family. And who else is closer to us Scots than the proud, fighting Irish. Pour yourself a beverage of whatever variety you fancy and strap in for some hearty dispatches of ginger, pale skinned sounds.

Cut Up – Wherever They May Rot

Sweden has quite the reputation for crusty, gruff death metal. Familiar legends like Entombed and Dismember are eternally inscribed in the brains of metalheads but they might not be as well acquainted with Vomitory, a band with a string of brutal, gory minor classics in the 1990s. Before breaking up 2011, Vomitory was signed to Metal Blade Records, so they aren’t exactly unsung heroes. Nonetheless, they are certainly still overshadowed by their more famous fellow countrymen. Two long time members of Vomitory, drummer Tobias Gustafsson and bassist/vocalist Erik Rundqvist, returned in 2015 with a new project, Cut Up, who are now releasing their sophomore album.

Hollow Earth – Dead Planet

It seems as if 2016 is a fantastic year for science fiction themed metal. From the gnarly, twisted tales of Vektor to the bombastic space opera of Khonsu, metal about science fiction is seemingly everywhere. Well, the time to draw up the data-tablet and add one more name before the year is done has arrived; Hollow Earth are set to release their Dead Planet on the 2nd of December and boy is it science fiction. It’s also a damn good album, offering a strange mix between metalcore and sludge, of all things. This seemingly paradoxical mix yields a uniquely aggressive album, channeling the different and often opposite timbers of the two genres into an impossible, astral beast.