Enterprise Earth – Luciferous

All-over cartoon print deathcore is dead. Gone. All but forgotten. Music historians of the future will be the ones to decide where it sits in correlation to the hallows of extreme music history. This now leaves a pretty sizable vacuum for bands like Enterprise Earth to fill; their third studio…

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Hey! Listen To Climate of Fear!

There aren’t too many of the good early 2000’s melodeath/metalcore bands remaining but, if I’m being ignorant and missing a few good ones, then they should just be releasing better music. The precarious balance between At The Gates-worship and the clinical edges of modern metal was too much for most…

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159 – Free Will And Machine Learning

Heavy Pod Is Heavy Cast!We don’t have a lot of news this week, so instead we engage in a long and in-depth discussion about machine learning, the origin of creativity, the notion of free will, sentience, and more (all inspired by Adam Neely’s analysis of Google’s Bach Harmonizer)! Also Jordan Rudess’s solo album, The Black Dahlia Murder self-reflecting, Trivium’s remake of Pillars of Serpents, new music by Amon Amarth and Fleshgod Apocalypse, and this weird headline about Limp Bizkit. Then we do an extended discussion of Jordan Peele’s new movie Us. Full spoilers, which we give a warning about, but yeah. Enjoy!

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Truth Corroded – Bloodlands

Adeleaide’s Truth Corroded have long been one of the most respected names in Australian metal. Yet, although they’ve been putting out brilliant releases since the early years of the new millennium, they’ve never achieved the same level of exposure or international acclaim as many of their peers. All that has…

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Bring Me The Horizon – amo

t’s not often that we put our cart before the horse with our Editor’s Picks and run a pick before we’ve had a chance to go more in-depth in a review, but SPOILERS: British rock act Bring Me The Horizon’s latest record amo (sixth overall) wound up as my pick for January 2019, and as we never received a promo copy, we haven’t had much of a chance to dissect it and let its diverse sounds sink in at the point of publication in order to dedicate a formal review. At the time, I just knew that I liked it. A lot. Now, going on two weeks since release and the album spinning nearly nonstop, it has had the opportunity to sink its hooks in deeper.

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EXCLUSIVE PREMIERE: Godeater Tear Flesh From Tech-Death Bones on “Exsanguinated”

On a sweaty night last summer in the nation’s capital city Edinburger, I caught Godeater playing one of their first shows supporting their wicked EP Outerstellar. My countrymen widdled and string-skipped through a fiery set of tech-death tunes, windmilling in sweet harmony with one and all. Fast forward almost a…

Unmetal Monday – 5/7/18

There’s a lot happening in the music world, and we here at Heavy Blog try our very best to keep up with it! Like the vast majority of heavy music fans, our tastes are incredibly vast, with our 3X3s in each Playlist Update typically covering numerous genres and sometimes a different style in each square. While we have occasionally covered non-metal topics in past blog posts, we decided that a dedicated column was warranted in order to more completely recommend all of the music that we have been listening to. Unmetal Monday is a bi-weekly column which covers noteworthy tracks and albums from outside the metal universe, and we encourage you all to share your favorite non-metal picks from the week in the comments. This week, we’ll be highlighting a few albums and tracks that struck our fancy over the past few weeks. Head past the jump to dial down the distortion:

Death’s Door 2017 // Death Metal’s Year in Review

Welcome to the final installment of Death’s Door in the Year of Our Nefarious Overlord 2017! Wipe your feet on the mat, remove that stupid holiday-induced smile from your face, and prepare yourself for ultimate year-end audio brutalization. Because, quite frankly, 2017 was one of the best years for death metal in decades. A bold statement indeed, and thankfully one with plenty of data in the form of amazing records to back it up. The overwhelming number of releases in this dirtiest of metal subgenres, coupled with the breadth of quality releases in each of the branches of the death metal tree, all accumulate to create one of the most impressive lists of death metal albums in a given year since the early 1990s. 2017 presented us with exceptional records at such an alarming clip that it was often a full-time task to keep track of them. Death metal this year was in equal measure mind-numbingly technical, socially forward-thinking, compositionally adventurous, and reverent of the past, generating albums that displayed with full clarity all that makes this music the metal behemoth that it is. What a time to be alive. In our final segment of Death’s Door for the year, we will be highlighting the trends and movements within death metal that we found to be the most significant, as well as our own personal top 15 death metal records on the year. Prepare yourself. Madness awaits.