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Tag Archive: Sigh


HBIH Listening To

For those who missed our last installment, we will now be regularly posting what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that doesn’t fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to.

Anyone who doesn’t live under a proverbial rock knows that the biggest release in all music this week goes to the early release of Kendrick Lamar‘s hugely-anticipated follow-up to Good Kid, M.A.A.D City, and unsurprisingly, K Dot found his way onto many of our lists this week. Also of note (and in an entirely different quadrant of the musical spectrum) this week was the release of Alkaloid‘s debut album The Malkuth Grimoire (read our review here if you haven’t already), which also landed in several of our staff’s lists.

For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you!

Head past the jump to see which records have been receiving regular rotation on our headphones, stereos and turntables:

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Sigh - Graveward

We previously talked about Japanese crazy-blackened-I-don’t-even-know-how-to-classify-them-but-I-know-I-love-them band Sigh and their upcoming tenth album Graveward. They had previously released a demo of ‘Out of the Grave’ for a compilation, but they’ve now released the final version with a video and guest vocals from Trivium frontman Matt Heafy.

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Sigh - Graveward

Japanese avant-garde black metal masters Sigh have finally finished working on their tenth album, titled Graveward. They’ve announced some exciting guests and more as well. And we’ve got a new song as well. Check it out after the jump.

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blood music mystery

So, here’s an interesting scenario. Blood Music are a Helsinki based group of metalheads “dedicated to the anthropological and cultural preservation of extreme metal music”, mostly through the reissuing of metal classics in vinyl form — they’ve done some brilliant work as well, working with some big metal names including Ihsahn and Sigh and even putting together a stunning seven LP package spanning the Strapping Young Lad back catalogue.

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Chthonic – Bú-Tik

Chthonic - Bú-TikChthonic

Bú-Tik

01. Arising Armament (Intro)
02. Supreme Pain for the Tyrant
03. Sail Into the Sunset’s Fire
04. Next Republic
05. Rage of My Sword
06. Between Silence and Death
07. Resurrection Pyre
08. Set Fire to the Island
09. Defenders of Bu-Tik Palace
10. Undying Rearmament (Outro)

[06/25/13]
[Spinefarm]

Taiwanese symphonic black metal band Chthonic are an interesting bunch. They’ve had a devoted cult following which can be attributed to their fairly unique sound and aesthetic (and perhaps the fact that they’re one of the few well-known metal bands from Taiwan). Nearly two decades from their formation, they’ve recently gained worldwide fame after signing to Spinefarm Records in 2009. Bu-Tik is their third album on Spinefarm, and their seventh overall. The band have stated that this album is supposed to be a blend of their previous three albums. While it doesn’t contain a lot of black metal influences unlike the band’s older albums, it’s still very interesting and a fine album.

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nayon

Let’s celebrate with champagne

Because it’s that time of the year again

When everyone gives each other gifts

And makes end of the year lists

2012 was a great year

Many albums I did revere

But only a few I must choose

Now before more rhymes I abuse

Let’s get to the favorite albums

So take this list into your cerebellums

(Yes, I know that the cerebellum doesn’t do that, shut up!)

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Forgotten Silence

La Grande Bouffe

01. Bouffe à Table!
02. TRANSLUCIDE (Brighton II.)
03. Bouffe Restaurant de Luxe
04. AALBORG
05. Bouffe Piano
06. Les Collines de Senyaan Pt. III
07. Bouffe Vingt et Une Heure Cinquante Sept
08. Fermeture de la Bouche
09. Bouffe Acoustiquement
10. DICHROISME (Two–Rooms World)
11. Bouffe Hyène
12. The Black Rider 4K8 (Chanson Pour la Station de Service)
13. Bouffe Montmartre

[05/17/12]
[Shindy Productions]

Contrary to the album title and tracklist, Forgotten Silence are a Czech avant-garde/prog metal band. La Grande Bouffe is their sixth studio album, and there’s quite a lot of diversity present in the tracklist (half of the songs are 30-80 second long interludes though). The overall theme would be jazzy progressive death metal with electronic elements employed in a manner that is closest to The Monolith Deathcult. Weird death metal that varies in tempo and tone, with industrial elements added to give the music more color. But does La Grande Bouffe provide a grand buffet of enjoyment, or will it be forgotten in silence?

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We’ve been covering avant-garde metal this week, but there’s one important question that we haven’t answered so far. Why would anyone want to listen to this stuff? Avant-garde metal is, by definition, supposed to be hard to appreciate. What’s the merit in that? Well, there are a few easy answers, and one more complicated answer. Let me try to explain, at least from my perspective, why you should listen to this stuff.

I can’t not plug Sigh, as they are my favorite avant-garde metal band.

Well, the first answer is fairly obvious. Most of the time, we are bombarded with the same kind of music over and over. Even ignoring pop music that plays everywhere, most metalheads are exposed to similar types of metal a majority of the time. Yes, different bands have different sounds and many of them bring a different thing to the table, but in the end, every genre is defined by some limitations. Metalcore? Breakdowns, catchy songs, traditional structure. Death metal? Growling, blast beats, fast playing. Progressive metal is a broader label, but there are still many conventions obeyed by most bands. Avant-garde music, being outside the box by definition, isn’t bound by this. You want random ethnic instruments? Sure, there are bands that do that. Complete disregard for melodic and temporal structure? Sign your name here. Distancing oneself from conventions of genres? Check. The simple answer is boredom. We constantly seek stimulation and new things to alleviate our boredom, and avant-garde metal provides an endless source for this. Every band is unique. And the genre even breaks its own convention. Do you want a song that is mostly inside the box? Sure, there are avant-garde metal bands that do that too. The sky is the limit, and thus the potential for standardization and thus tedium is eliminated.

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Yesterday, we took a listen at 10 bands that were incredibly influential to the genre of avant-garde metal. Today, we’re going to collect a sampling of more recent contributions to the art of music, picking tracks that have only been released since 2008. These are the bands that are pushing the genre of metal forward, making sure that we aren’t running out of new avenues of musical exploration any time soon.

Genghis Tron – Board Up The House (2009)
Unexpect – The Quantum Symphony (2011)
Diablo Swing Orchestra – Voodoo Mon Amour (2012)
SHINING – Fisheye (2010)
Sigh – The Transfiguration Fear (2012)
Thy Catafalque – Köd utánam (2009)
Pin-Up Went Down – Essence of I (2010)
Shaolin Death Squad – Mischief and Epiphany (2010)
Hunab Ku – The Other I (2010)
The Number Twelve Looks Like You – The Garden’s All Nighters (2009)

Enjoy!

– JR

There’s a template to starting a metal band. It’s not set in stone, but when it comes down it, that core combination of guitar, bass, drums and vocals have given some of the greatest metal even known so it’s no wonder that 90% of bands fall back that format. It’s tried and tested, it ain’t broke and it doesn’t really need fixing and it’s probably even fair to assume that many future classics will continue to revolve around those same basic ingredients.

Thankfully though, there’s also a considerable number of bands more interested in blurring the lines and adding their own twist to the standard line-up. It’s not a new idea, hell even Black Sabbath‘s debut contained a harmonica solo — not really a huge leap from their blues background but looking back on it today it definitely seems out of the ordinary. Worth nothing as well that with the advent of cheaper and cheaper electrical equipment, the keyboard was embraced quite quickly, no surprise really when a lot of those original ‘proto-metal’ bands made similar use of the organ but it still hasn’t quite made the leap from ‘optional’ to ‘necessary’ yet.

 

Relevant section occurs at 3:05.

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