Our Anatomy Of series of posts is the perfect storm of blog material. This is because it fits both veteran and fresh bands. On one hand, it’s of course interesting to get a peek behind the veil of a band you’ve loved for years and find out the musical influences…
Progfest may not be a name which is too familiar amongst many of our readers. This small, traditionally Melbourne-based music festival has been going strong and steadily growing for the past 10 years and features noted alumni such as Ne Obliviscaris, Caligula’s Horse, sleepmakeswaves, and Twelve Foot Ninja, all of…
It’s easy to forget just how much time, energy and life goes into the creation of a full length record. Sometimes the songs have been written and slaved on for several years before being recorded and seeing the light of the day. It makes sense that at the end of…
Concept albums are tough; most of them end up feeling really bloated, the ideas taking too much space from the music or the “gravitas” with which they are delivered leeching away a lot of the fun. That’s why it’s super important that bands don’t take themselves too seriously, either directly in the music or in the “meta” of it, like videos, cover art or the general aesthetic of the band. A good example is Canadian weirdos (a word we use with a heap of affection) Bird Problems. Their upcoming album, Tar, is a concept album revolving around a virus reminiscent of the zombie inducing one in works like Resident Evil. However, this virus’s effects are under debate: do they actually include people turning into zombies or are they just aesthetic?
Do you enjoy no nonsense, riff filled death metal? Do you like sub bass drops and beat downs? Do you also believe that the ruling class of the world is made up of scaly, lizard people? Well, even if you only answered yes to the first two questions, you will almost definitely enjoy the devilishly wholesome offerings of Brisbane’s Reptilian Civilian. Five guys hanging out and playing sick death metal with plenty of tech and slam, these chaps deliver on the promise of every tag you’ll find their music under on Bandcamp. Slamming brutal technical deathcore with a global conspiracy theme? Yes, this will be fine.
It’s been awhile since I knocked out a Best of British feature for you, the dedicated Heavy Blog reader. This isn’t because there has been a lack of quality content coming outta the island, actually far from it. Being “British” doesn’t really mean anything anymore though. You’ve got yer English bands and then there’s everything else. Because I feel like our two nations have been poorly under represented elsewhere, I now give you The Celtic Connection. I’m gonna rant and rave about the best music coming out of Scotland and Ireland, leaving England and Wales (sorry Wales) to the side, because they get plenty of coverage as is. This isn’t me being a nationalist or picking a fight, I’m just keeping it in the family. And who else is closer to us Scots than the proud, fighting Irish. Pour yourself a beverage of whatever variety you fancy and strap in for some hearty dispatches of ginger, pale skinned sounds.
Here on Half-Life, we go through a band’s discography and see where they stand today compared to where they started. Pallbearer is one of metal’s rising stars and their progression has been so fun to watch. Every record has its own identity and set of surprises. To take on this project, I enlisted the assistance of my talented colleagues, Jordan Jerabek and Bill Fetty. We hope you enjoy!
Today we’re joined by none other than the mercurial Gods of Eden from Sydney, Australia. These progressive metallers earned a rave review with 2015’s exceptional debut LP From The End of Heaven, a release which found itself right up there on our 2015 end of year list and helped inspire our Beyond the Veil column. Grandiose compositions, enchantingly technical guitar playing, cinematic soundscapes and diverse vocals are the name of the game here, and we’re predicting big things to come from these guys. Without further ado, let’s get into it and see what they have to say about the concept behind their debut, what their new album will sound like, the Australian scene and more!
Considering the prog metal trajectory they’ve been on for just shy of a decade now, it’s easy to forget that Canadian stalwarts Protest the Hero started out their career as a punk band. Of course, the punk roots are still intermittently noticeable throughout their post-Kezia discography — take the verses in “Spoils”, for instance — but for the most part, it’s plainly apparent that the band have comfortably adapted to a more technical, progressive sound over the years. In light of this, it’s actually somewhat surprising in retrospect that it took until 2017 for a more punk-oriented side project to arise from the band, but we’re now presented with Mystery Weekend, a three-piece featuring vocalist Rody Walker and drummer Mike Ieradi from Protest alongside guitarist/bassist Dan Hay.
While we’ve previously covered topics more along the lines of specific scales, intervals, and chords, today’s topic is unique in that it concerns a technique (or, well, a subset of that technique) that’s mostly specific to guitar playing, as opposed to a general musical concept.