There have been a few recent HLT articles I’ve done about bands that sort of take the metal aesthetic and reshape it in really cool and funky ways. Forndom and Goatpsalm both take a folky approach to metal, and then add a sort of mysticism to it that sounds like some pagan sacrifice in the woods of Scandinavia.
Mirrors For Psychic Warfare—the side project of Neurosis frontman Scott Kelly and frequent collaborator Sanford Parker (Buried At Sea, ex-Nachtmystium)—does something similar to the latter artists, in that their sound very much relies on buildup of sound using a sparse amount of instrumentation and a slow but steady beat, much like a Neurosis album.
Often, when faced with modern art, people comment that it simply seems like paint thrown against the canvas, a form of art with no definitive shape, and therefore not emotionally connecting as there is no solid idea of what exactly it is. Much the same, in many ways, is Bossk. The band blends a wide range of genres, mixing post rock, post hardcore, and post metal into a sound that comes off as beautiful, immersive sonic landscapes, drawing the listener in, while still challenging them and making it difficult to truly settle into the record all at once. There is no defined groove to Bossk’s sound, no strict formula to follow, and the songs reflect this, peacocks spreading their plumage for the world to see. All of this is exactly what makes their newest offering, Audio Noir, so very enticing, as they expand on their mad descent into a maelstrom of different genres while still extending a hand out to fans of acts such as Neurosis and Sigur Rós.
WELL HELLO THERE. It’s been a pretty goddamn long time since I’ve written one of these posts up, almost embarrassingly so. To be fair, the last concert videos I posted here of Neurosis and Sumac were some of my favorites I’ve done, so if I were to leave you all with something to hold you over, I could’ve done far worse. The truth of the matter though is that for a number of reasons (mostly beginning and ending with making a living as a freelancer), I just don’t have the time like I did even a year ago to dedicate to producing these kind of high-quality concert videos on a consistent basis. But even though my output has slowed down considerably, I am as determined as ever to create interesting and awesome content for everyone to enjoy, which is why I’m so pleased to be finally launching these couple of videos today of Long Island’s eclectic, energetic, and amazing Moon Tooth!
By now, most listeners of extreme music should at least by somewhat familiar with the name Merzbow. Japan’s foremost peddler of harsh noise and experimental soundscapes is nothing if not prolific, boasting a discography containing both numerous solo works as well as his collaborations with a myriad of artists, both…
Post metal/atmospheric metal has an annoyingly ubiquitous sort of feel these days, doesn’t it? It seems as though every Friday we see yet another release of a band following in the footsteps of a Isis or Deafhaven, and more and more these releases continue to disappoint me, either through ad nauseam repeitition with little progression, or just uninspired songwriting. But I am here to say that although these releases won’t stop for a few more, there do exist some really good, post metal bands, although they’re very underground. In this case, I refer to Cranial and their debut EP Dead Ends, released by Germany’s Moment of Collapse Records.
Welcome to our third and final part of our notes on Mastodon’s Crack the Skye. For any who have just joined us, or if you’re looking for a refresher, don’t hesitate to check out part I and part II from last week. We ended part II having just looked at “The Czar”, and that near 11-minute epic is followed by the magnificent “The Ghost of Karelia.”
When it comes to experiencing new music, two things are certain: you can never judge a book by its cover, nor should you ever trust what the artists themselves say about their music until you’ve heard it for yourself. Underling — a Bay Area supergroup featuring members of Fallujah, Arkaik, and Battlecross — are proof enough of both of these rules, as their debut album Bloodworship looks like and is marketed as an atmospheric black metal record. Coming from a group of established death metal musicians, this should be somewhat of a departure on paper at the very least. However, when considering the record’s scope as a whole, Bloodworship is a far cry from the distant reverberations of Wolves in the Throne Room. It’s actually much more than that.
It’s been a while since we did one of these, but…for those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly…
It shouldn’t be a secret that we here at Heavy Blog were MIGHTY impressed by A Dark Orbit’s Inverted. Even though we’re already a couple of weeks into 2016, our very own Matt MacLennan is still hyped on the record, and decided to hit up Chad again to cover a myriad of different topics.
Starter Kit analyzes the ins-and-outs of some of the more obscure and niche sub-genres within the metal spectrum and offers a small group of bands that best represent the sound. Read other Starter Kit entries here. Folk music is a style that has always influenced metal and rock. Especially post…