“Personality” is a word that’s not frequently thrown around when discussing doom or sludge metal. We’re often (and justifiably) engrossed in domineering riffage, thundering drums, and the bellowing growls of some dude shrouded in beard. But no matter how much you love the stuff, as they say, first impressions are…
Even a cursory glance of our biweekly playlist updates will reveal that there is a great deal of variety among our staff’s musical tastes. Due to this, we brainstormed the idea of Playlist Swap, where two of our contributors pick their favorite track from each of the nine albums in their grid…
Composing an album with the backdrop of other media is a daunting task. As we discussed earlier this year with our review of Ehnahre’s Theodore Roethke-referencing album The Marrow, it’s difficult to create music that accurately conveys the emotional context of the source material while also extrapolating enough to create a unique voice that can stand on its own. This is particularly true for albums that reference movies and similarly complex texts; whereas a novel or poem contains just text to decode, films contain several more elements that need to be interpreted, most challenging of which is the pre-existing music already linked to the visuals and script. In these types of situation, it’s a smarter bet to draw inspiration from a film while pursuing a larger thematic ideal, which is exactly how Bolt Gun succeed on their colossal, one-track album Man Is Wolf to Man. By drawing influence from a myriad of sources that bolster a stated pursuit—particularly Soviet and Ukrainian filmmaker/writer Konstantin Lopushansky’s dystopian film Posetitel Muzeya (Visitor of a Museum) as well as works by Soviet filmmakers/writers Andrei Tarkovsky and Krzysztof Kieślowski—the band realizes the grandiosity of this endeavor with an excellent display of thematic metal aimed at capturing the “existential horror of Stalinist Russia.”
Welcome to Death’s Door, nerds. We’re freshly past Our Lord and Infernal Master’s designated holiday, and I’m so hopped up on candy and the blood of the non-believers that I can’t even function. Despite my shot adrenal glands and ever-expanding waistline, there’s a whole lot of premium death metal to cover, as has been the custom in this most nefarious year of 2017. Praise be. October is typically a fantastic month for premier releases, especially in the world of metal. In that regard, this October did not disappoint. Melodic death metal in particular saw a glut of fantastic releases, while death-doom and progressive death metal both unleashed releases that are poised to transform the way we think about death metal as a whole. I’ve said it before and I’ll say it again, 2017 is one of the finest years for death metal of nearly every shape and type in recent memory. This is legitimately the second golden age of death metal, and I hope and pray it continues in perpetuity. Regardless, let’s celebrate the health of the music we love while it continues to fester and rot in new and unexpected ways. Our picks this month pull from many different sectors of the death metal world. Post your picks in the comments and let us know what you loved/what we missed. Let’s do this.
Belgium’s Amenra are one of those bands that consistently produces quality material for a comparatively modest but incredibly devoted following. Having been around since 1999, collaborated and toured with a wide array of other acts, and even started their own artistic collective with Oathbreaker, Black Heart Rebellion and others called Church of Ra, Amenra are nothing if not dedicated to their craft. All the better that said craft happens to be a mesmerizing mix of doom, post-metal and hardcore.
There are few things in life that terrify me to my absolute core more than a shark attack. The complete powerlessness of the victim, being toyed with and torn to shreds by a creature alive and thriving in its element; a monarch mercilessly feeding uncontested. No control. No swift escape.…
Ufomammut are a strange band. Let’s just get this out of the way right off the bat. The Italian trio of metallers moonlight as professional graphic artists in the Malleus art collective, and also have an expansive back catalog of albums that plunder elements of psychedelic, stoner, and sludge-infused doom with reckless abandon. Given this mix of styles, the band are fairly difficult to pigeon hole into any specific subgenre niche in metal. Which is simultaneously both one of the best things about their music and one of the worst aspects of it when trying to explain how they sound in a review. But bravely shall I endure for the cause.
Punk is a style we like to cover at Heavy Blog when we can but often times it gets a little buried or we get behind on what’s going on in that particular area of the Heavy World. So we’re going to try something new here. In this column we’ll recommend some of the best in (the broadest definition of) punk as we see it. Each month we’ll hit on some new releases, talk about the tours big and small, and, hopefully, get feedback from you, Dear Reader, if we miss something that we should feature out of the punk realm. There are a number of great places to get your fix of punk music and tour stories but we’re going to give you the Heavy Blog spin on that here with What’s Up, Punks. Enjoy!
Sludge metal was born out of hardcore punk bands discovering Black Sabbath. The greatest sludge albums combine all the raw aggression and rage of hardcore with the slow tension and power of doom metal. Since its beginnings in late 80s, the genre has grown into punk’s willingness to experiment and created some of the most forward thinking metal albums of all time from the likes of Mastodon, Neurosis, and Isis. In other words, though sludge combines fairly simple ingredients, the results are almost always sophisticated.
We’ve covered a fair bit of ground with our Starter Kit series, where we select a handful of key records that highlight a niche musical style or penetrate the prolific status of a staple genre. Unfortunately, this format doesn’t lend itself to covering proto-genres—microcosms of musical history comprised of a specific set of albums released in a fixed period of time. But these movements are crucial to the evolution of our favorite genres, particularly when it comes to the trajectory of sludge metal. What’s become a multifaceted and often refined style was once a disparate lineage of bands from different genres who all applied the “sludge factor” in different measures. While you won’t find a dedicated section for proto-sludge at your preferred music store, the following albums an artists laid the framework for the modern sludge landscape. So whether your sludge purveyors of choice come from the atmospheric, blackened or progressive sects of he genre, they’re all indebted to the groundbreaking statements these albums made.