Tag Archive: napalm death


From The Archive

The discovery of a new band is always exciting. Will it be something you’ve heard countless times? An experience that leaves a bad taste in your mouth? Or is it a treat from which you cannot stop consuming? I wanted to take a trip back in time to reminisce about bands/albums that not only introduced me to heavy music, but kept me coming back for more…

From The Archive: Carcass – Heartwork

Carcass - Heartwork

Carcass. The name itself instantly embeds an image of something dead and left to rot, but if you happen to listen to metal music, then perhaps you might find yourself thinking of the goregrind/melodic death metal band who hailed from Liverpool, England. Once going by the name of Disattack, and playing hardcore/punk, they eventually changed their name and gravitated towards goregrind with the release of their first full-length album, Reek of Putrefaction. Overtime though, the band moved on to a more death metal sound, and it wasn’t until Heartwork came out that we saw the band evolve into melodic death metal. Along with albums such as Slaughter of the Soul and The Jester Race, Carcass’s Heartwork is one of the first melodic death metal albums to be released, and one of the most popular and influential in the entire genre.

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As you may or may not know, grindcore legends Napalm Death will be releasing a new album Utilitarianism next month. It was only a matter of time until we heard a new song from this merry bunch of brutal Brits, and you can now stream a new song from the record, ‘Leper Colony,‘ over at Brooklyn Vegan. It is everything you’d want and hope for out of Napalm Death, so get over there and give it a spin.

Speaking of Napalm Death, they’ll be one of the headliners at Maryland Deathfest X this year, which I will be attending. There are still some tickets available for Fri-Sun, but Thursday and 4-day passes are unfortunately sold out. If you still want to go to MDF this year, you need to act fast.

Utilitarianism is due out February 28th on Century Media.

- JR

I’m a simple man. I think that’s obvious to everyone. I know what I likes and if there’s been any two things that have defined 2011 for me it’d have to be all the great grindcore releases (Rotten Sound, Gridlink, Wormrot, Brutal Truth etc) and Devin Townsend. So what better way to round off the year than with a little from column A and a little from column B?

Bent Sea is the latest project from the dynamic duo of Devin on bass and Dirk Verbeuren (of Scarve and Soilwork amongst others), alongside Aborted vocalist Sven de Caluwe. Whilst it’s probably common knowledge to a lot of you, I wasn’t aware! You can listen to the title track from their new EP Noistalgia here and even peruse their less than stellar website. Although, in 2011 how many bands out there still have a website!?

I likes it; completely inoffensive grind that brings to mind a really well produced Napalm Death. Obviously, you wouldn’t be able to tell it was Devin without being told but both de Caluwe and Verbeuren pull off great performances that are reminiscent of their respective projects. And at only $5.50 for 11 tracks from their webstore, it’s hard to complain. Just add Noistalgia to the list of great grind records in 2011.

- DL

We don’t talk much about grindcore around these parts. For that sort of thing, I’d highly recommend checking out our friend Alex Layzell over at Grind to Death, as he’s to grind what we are to prog/core, I guess. At any rate, I’ve been trying to get into Napalm Death a bit more because I’ll be seeing them as one of the headliners at next year’s Maryland Death Fest and I want to be prepared for that aural assault. Luckily for me, whenever I make an effort to get into a band’s music, there’s usually an album around the corner. I’m good with the timing.

The band has just recently announced their next album, Utilitarian, will be with us early 2012. Here’s what vocalist Barney Greenway had to say:

“After some deliberation, we have decided on Utilitarian as the album title. We generally try to avoid generic titles, and this seemed to have a lot of scope to it. I won’t explain the full meaning of Utilitarianism here because it’s an ethical theory, and as ethical theories go, the depth and debate around it is quite heavy at times. It has a certain ‘morality’ aspect to it and that isn’t something that drives me, so I also certainly have issues with it.” [Put into simple terms, it's the belief that it's justifiable for some people to be harmed as long as it's for the greater good. - Ed.]

“So, rather than just nail that straight to the mast, of course we wanted to put our own spin on it by suggesting that those (i.e. the utilitarian in us, perhaps) who try to challenge everything, or fight against conventions, well, we go through periods of real self-doubt where we wonder if we’re really making a difference. I suppose the conclusion is that, for the sake of all our freedoms, you should never stop, as even the feeling of resistance is at least a signal to those who would like to entirely control and dominate us – meaning everything from our instinctive behavior to our human entitlement to walk the earth unprovoked.”

“Regarding the album overall, the final creases should be ironed out fairly soon, and immediately after that, we thought it would be good to top it off with a few UK dates. We’ve been playing one new song (“Quarantined”) out on a tour of Canada and it’s been well received, so we hope to perhaps throw in another one for now.  Either way, we’ll be bouncing off the walls again near you very soon. Cheers all.”

Sounds excellent. We’ll get to hear Utilitarian when it drops February 28th on Century Media.

- JR

Dying Fetus – History Repeats

 Dying Fetus

History Repeats

01. Fade Into Obscurity (Dehumanized cover)
02. Unchallenged Hate (Napalm Death cover)
03. Gorehog (Broken Hope cover)
04. Rohypnol
05. Unleashed Upon Mankind (Bolt Thrower cover)
06. Twisted Truth (Pestilence cover)
07. Born In A Casket (Cannibal Corpse cover)

[07/19/11]
[Relapse Records]

John Gallagher is basically a manifestation of death metal itself.  Take a look at his credentials.  The man has been the only founding member of Dying Fetus to stay with the band since it’s formation in 1991.  He worked hard to get his group noticed, touring while they were unsigned, and because of this, they developed at devout cult following.  Since signing with Relapse Records in 2000, he has released four albums.  Through the bands 20 year existence, the band has gone through numerous musicians (14, to be precise).  However, the band has had a stable line-up since 2007, with Sean Baisley, who has been a member for 10 years as bassist/backup vocalist, and Trey Williams, who has been their drummer since 2007,  and has recorded and toured as a trio ever since.  Yeah, his credentials are awesome.  So when word leaked that he would release a cover EP in celebration of the bands 20 year anniversary and their upcoming stint on the Summer Slaughter tour, I immediately became interested.  One of the most influential bands covering songs that influences him and his bandmates is an awesome thing that more bands should do, in my opinion.

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Gridlink – Orphan

Gridlink

Orphan

01. Dar Al-Harb
02. Orphan
03. Deliverables
04. Scopedog
05. Red Eye
06. Cargo 200
07. Thorn Farmer
08. Embers, Blood And Treasure
09. I Accept Your Last Wish
10. Hearts
11. Flatworlder
12. The Last Red Shoulder

[Hydra Head Records]
[02/22/11]

I’ve been told many times how grindcore is about saying as much as you possibly can in the shortest time possible. In that case, time is very precious in the world of Gridlink as Orphan brings their total discography running time to a mere 24 minutes. To put that more into perspective; Slayer‘s Reign In Blood clocks in at 29 minutes and even World Extermination by Insect Warfare, the more modern classic, hits 22 minutes. So it seems strange that the majority of the songs on Orphan waste their time with a count in, I mean it’s not the most obvious feature of modern grindcore so it does stick out a little bit.

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Maruta – Forward Into Regression

Maruta

Forward Into Regression

 

01. March Forward (Into Regression)
02. Strain
03. Plague Domain
04. Stagnation Routine
05. Devoid Of Allegiance
06. Drown In Black Matter
07. Body Weapon
08. Swine Swallower
09. Conform To Deform
10. Etched In Granite
11. Salient
12. Solace Through Self Annihilation
13. Hand Of The Overseer
14. Failure King
15. Gaiares
16. Blood Of The Luddite

[03/08/11]
[Willowtip]

I’ve been going on about Maruta quite a lot lately so it’s about time I got round to reviewing it. There’s no reason for the relative lateness of this review other than the fact that 2011 has produced way too much great music all at once and you can definitely add Forward Into Regression to that ever growing pile.

First impressions with up-tempo music like grind can be very important, it’s very easy to put on an album like this and just allow the ferocious attack to fly casually over your head. One of the best ways to combat that it is to lead with your best or, in other words, open with something completely eye opening and that’s one of the places where Forward Into Regression really shines. If you are in any doubt about whether Maruta is for you then seriously try the first three tracks – they provide a definitive run down of the remaining 24 minutes of the album. That kind of makes it sound like I’m condemning this album to being rather repetitive but, to be honest, are there really that many bands in grindcore that thrive on variation?

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New Napalm Death Is ALWAYS News

Sometimes, it takes the old guard to show new bands how it’s really done. So leave it to Napalm Death to basically blow everyone out the water and produce one of the best songs of the year for the Flexi-discs in Decibel magazine. It’s assumed that a new album will be released later this year as the band is set to enter the studio in May, despite the fact they have no label backing after concluding their Century Media contract with 2009′s Time Waits For No Slave. Also, as a bonus; see Napalm Death‘s great performance in the terrible stereotype-enhancing UK teen drama Skins.

 

-DL

Rotten Sound – Cursed

Rotten Sound

Cursed

I – Egotism
01. Alone
02. Superior
03. Self
II – Vanity
04. Choose
05. Hollow
06. Ritual
III – Coercion
07. Green
08. Machinery
09. Power
IV – Vengence
10. Plan
11. Declare
V – Exploitation
12. Addict
13. Exploit
VI – Fear
14. Terrified
15. Scared
16. Doomed

[03/15/11]
[Relapse Records]

Finland is not exactly well known for any particular style, like its more widely known neighbours – I mean just check out the line up for The Finnish Metal Tour. That said, it seems like the music they do produce is a lot like the music that comes out out of the UK. The bands that do make it always seems to have that extra something that makes them stand out compared to their band-per-square-meter brothers; quality over quantity I suppose, and Rotten Sound are clearly quality. This is sleek and yet crusty grind that pays as much attention to Nasum as it does to early Napalm Death.

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R.I.P Phil Vane

Extremely shocked by this news as we have lost too many great men in the last few years. At only age 46 Phil Vane, vocalist of grind royalty Extreme Noise Terror, has passed away. Vane fronted ENT on and off since their inception alongside Dean Jones and even had a brief stint in Napalm Death, but I’ll always remember him for his truly huge vocals in early ENT. My thoughts and condolences go to Extreme Noise Terror, his friends and family.

- DL

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