Death’s Door // October 2017

Welcome to Death’s Door, nerds. We’re freshly past Our Lord and Infernal Master’s designated holiday, and I’m so hopped up on candy and the blood of the non-believers that I can’t even function. Despite my shot adrenal glands and ever-expanding waistline, there’s a whole lot of premium death metal to cover, as has been the custom in this most nefarious year of 2017. Praise be. October is typically a fantastic month for premier releases, especially in the world of metal. In that regard, this October did not disappoint. Melodic death metal in particular saw a glut of fantastic releases, while death-doom and progressive death metal both unleashed releases that are poised to transform the way we think about death metal as a whole. I’ve said it before and I’ll say it again, 2017 is one of the finest years for death metal of nearly every shape and type in recent memory. This is legitimately the second golden age of death metal, and I hope and pray it continues in perpetuity. Regardless, let’s celebrate the health of the music we love while it continues to fester and rot in new and unexpected ways. Our picks this month pull from many different sectors of the death metal world. Post your picks in the comments and let us know what you loved/what we missed. Let’s do this.

The Metal Explosion: 1985 – 1987

If the story of 1980 to 1984 was how NWOBHM (and more specifically, Iron Maiden) awoke metal from its dormancy to tear the boundaries of popular music, then 1985 – 1987 is about the coronation of thrash metal atop the metal throne, and the subsequent underground rumblings of a closely linked cousin, a blood brother faster, more brutal, and more astonishing — death metal.

Dispatches from the Port Phillip Bay Area – Into the Pit of Australian Thrash Metal

Due to the way we’ve decided to divide up the time zones, correspondence with an international audience from the humble southern continent of Australia often feels akin to looking into the past. Yet, despite this perceived futurism, Australian culture often trails its American and European counterparts by some distance. So it is that, while the northern thrash revival has come and (more-or-less) gone, the Australian metal scene is currently experiencing the biggest genre boom it has undergone since thrash metal originally emerged in the mid ‘80s. Back then, we brought our own quality acts to the fold, most notably in the form(s) of Mortal Sin and Hobbs Angel of Death, and the Allegiance in the ’90s. Yet, while the style had effectively remained dormant since then, the last five-to-ten years have seen an explosion in the amount of world-class thrash metal bands to have emerged from these southern shores.

Grind My Gears 2.0 – Test Launch

Since I started writing Grind My Gears, I’ve always focused on one project or band at a time. This has given me free reign to spew curse words and horrible imagery by the bucket load and I am inherently grateful to the editors and staff here for allowing me this. However, I feel like this column can step up its game. The other regular features on Heavy Blog are a cut above and such, from here on out, myself and whichever poor bastard I rope into helping me will try to match those standards. We’ll look at fresh grind compilations and releases, love letters to classic grind records and interviews and conversations with some of the cream of the modern crop. Maybe more, maybe less, I guess we’ll play it by ear (because it’s grind). Without further fanfare, please welcome your own damn self to Grind My Gears 2.0.

Heavy Rewind – 1987: The Year in Metal

Every once in a great while we have calendar years that see iconic releases across a range of styles. It is rare that we see this happen in just one particular style. 1987 was one such year, though, as the entire spectrum of heaviness saw iconic records drop like so many tears from the eyes of mainstream pop music stars that these albums would devour. At the time, it didn’t seem like this was any different of a year for music until fans started to take a look at their growing record collections and what would spin out from the influence of so many landmark albums.

Expulsion – Nightmare Future

Ever been in a real fight? A knock-down, drag-out brawl where chairs are launched, punches are thrown, and elbows are swung? Yeah, me either. Let’s be real, when a bunch of drunk dudes decide they want to start a fight for no reason whatsoever my first reaction is typically “check, please…”. There’s a part of me that wants to get into the thick of it, though. That primal, untapped portion of my psyche that not-so-secretly desires to feel the force of a fist slamming into my jaw, and my own bone-splintering retort. But I generally like my face (and most others’ faces as well), so seeing my handsome visage brutally disfigured over a disagreement regarding whose football team is the unequivocal and absolute best seems a bit silly. Thanks to our infernal overlords that we have grindcore and death metal to give wannabe brawlers such as myself a much less painful and infinitely more enjoyable release! Expulsion is the latest death/grind band to cross my ears and allay those violent urges, and with their debut album Nightmare Future they create a violent dystopia harsh and brutal enough to slake even the most fervent extreme metal fan’s bloodlust.

Origin – Unparalleled Universe

The past decade and a half has spawned a death metal olympics of sorts, becoming a competitive sport as drummers fight for the speed throne and guitarists fight to keep up. Origin completely changed the game with 2002’s Informas Infinitas Inhumanitas, forcing bands and especially drummers around the world back to the rehearsal room to practice tedious rudimentary endurance exercises. Despite their technical prowess, the band injected crafty and effective songwriting which only improved over the span of the four albums leading up to now. Unparalleled Universe is an exploratory affair that sees the band continue to reach beyond their carefully carved niche just enough to keep things interesting.

Grind My Gears – Teething

Look at any poster for a good grind show and it usually tells you exactly what you’re getting from the night in question. Often literally telling you exactly who the band is because you can’t read their logo, where they’re from and which particular flask of filth they sip from. Madrid’s Teething don’t have one of those unreadable logos and they’re marked down as simply “HM-2 grindcore”. Doing exactly that, these Spaniards have entered the world of full length grind releases with a record so typically HM-2 that it goes full circle into being fresh again. Pull up a seat and unfuck your earholes in preparation for some violent Spanish storytelling.