Grind My Gears – The Infamous Transatlantic Grind Symphony

I love it when the three carefully selected acts I throw in this column all have an overarching theme that I didn’t realise until the very last minute, forcing my hand and ultimately ensuring the introduction I had previously written gets fucked right into the sea. Projects built over the Internet with friends, new and old – hence the title, I’m sorry but there is not a real Grind Symphony, yet –  the next few bands Grinding My Gears range from veterans raising their fists at the sky, electric pink violence, and a new act that might just have released my favourite ten minutes of music this year.

Half-Life – Napalm Death, Pt. 1

There are very few bands in extreme metal that can be rightly considered significant influencers in the formation and development of multiple subgenres. Napalm Death are one of them. From their inception in Birmingham, England in 1981 through their most recent full-length output in 2015, the band have explored the…

The Aftermath – Vermine

Nuclear explosion footage is a fascinating and horrifying historical artifact: A massive mushroom cloud, houses within the blast radius being completely vaporized, unconscionable heat melting down everything in its path. We’ve all seen the footage. It’s a common and mortifying set of images that draw us back to humanity’s recent…

Bridge Burner – Null Apostle

Anyone who followed metalcore in the mid-to-late-2000s and early 2010s (e.g. me) remembers the movement of bands who declared in unison “we’ve heard some extreme metal and want to be like Converge and Entombed.” Whether their persuasion lied with the black metal, sludge or elsewhere, the key for bands who succeeded (Gaza, Trap Them, etc.)…

Death’s Door // October 2017

Welcome to Death’s Door, nerds. We’re freshly past Our Lord and Infernal Master’s designated holiday, and I’m so hopped up on candy and the blood of the non-believers that I can’t even function. Despite my shot adrenal glands and ever-expanding waistline, there’s a whole lot of premium death metal to cover, as has been the custom in this most nefarious year of 2017. Praise be. October is typically a fantastic month for premier releases, especially in the world of metal. In that regard, this October did not disappoint. Melodic death metal in particular saw a glut of fantastic releases, while death-doom and progressive death metal both unleashed releases that are poised to transform the way we think about death metal as a whole. I’ve said it before and I’ll say it again, 2017 is one of the finest years for death metal of nearly every shape and type in recent memory. This is legitimately the second golden age of death metal, and I hope and pray it continues in perpetuity. Regardless, let’s celebrate the health of the music we love while it continues to fester and rot in new and unexpected ways. Our picks this month pull from many different sectors of the death metal world. Post your picks in the comments and let us know what you loved/what we missed. Let’s do this.

The Metal Explosion: 1985 – 1987

If the story of 1980 to 1984 was how NWOBHM (and more specifically, Iron Maiden) awoke metal from its dormancy to tear the boundaries of popular music, then 1985 – 1987 is about the coronation of thrash metal atop the metal throne, and the subsequent underground rumblings of a closely linked cousin, a blood brother faster, more brutal, and more astonishing — death metal.

Dispatches from the Port Phillip Bay Area – Into the Pit of Australian Thrash Metal

Due to the way we’ve decided to divide up the time zones, correspondence with an international audience from the humble southern continent of Australia often feels akin to looking into the past. Yet, despite this perceived futurism, Australian culture often trails its American and European counterparts by some distance. So it is that, while the northern thrash revival has come and (more-or-less) gone, the Australian metal scene is currently experiencing the biggest genre boom it has undergone since thrash metal originally emerged in the mid ‘80s. Back then, we brought our own quality acts to the fold, most notably in the form(s) of Mortal Sin and Hobbs Angel of Death, and the Allegiance in the ’90s. Yet, while the style had effectively remained dormant since then, the last five-to-ten years have seen an explosion in the amount of world-class thrash metal bands to have emerged from these southern shores.