Death’s Door – July 2018

Hello my Hellions, and welcome to Death’s Door. Don’t even bother wiping your feet on the mat this time around. The blood runneth over. What an absolutely insane summer it’s been for death metal. So great that we’ve had to eliminate a multitude of records from our monthly list because…

Half-Life – Napalm Death, Pt. 1

There are very few bands in extreme metal that can be rightly considered significant influencers in the formation and development of multiple subgenres. Napalm Death are one of them. From their inception in Birmingham, England in 1981 through their most recent full-length output in 2015, the band have explored the…

The Lion’s Daughter – Future Cult

Experiments. They don’t always go well. Think Shelley’s Frankenstein’s Monster. Morbid Angel’s Illud Divinum Insanus. Flubber. Art, science, and technology are rife with examples of new ideas gone awry, and the consequences these failures exact on their originators and society at large. In metal, experimentation (obviously in definition completely dependent…

Heavy Rewind // Cathedral – The Ethereal Mirror

Just two years after their debut, Cathedral pumped up the tempo and incorporated a slew of influences stretching beyond their solid, but somewhat limited, doom metal sound on Forest of Equilibrium. Shades of sludge à la Black Flag and The Melvins are most apparent, but the band reaches further beyond the low-and-slow realm to pull in influences from hard rock, heavy metal and progressive rock. Most importantly, the band’s vibrant personality sheds its skin entirely and reveals its true colors, thanks in large part by an unhinged, dynamic vocal performance from Lee Dorrian. It’s an exceptional combination that slightly edges out the band’s initial groundbreaking efforts. Whereas several bands contributed to the sound developed in part by Cathedral on Forest of Equilibrium, there’s never really been an album that sounds quite like The Ethereal Mirror, and it remains a multifaceted album with reverberations felt in music from the likes of Baroness, Pallbearer and a decent chunk of modern stoner metal.

Construct of Lethe – Exiler

The balance between technical nuance and sheer, unadulterated power in death metal is not always easy to strike. Often (at least to these polluted ears) it feels as if death metal bands must sacrifice one for the other, or fail miserably attempting to incorporate both. It’s an understandable difficulty. Technical…