Fallujah – Undying Light

Major lineup changes, particularly from the replacement of a member fundamental to the band’s sound like a founding vocalist, can cause a clear divide in not only a band’s fanbase, but the narrative of the band’s discography into distinct eras. Bay Area progressive death metal act Fallujah have just entered their own new era of music following the departure of vocalist and keyboard player Alex Hoffman in 2017.

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Half-Life – Parkway Drive

Parkway Drive have come a long way since the days of all-ages, community center shows at which I became acquainted with them. For one thing—going by the banner picture above—drummer Ben Gordon is now rocking an impressively luscious set of golden locks, while guitarist Jeff Ling is showing his seniority…

The Anatomy Of: Zaius

When I got my hands on Zaius’s new album for the first time, I was immediately interested in what makes such a band tick. They seemed firmly rooted in the emerging Chicago post metal/rock scene but also of their own type, their music infused in something unique. I jumped on…

Hey! Listen to End!

The word “savage” gets thrown around in conversations about extreme music a lot. Honestly, too much. Way too much. So much in fact that the word itself has begun to lose any and all meaning. You know the argument: If everything is savage, nothing is. Because pulling out the thesaurus…

Comeback Kid – Outsider

The thing about old hardcore bands is that they kind of never really die. There is inevitably some festival or other, especially these days, that will invite X or Y legendary hardcore band to get the kids to circle pit and stage-dive one more time all while pointing to the sky and shouting along unintelligibly to, usually, lyrics about how important it is to stand on your own two feet, rise above some aspect or another of society, and be true to yourself. There is a reason for this, though, and it’s because of a certain timelessness to the cliches that present themselves in what we think of when we call something “hardcore”.

Today “We’re Holding On to Nothing” With Fortis Amor

With little to no information, I got my hands on Fortis Amor’s latest tracks. Who in god’s name is Fortis Amor? Good question! It’s exactly what I asked myself as I opened the email. Turns out, Fortis Amor is a pretty damn cool solo project dabbling in progressive metal and metalcore. I know! Usually those tags are enough for me to slam my laptop shut and have a strong drink. However, no such measures are needed here; Fortis Amor’s music manages to eschew most, if not all, of the pitfalls of the genre. Everything you’d associate with it is there: clean vocals alongside screaming which draws on Misery Signals, intricate leads and guitar trade offs, odd time signatures, the works.

Hollow Earth – Dead Planet

It seems as if 2016 is a fantastic year for science fiction themed metal. From the gnarly, twisted tales of Vektor to the bombastic space opera of Khonsu, metal about science fiction is seemingly everywhere. Well, the time to draw up the data-tablet and add one more name before the year is done has arrived; Hollow Earth are set to release their Dead Planet on the 2nd of December and boy is it science fiction. It’s also a damn good album, offering a strange mix between metalcore and sludge, of all things. This seemingly paradoxical mix yields a uniquely aggressive album, channeling the different and often opposite timbers of the two genres into an impossible, astral beast.

Hey! Listen to Exist Immortal!

Somehow, I’ve become the resident progressive metalcore writer for the blog. It’s funny, because I don’t quite fit the bill of the “usual” fan of the sub-genre; perhaps it’s my background in cheesy power metal and progressive metal that enables me to sift through the chaff that makes up a lot of the sub-genre today. Regardless, there are still gems to be found within the ruins (get it) of the scene today and I’ve written about some of them in the past. Today, I’m here to tell you about another one: Exist Immortal and their latest album, Breathe. It features the basic elements which made Misery Signals great coupled with clean vocals, large synths and pop influences that make us think of Devin Townsend. Together, these two sides of the coin create an often complicated album which nonetheless manages to be catchy and moving.

What Heavy Blog Is Really Listening To – 9/9/16

For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.