Irata – Tower

Like many of you, I’m always scrounging for something heavy to introduce to my non-metalhead friends; something that can be tossed on at a party without thought or kept in the pocket for crowd-pleasing carpooling tunes. Modern stoner rock lends itself particularly well to this task. With vocal lines that…

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Doomsday, April 2019

Greetings unto thee, heaviest of Heavy Bloggers! Hopefully, the majority of you have emerged from your wintry dens of protection and gotten some sun on your bodies. Maybe you even enjoyed that special holiday in April that doom dudes are really into. I’m speaking, of course, about Earth Day. What…

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Dub Trio – The Shape of Dub to Come

Eight years is an uncommonly long wait between chapters in any band’s story, but Dub Trio have always had a lassez-faire attitude to convention. Indeed, you can count the number of instrumental three-pieces forging a hybrid of heavy garage rock and experimental dub reggae on the fingers of one finger. Even…

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The Anatomy Of – Druids

Hello and welcome to another edition of our “The Anatomy Of” series, where we give bands the figurative microphone and let them talk about their biggest musical influences. The merits should be clear: through these picks, we can get an insight into what makes bands tick, stressing the reality that…

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154 – Bad Things Are Good Again?

Heavy Pod Is Heavy Cast!

We’re back after the break, and we’ve got a lot new music to complain about! Namely Periphery, Numenorean, Shokran, In Flames, Fallujah, East of the Wall and Aenimus! Also this cool like Mastodon live show with Scott Kelly, then cool people time with Apostle, Punisher Season 2, Star Trek Discovery Season 2, The Bureau, and Apex Legends. Enjoy!

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All Hail the Yeti – Highway Crosses

Few bands have suffered from the dreaded “sophomore slump” in recent memory as much as Los Angeles’ All Hail the Yeti, The metal world waited four long years following their promising, self-titled, 2012 debut, only to be greeted by the abominably disappointing Screams from a Black Wilderness (2016), which saw…

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Gorod – Aethra

On the surface, the concept of ever actively reducing complexity seems fairly antithetical to entire purpose of technical death metal. Considering that this is a genre that prides itself on taking an already extreme form of music and heaping layers of further intricacy on top, why would one ever want…