The Anatomy Of: Astronoid

We have (along with the rest of our niche of the community) been singing the praises of Astronoid for quite some time now. If you’ve never run into the name, imagine what would happen if you take a dream and then crash-landed it into a thrash metal concert. The guitars go fast, the drums blast away but the vocals are clean and soar high above the music. In composition as well there is a marked style, a bright, lazy, honey-slow drip that just pulls you right in. It’s like a hot, summer day when you were a child and the hours drew out in the long, dark tea time of the soul (as one Douglas Adams puts it) into a pastiche of nostalgia, fear, hope and dreams.

What goes into such a broth? How does a band like this come to be, seemingly emerging from nowhere to revolutionize what we thought was possible within the somewhat stale confines of thrash? Instead of speculating, hear it from the band themselves! We reached out just after our interview and asked the band our fateful, Anatomy Of question: what made you the musicians that you are today? More specifically, which musicians contributed to how you write, think and perform music? Below you can find styles ranging from progressive pop to Norse metal and much in between. Blast Air in the background and get ready to dive into what makes Astronoid tick.

36 – The Elitist Ones

So, we’re back, unsurprisingly. This week we cover a lot of news, and go deep on politics! Specifically, Brexit and how it affects the music industry, the whole hubbub about complaining about SJWs in metal (not gonna link that article) and the counter-hubbub, David Maxim Micic’s Stock Challenge where he made an EP with just free stock plugins, Steven Wilson’s cover of Prince getting removed from streaming services, this relatively older article about Spotify’s research on metal fans being more loyal listeners, Phil Bozeman of Whitechapel complaining about elitism on their new video, more info about the Agalloch breakup, Cavalera Conspiracy performing Sepultura’s Roots in its entirety live on its 20th anniversary, Tom “Fountainhead” Geldschlager and his copyright troubles with Obscura, Einar from Leprous joining Haken onstage, Wardruna/Enslaved/Skuggsja’s Norse By New York event, and Incendia management’s music PR event. We also talk about new music from Fountainhead, Periphery, Soilwork, Thank You Scientist, The Dear Hunter, Ringworm and Myrkur. Finally, we talk about hype culture and how it poisons everything. Enjoy!

What Heavy Blog Is Really Listening To – 6/17/16

For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.

What Heavy Blog Is Really Listening To – 6/3/16

For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.

Rewind – On Leprous, Dancing And The Joy Of The Crowd

It’s a relatively chill night and for that, I am grateful. It’s certainly set to be much hotter inside, as Leprous take their stage with their famously electric live act. I’ve arrived early, as I usually do, but after a few minutes of waiting, I step into this typically Israeli room. It’s not exactly what you’d expect from backstage; the venue is also a theater, most of the time. And so, old sofas are strewn about, refreshments are placed on a folding table and the whole thing gives off this strong vibe of an half-improvised backdrop to the interview. Except that, on the sofa in front of me, sit Einar Solberg (vocals) and Tor Oddmund Suhrke (backing vocals and guitar), in the by-now-trademark, sleek black clothes which Leprous usually don when on-stage.

Ne Obliviscaris Turn Their Eyes On The Industry And Their Fans To Patreon

Look, it’s no secret that the music industry as a whole, and metal music specifically, is undergoing a paradigm shift. Streaming, piracy, new business models and more are putting a dent into the presuppositions and assumptions which have kept it going in the past few years. More and more, we find bands turning to alternative financing models, whether it be subscription models like Protest the Hero or crowdsourcing like…too many bands to name right now, but sikTh, Aliases, Painted in Exile and Leprous spring to mind. That being said, what these new models mean and how they work is still very much a new field: what do fans expect in return and how does it affect their perception of the band? What should bands ask for and when?

18 – Engage The Riff Machine

Episode 18! This week we get pretty rambly and political, so warning! Opinions contained within! Including those on subjects like Kanye West, new Fallujah, new Wormed (see below), Eagles of Death Metal on gun control, Leprous’s crowdfunder, The Grammys, and Skuggsja. We also discuss the sudden passing of Riverside guitarist Piotr Grudzinski, Greg Puciato’s take on …And Justice For All, new music by The Odious and more. We finally get to talk about the techno thrash phenomenon of the early 90s, then discuss avant-garde metal, and go balls deep on Lamb of God! Enjoy!

Beyond the Veil: A Match Made in Seven, or Progressive Metal’s Affair With 7/8

Welcome to “Beyond the Veil”! In this feature, its name (partially) taken from the Gods of Eden track, we’re going to delve into some theoretical aspect of the music we love in an effort to elucidate the behind-the-scenes workings at play, but in a largely jargon-free manner intended to be accessible to those who don’t necessarily have a music theory background.