Tag Archive: Lamb of God


Lamb Of God – Resolution

Lamb Of God

Resolution

01. Straight To The Sun
02. Desolation
03. Ghost Walking
04. Guilty
05. The Undertow
06. The Number Six
07. Barbarosa
08. Invictus
09. Cheated
10. Insurrection
11. Terminally Unique
12. To The End
13. Visitation
14. King Me

[01/24/11]
[Roadrunner Records]

Longevity in bands is a strange beast — some bands make the best of it and some have some pretty well documented struggles with it. Take for instance prog legends Rush, that are set to release their 19th album later this year to what looks likely to be a rapturous reception after the way their recent single was received, but it’s bands like Metallica that are the most fascinating. Despite having a recent output that ranges solely from the above average (Death Magnetic) to the frankly dreadful (St. Anger), they’re still the biggest metal band around and essentially sustaining their lucrative lifestyle off the back of achievements made at least 20 years ago. You could argue that Metallica fans simply suffer from ‘battered wife syndrome’ or that they made such an impact with early material that it doesn’t matter, either way it’s an interesting insight into the way popularity and quality interlinks.

It would be hard to argue against the idea that Lamb Of God are, by far, one of the most important metal bands of the 21st century, maybe even the Metallica of our generation. Taking as much inspiration from Pantera as they do Slayer, you only have to listen to the quality of an album like Ashes Of The Wake to understand why they were able to put one of the final nails in the coffin of the declining nu-metal trend and become of the main proponents for the ‘New Wave Of American Heavy Metal’ psuedo-genre. But the attention span of us consumers is a fickle one, so after six studio albums that showed a fairly paced and natural progression, you’d be forgiven for asking ‘what are Lamb Of God doing that’s still relevant and why should I care?’

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One of the most exciting new things to come about in this metal scene in the last couple of years has got to be Matt Halpern’s innovative service Bandhappy. If you haven’t heard our harping on the subject enough to know what its all about, it’s the first website that allows live music lessons to take place between professional musicians and fans. It won’t be long before you can take lessons on the instrument of your choice from some of the following names:

Teachers that have already signed on include Tosin Abasi (Animals as Leaders), Rich Redmond (Jason Aldean), Gil Sharone (Stolen Babies), Jeff Loomis (Nevermore), Ben Weinman (Dillinger Escape Plan), Mike Mowery (Outerloop MGMT), Chris Adler (Lamb of God), Willie Adler (Lamb of God), AJ Minette (The Human Abstract), Evan Brewer (The Faceless), Paul Waggoner (Between the Buried and Me), Rody Walker (Protest the Hero), Peter Wichers (Soilwork), Louis Cato (Marcus Miller Band), Spencer Sotelo (Periphery), and more.

I can’t stress the “and more” enough, because the possibilities are vast. Registration privileges for students and teachers begins tomorrow at 11 am EST, and the first lessons will begin on Monday, January 9th. Exciting! Above, you can watch a tutorial that displays the ins and outs of using the site as a student. After the jump you can watch a similar tutorial for being a teacher on Bandhappy. Get involved!

- JR

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In an unfortunate turn of events it seems that vocalist Andy ‘Weedgrinder’ Horn and guitarist Nick ‘Nikropolis’ Poulos have parted ways with weed-obsessed, death metal merchants Cannabis Corpse. Despite this, the band will continue to play shows and release material as stated in this Lambgoat newspost.

Most importantly though, after the recent death of GWAR guitarist Cory Smooth, Cannabis Corpse were set to play the benefit show in his name scheduled for the 7th of January at the Canal Club in Richmond, Va. Thankfully, friend and local resident Randy Blythe of Lamb Of God has announced through his Twitter account that he plans to stand in on vocals for the show which should make for an interesting dynamic. All proceeds go directly to the Smoot family and guitars from both Municipal Waste and GWAR will be given away in a raffle. All I can say is that, if it was in any way viable for me to get to that show, I would but it looks like I just have to enjoy the highlight reel when it gets uploaded to YouTube. In the meantime, however, check out ‘Gateways To Inhalation‘ from the 2011 Cannabis Corpse album Beneath Grow Lights Thou Shalt Rise posted above — it kills.

- DL

Lamb Of God have certainly settled into a pattern with these last few album releases. Every three years or so we’ll be graced by an album, normally with a singular word title, that we’re told is ‘heavier, faster and better’ than the previous one. The first single will be a straight forward romp through their signature sound that, by now, you’ve made a decision as to whether it interests you or not.

So it’s complete unsurprising that “Ghost Walking“, which you can listen to over at Metalsucks, is exactly that. There’s heavy riffs, grooving drums and Randy Blythe’s signature rasp. There’s even a pretty good solo half way through and a chance to chant along near the end which will pretty much guarantee it’s inclusion into their live set.

 

And well…

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These days it seems that for every band out there, another instrumental band comes out with an album or something along those lines. When I was younger I used to love instrumentals to death but my lack of resources and knowledge of how to source out new music has kept me in this bubble filled with vocals. Though this past year has opened up a lot of doors for me and I have really expanded my love for instrumental music. It has always been a part of my life too. I used to listen to Metallica‘s “Orion” on repeat for hours. Songs like “Ashes of the Wake” by  Lamb of God and other oddities like “Spanish Fly” by Van Halen have always been standout tracks that I listened to more then the punk and generic rock I was into at the time.

Now I have expanded my love for instrumental music due to an immense plethora of outstanding musicians releasing quality instrumental albums. Bands like Animals as Leaders and Scale the Summit have impacted me in a big way, so here are five of my favorite instrumental albums.

5. Protest the Hero – Fortress (Instrumental Version)

It would be criminal not to include this gem. Rody Walker provides some of the most memorable vocal hooks on Fortress and steals the show in some aspects – but Fortress works remarkably well as an instrumental album too. It moves the focus and you get to hear the songs in a different context. I am not going to go so far to say that the vocals shadow the bands talent, but the instruments here tell their own story too, and contrary to what you might expect it doesn’t feel too shreddy and is very modest as the songs were written with the vocals in mind. It is just riffs, hooks, shred and well composed songs; not too over the top, but with the same amount of punch you expect from a band like Protest the Hero. The lack of vocals bring out some of the best in the band too, like the completely underrated keys and sexy bass, and after hearing it the context of both versions became more important.

4. Cloudkicker – Portmanteau

Clocking in at just 20 minutes, Portmanteau goes above and beyond what one would expect from your typical shred album. Portmanteau creates atmosphere. Though it is faster and catchier than most of Ben Sharp’s releases, it maintains that sometimes composition triumphs technical ability. He uses a very unique mixing technique that allow several layers and melodies to be a part of the music without making it too crowded. There are always three or four things going on at one time, yet it manages to sound dense without being a bunch of noise: at some points you will have chords strumming through a progression in the back of the mix alongside another line of atmospheric keys. It will have all of that happening behind the drums and lead guitar melody. It works beautifully too because all of the aspects compliment each other and focus on what is important throughout the composition. This album is also one of the first instrumental albums I had ever listened to, so it has added sentiment there; it is just something I can immerse myself in.

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I don’t know why I was so surprised to read on Blabbermouth about Robb Flynn discussing the 20 year anniversary of Machine Head. Granted their debut came out in 1994, but still; I guess it just doesn’t feel that long, especially with The Blackening and Unto The Locust causing them to be probably more relevant than ever. It seems like after wave upon wave of metalcore/mallcore bands name-dropped them and Pantera as primary influences, everyone slowly started to realize that no one could quite crack their sound in the same way and instead of drinking from the brook they began to take from the river directly. Obviously, Machine Head borrowed heavily from other bands too, but my poorly worded metaphor makes some sense.

Personally, I have no time for new Machine Head. It just doesn’t appeal to me and I don’t get the hype. There’s nothing inherently wrong with the sound and it sure as hell is a definite improvement on this but I just can’t appreciate it. Maybe I’ll give those new records a try again someday but for now their career begins with Burn My Eyes and ends with The More Things Change for me – two albums that I grew up with. I must have been roughly 2 or 3 when my parents bought this album but my life is littered with memories that are soundtracked by “Old” or “Ten Ton Hammer” and I’ll still come back to them periodically. Neither record is perfect but they’re definitely great, there aren’t many bands that could create such a tight and heavy groove like they do on “Davidian” and you can most definitely tell where bands like Lamb Of God take their influences from.

So for the sake of nostalgia/furthering your knowledge, why not take a couple of minutes to appreciate a real classic that has had a profound effect on modern metal?

-DL

The lead vocalist of a metal band that has seen some mainstream success has a certain image to uphold. Like it or not, the typical Ozzfest-type metalhead stereotype (you know the kind I’m talking about) sort of perpetuates and expects the idea of a tough macho guy. That’s why dudes like Zakk Wylde and Jamey Jasta are so popular. They’re tough guys, dammit.

In that regard, I’d like to tip my hat in the direction of Randy Blythe, vocalist of Lamb of God. Late last week, he tweeted the above picture of himself in pink flamboyant makeup a clothing in support of breast cancer awareness, which takes not only a huge heart, but huge balls. While I disagree with his thoughts on djent and subgenres, this is something I can definitely respect. Seriously, he walked for 3 days and raised around $5,000 for the cause. Amazing!

You can read up on his walk and see more pictures by checking out his Twitter page. Good on you, Randy! You’re an inspiration.

- JR

The word “djent” in and of itself is enough to bring any meaningful discourse to a grinding halt, as you can see above. Like it or not, it’s a thriving and lively force in metal culture and it’s best to come to terms with it now, because it’s unlikely to fade for another year or so, and even then you’re going to have the same sort of second and third gen revivals and knockoffs that metalcore has been seeing. Then again, everyone has their opinions and is entitled to them, but it’s always hilarious when someone gets a little too excited over something as trivial as this, especially if they’re in a position of celebrity. Enter one Randy Blythe, vocalist of seminal metalcore band Lamb of God.

The PRP has ran a colorful news piece this past weekend that highlights Blythe’s twitter tirade, where he touches on lack of innovation and the always controversial djent (and apparently a knock at crabcore as well):

“THE STUPIDEST name yet for ANOTHER “genre” of metal. If you call yerself “djent”- cap yerself NOW”

“THERE IS NO SUCH FUCKING THING AS “DJENT”. ITS NOT A GENRE. I’m sorry, it’s STUPID AS FUCK. Metal already WAY over classified.”

“…all this BULLSHIT “Deathcore” & “Djentcore” & fucking “Cantplayinreallifebutcanonacomputer-core” it’s just a NAME”

“People can call themselves WHATEVER THEY WANT- it’s fucking heavy metal- this sub-classifying shit is a pathetic attempt to say that you are re-inventing the wheel. YOU ARE NOT. ITS FUCKING HEAVY METAL. Get over it. “Djent”? ARE YOU KIDDING ME?”

“I can say that I am a fruit bat, copy fruit bat movements, & soon all my friends will too. Then we will have fruitbatcore. Can we fly? NO.”

“No, Meshuggah is NOT “djent”. Meshuggah is MESHUGGAH. FUCK.”

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Jamey Jasta – Jasta

Jamey Jasta

Jasta

01. Walk That Path Alone
02. Mourn The Illusion
03. Screams From The Sanctuary
04. Nothing They Say
05. Anthem Of The Freedom Fighter
06. Something You Should Know (feat. Phil Labonte)
07. Set You Adrift
08. Enslaved, Dead, or Depraved (feat. Randy Blythe)
09. With A Resounding Voice (feat. Tim Lambesis)
10. The Fearless Must Endure (feat. Zakk Wylde)
11. Heart Of Warrior (feat. Mike Vallely)
12. Death Bestowed (feat. Mark Morton)

[07/26/2011]
[E1 Music]

It goes without saying that your opinion of Jamey Jasta’s new solo album will have a lot to do with your current opinion of Jamey Jasta himself.  No one can fault him for his tireless work ethic and commitment to making music (he currently has three other bands; his main squeeze Hatebreed, as well as Kingdom of Sorrow and Icepick), but if you are not a fan of his other projects or his general vocal style, Jasta is not for you.

Jamey has claimed that these songs were ‘too different’ to put out on a Hatebreed, KoS, or Icepick album, thus electing to put them out on a solo album, but I’d argue that most of the tunes on Jasta would fit right in on an album from one of his other projects. It’s a fairly straightforward, fun album that is a bit hit-and-miss. If you are a Jamey Jasta fan you will enjoy it, if you are not you shouldn’t expect to be converted on this release.

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Ugh, I hate this whole retailer exclusive bonus DVD business. It’s either terrible content almost no one cares about (in the case of Born of Osiris’ The Discovery, it was just studio videos available on the band’s Youtube), or it’s really good and you’ll be missing out. Especially a brick and mortar store doing exclusives is really bad, because they’re pretty hard to find if you don’t live near one. Anyway, I’ve decided that it’s worth the time and effort to keep our readers aware of the content of these bonus materials so you can decide whether it’s worth the extra effort or not. This time I’ll be doing Winds of Plague‘s Against the World, and the bonus content is the Hot Topic exclusive DVD. Yes, Hot Topic, ugh. I actually had to go in the store to buy this one, and it was as awkward as ever. But are the contents worth it?

First of all, you should read my review of the album. If you still care, keep reading. The mileage you get from this DVD will be heavily dependent on how much you like the band itself. The contents of the DVD is basically a bunch of well shot live footage interspersed with random videos the band captured during their touring experiences. First the random videos part. I usually find it hard to care about random tour videos of bands, especially if they’re not bands that I’m heavily fanboying over. The footage here was a mixed bag in my opinion. There were some pretty dull moments, but there were quite a few shots that were so random that it was entertaining. The band chilling out with drunk midgets in an outdoor festival, hiking on cliffs, and the vocalist Johhny Plague (ugh) showing us the circus he works at (seriously). Most bands have a short amount of footage and most of it is dull, but the band’s antics are pretty amusing in this case. There’s not too much of awkward drunken/high moments of the band in a tour bus, it’s usually the band doing crazy stuff. There’s also a short shot of the band’s drummer Art Cruz filling in for Lamb of God. Another highlight was the band preparing for a Halloween show with ridiculous costumes and makeup (one member paints himself black, calling himself Tupac, which is hilarious or terribly offensive depending on your point of view). Overall, the random footage was pretty entertaining.

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