Trivium are a band in a unique position. They exploded onto the scene very early on, accruing a lot of fans and haters simultaneously. After putting out an album that helped define a generation, they stepped back from the spotlight a bit, but their most interesting material actually came out…
Progfest may not be a name which is too familiar amongst many of our readers. This small, traditionally Melbourne-based music festival has been going strong and steadily growing for the past 10 years and features noted alumni such as Ne Obliviscaris, Caligula’s Horse, sleepmakeswaves, and Twelve Foot Ninja, all of…
Earlier in the week Eden introduced us to fun-loving Canadian weirdos Bird Problems, and I couldn’t help but think that Australia must have something of the sort. Enter Triple Kill, relative newcomers to the heavy metal scene in Melbourne. The quintet play straight up heavy metal, with drummer Connor O’Keane listing some of their key influences as “Iron Maiden, Blind Guardian, Lamb of God and Pantera”. Add to this mixture of power metal and groove some distinct characteristics from both thrash and melodic death metal and you have yourself Triple Kill’s core sound. However, things don’t just stop at the music. Triple Kill have quickly made a name for themselves for producing some fantastic, hilarious videos. But hey, don’t take my word for it, check out the band’s introductory video below:
Due to the way we’ve decided to divide up the time zones, correspondence with an international audience from the humble southern continent of Australia often feels akin to looking into the past. Yet, despite this perceived futurism, Australian culture often trails its American and European counterparts by some distance. So it is that, while the northern thrash revival has come and (more-or-less) gone, the Australian metal scene is currently experiencing the biggest genre boom it has undergone since thrash metal originally emerged in the mid ‘80s. Back then, we brought our own quality acts to the fold, most notably in the form(s) of Mortal Sin and Hobbs Angel of Death, and the Allegiance in the ’90s. Yet, while the style had effectively remained dormant since then, the last five-to-ten years have seen an explosion in the amount of world-class thrash metal bands to have emerged from these southern shores.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
Djent had an explosive entrance into the world of heavy music, around the start of the decade. It was a truly exciting occurrence, with first-wave acts like Periphery, Animals As Leaders and Cloudkicker filtering the technically-driven progressive sound of acts like Meshuggah, Sikth, and those of the budding “Sumeriancore” movement, into something altogether more accessible, while still retaining much of their forebears’ technical and progressive edge. Yet, like most new sub-genres, djent quickly devolved into pastiche and gave way to over saturation—perhaps a little bit quicker than most. Djent, it seems, has had a propperly ballistic trajectory, and—in 2017—as its momentum trails off, it’s hard to get excited about this once-promising phenomenon.
Anticult’s lead singles are both textbook examples of how late career albums tend to bisect veteran bands’ fan bases. On the more vocal side are evergreen Decapitated fans who tolerate just about anything a band does while aggressively dismissing any dissenting opinions; to quote directly from the comments: “Hate all the people comparing those tracks to the “old” Decap. Fuck, its a new constellation with a switched style, so get over it and enjoy or leave.” Then there are traditional Decapitated fans, at whom these types of comments are directed. In their view, everything since Carnival is Forever has embodied the steady decline of an integral architect of modern tech death, and fans who’ve embraced the band’s last few records are doing so solely because of the name attached to music they’d be otherwise indifferent about.
2016 has been chock full of great releases, some of which we (sadly) missed out on. We can’t post about everything or we’d be up to necks in content (first world problems, I know)! One such release is Oni’s Ironshore, a progressive album that’s extremely cohesive and endearing. Rooted firmly in complexity, Ironshore nonetheless manages to evoke melody, emotion and conviction. Listen to “Kanvas” for example: amidst breakneck keyboard work, intricate guitar lines, harsh and clean vocals, hides an honest emotional streak that runs throughout the album and ties it all together.
Seeing as the album is so intricate, we thought we’d get the band to shed some more light on the influences that make them tick as musicians. We hoped it would give us more insight into what seems like another, incredibly strong addition to the annals of modern progressive metal and boy, we got more than we bargained for! Head on below to read their in depth and enlightening list in one of our personal favorite Anatomy Of posts!
Leave it to Italy to bring us a band like Destrage. With their music striking an impossibly fine balance between relentless progressive metal and all sorts of silliness, the band blew us away with 2014’s Are You Kidding Me? No, somehow keeping up an almost playful sense through the album while simultaneously…
Canadian darlings of metal. From rebellious teens skipping school to do interviews on Much Music, to the trailblazers of monetization and fan service, Protest the Hero are one of the most celebrated bands here at Heavy Blog. Ever since the blog has been founded, we’ve been following their history, progression and growth. It’s safe to say that of the latter, they’ve had more than many other bands in the scene; constantly wrong-footing their audience and themselves, indulging in new directions and approaches, Protest the Hero are one of the most varied bands in metal today.
That being said, a bird’s eye overview of their career might garner us more insight than living their twists and turns in the day to day. By zooming out of the nitty gritty, we might be able to trace a path, an intention or a trajectory from what might, otherwise, be construed as “simple” experimentation. Will we be able to do that or shall the evolution of Protest the Hero remain helter skelter? Join us below and let’s find out!