Unfortunately I don’t have a fun or a dab-inducing dank reference for the episode title this time. Just a regular old episode. We discuss new music. Mike Shinoda’s EP, Justin Timberlake’s album, Cyclamen’s new album, Misery Index’s single, Judas Priest’s new song, yndi halda’s EP, and August Burns Red’s Messengers Remixed. We also talk about Matt Heavy from Trivium streaming his practice and gaming sessions, and how Best Buy and Target are trying to get rid of CDs. Devin Townsend is quitting DTP, and we discovered this Metallica show that was filmed in Antarctica. Finally, cool people time. The new Netflix cyberpunk show Altered Carbon is amazing. Also Celeste and Subnautica are cool games.
Welcome back to our Taxonomy series, where we break down umbrella genres like progressive metal, post rock and doom metal and outline all of the progressions and sub-genres that have matriculated over the past few decades. This installment in the series is going to be a bit different, since we’re…
The first episode of 2018 has to be a shitshow right? Noyan is away moving coasts (like, literally moving several coasts, not changing apartments), so we have Simon instead. Eden’s power cuts out several times during recording, both of them have terrible opinions and hilarity ensues.
They did get around to talking about stuff like new music from Justin Timberlake, Mammoth Grinder, Judas Priest, Vessel of Iniquity and Nightmarer. They then speak about Soundcloud kinda maybe going to 64kbps and Spotify getting hit with a huge lawsuit, which leads to an in depth discussion on the tools we use to listen to music. Then, they turn to the sucky treatment by the community of the rape and kidnapping charges against Decapitated being dropped, our newsletter (sign up below!), Simon’s 2017 and personal AOTY list and albums they’re looking forward to in 2018.
Cool people time includes Getting Over It with Bennett Foddy and Master of None!
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Well, here we are – another year full of new releases. In lieu of our weekly Release Day Roundup, we thought we’d preview the months ahead of us and highlight which albums we’re most heavily anticipating. This is by no means an exhaustive list, and we hope you’ll comment with…
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
Writing a standout doom metal album is a difficult task nowadays. This isn’t due to an overall lack of quality within the genre’s modern progenitors, but because of the antithesis; more and more excellent doom metal albums seem to enter the running for our year ends lists with each passing year. MONARCH! (Monarch from here on out) has never struggled with this endeavor over the course of their 15-year career, particularly when it comes to their recent output with the eminent Profound Lore Records. Yet, while Sabbracadaver was certainly a doom highlight in 2014, Never Forever sees the band returning this year with their most colossal and grandiose album to date, presenting a masterful synthesis of drone metal with doom’s more macabre characteristics. We sat down with the band to discuss the process of writing their latest epic, as well as a handful of other topics related to their past, present and future within the shifting landscape of modern doom.
If you’re into extreme metal in any capacity, the name Dallas Toler-Wade may no doubt ring a few bells. You may best know him from his two-decade tenure as vocalist and guitarist for seminal death metal band Nile before his departure earlier this year. Now, his project Narcotic Wasteland — whose self-titled debut album dropped in 2014 — is back as a full-time unit rounded out by drummer Phil Cancilla (Hank 3), guitarist Edwin Rhone, and bassist Chris Dupre.
As the group are gearing up for the release of sophomore album Delirium Tremens (due October 13th through Megaforce), Dallas himself was kind enough to give us a rundown of the most influential bands and albums that shaped his growth as a music fan and as a musician. Get a look into The Anatomy Of Dallas Toler-Wade’s musical development below.
Last week on Voices of The Void, we discussed the idea of fachs in the metal world. If you haven’t read up on the Dio fach, do yourself a favor and get caught up. After Dio established his voice as uniquely metal, new personalities quickly hit the scene with new vocal ideas. The next big metal voice was Rob Halford, frontman of legendary metal gods, Judas Priest. For this segment about him, you can follow along with our nifty Spotify playlist at the end.
Oh boy, it’s time to have some fun. Yeah, you heard me; The Neptune Power Federation is here to deliver the vibes first created in the heat of the mid-late 60’s, blending off the cuff science fiction, bright colors and fuzzy guitar riffs into one heady concotion. Remember when heavy metal/rock was all…
To put it plainly, Ruby the Hatchet’s second full-length offering, Planetary Space Child, reeks of 70s goodness. You can smell the High Life on its breath, the stale weed in its hair, and the sensual mingling of Marlboro funk and stage fog.