Tag Archive: iwrestledabearonce


As polarizing as the band are, iwrestledabearonce won me over with last year’s Ruining it for Everybody. I think the record was legitimately fun and enjoyable, and I don’t really understand where all these accusations of the band being all ironic about their music came from. Sure, they don’t take anything seriously and they like to have fun, but you can sort of tell they write and play their music because they care, not because of some inside joke that amounts to, “it’d be kinda funny if we were in a shitty metal band, you know?”

Or I could be wrong. Whatever. It’s hard to tell these days.

Based on what I’ve heard, IWABO can put on a good live show. I’ve never seen them personally, but I know Noyan and our good friend Tre Watson saw them last year and they ended up playing instrumentally because vocalist Krysta Cameron was sick, and they thought the set was excellent. Maybe some cities on their upcoming Road To Metalfest tour (featuring the likes of Molotov Solution, Glass Cloud, and The Greenery) will be as lucky and feature the band as instrumental. Not that I hate Krysta with a passion (only slightly!), or anything. It’d just be rad as shit. Fingers crossed!

Here are the dates, below.

04/16 Oklahoma City, OK – Conservatory
04/17 Memphis, TN – New Daisy Theater
04/18 Knoxville, TN – Valarium
04/20 Springfield, VA – Empire
04/21 Worcester, MA – The Palladium (New England Metal And Hardcore Festival)
04/23 Pittsburgh, PA – Altar Bar
04/24 Evansville, IN – Boney Junes
04/25 Bloomington, IL – The Castle Theater
04/26 Des Moines, IA – Vaudeville Mews
04/27 Iowa City, IA – Blue Moose
04/29 Denver, CO – Marquis Theatre
04/30 Albuquerque, NM – Launchpad
05/01 Flagstaff, AZ – Cinnabar

- JR

Wow, this year was an amazing year for metal. There were many great technical and progressive albums, which is what I consider to be my ‘main’ genre. A lot of my favorite bands came out with excellent albums, and there were a few surprising newcomers. Some of these I’ve reviewed myself and given a great score, so it won’t be a surprise. Some of these I didn’t have the time to review, which was a shame. Anyway, without further ado, here is my list of top 20 of 2011:

Honorable mentions:

Tre Watson – Gravestones

The reason I’m not giving this an actual rating is because Tre is a close friend of mine, so I can’t be unbiased about this. It’s a really great EP, and especially the last track is a masterpiece. Definitely listen to this.

Substructure – Monolith

These guys just came out of nowhere. They do a great blend of Born of Osiris and The Contortionist, a.k.a progressive spacecore. The reason it’s not in my actual list is because it’s quite short and a bit derivative. It’s still a good listen though.

Empirine – The Great Excursion

These guys perform a technical/progressive death blend of Opeth, Obscura and Cynic. They’re pretty incredible, and we’ve covered them a few times, so you should definitely check them out.

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Before I start I wanted to take a moment to formally introduce myself. I am Tentaclesworth, a Canadian metal hipster who likes all kinds of music. We can be buds if you don’t like Cannibal Corpse. I look forward to writing for you guys.

So I have this running list of things I want to see certain bands and musicians do. I try and think of all the unconventional collaborations, songs stylings and covers that would be really interesting (or at least interesting to me.), and I’m interested to hear if anyone has anything to add?

I mean, the possibilities are endless. I have always wanted to see a cover of  Led Zeppelin‘s “Black Dog” by Jack White. I think Jack White would kill that song, and although this subject is about subjective as it gets, you can really dabble in this kind of thinking and perhaps it will lead you to something quite like what you had in mind.

For example, I was playing bass one day and I had it all cool sounding and distorted. I then realized how capable the bass was at making catchy melodies and sounding very awesome with distortion. I wanted to hear bass as a lead instrument. After some research I discovered a two-piece dance/punk outfit called Death From Above 1979. They have a bassist/ keyboard player and a drummer/vocalist. Safe to say, I was quite satisfied. It was exactly what I was looking for.

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As I Lay Dying have finally hit double digits this year. Can you believe the band have been around for ten years?! It doesn’t feel like it’s been that long. Good lord, I’ll be 30 before I know it. God help me, it’s all downhill from here. I am not ready.

But I digress. Indeed, time does fly. As I Lay Dying are making a bit of a celebration for turning ten by releasing a compilation album called Decas, which features three new songs (one of which, “Paralyzed”, can be streamed below), some covers, remixes, and a re-recording. Neato stuff if you’re a fan! Here’s the specifics:

  1. “Paralyzed”
  2. “From Shapeless to Breakable”
  3. “Moving Forward”
  4. “War Ensemble” (originally by Slayer)
  5. “Hellion” (originally by Judas Priest)
  6. “Electric Eye” (originally by Judas Priest)
  7. “Coffee Mug” (originally by Descendents)
  8. “Beneath the Encasing of Ashes” (re-recorded medley)
  9. “The Blinding of False Light” (Innerpartysystem remix)
  10. “Wrath Upon Ourselves” (Ben Weinman remix)
  11. “Confined” (Kelly “Carnage” Cairns remix)
  12. “Elegy” (Big Chocolate remix)

Sweet! Ben Weinman (Dillinger Escape Plan) and Big Chocolate remixes. Should be cool. Decas is due out November 4th on Metal Blade. Here’s their new track “Paralyzed“:

They’ll also be embarking on a headlining tour with Of Mice & Men, The Ghost Inside, Iwrestledabearonce and Sylosis. So I suppose half the tour is worth catching! Awesome. You can catch the dates after the jump!

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Design the Skyline – Nevaeh

Design the Skyline

Nevaeh

01. Crystal Swords Kill The Hordes
02. Reality Away
03. Destroyer
04. Cybernetic Strawflower
05. Break Free From Your Life
06. Reverie
07. Witch of the Woods
08. Free For Infinity
09. Under The Blood Driven Moon
10. Nevaeh

[08/16/11]
[Victory Records]

You’d think that a metal blog reviewing the new Design the Skyline would simply be a practice in creative verbal abuse, but no, not today. I’d hate to admit it—mostly because it was just so damn fun—but maybe we as an entire internet community over-reacted a bit when we found out about Design the Skyline. Sure, that song “Surrounded By Silence” was hands down one of the worst things I’ve heard in a long time. That song was a terrible mish-mash of all things that was wrong with neon hair and tight pants from the BREE BREE breakdowns to the rave synths and autotune, and worst of all it wasn’t even arranged into anything that could be considered a coherent song. We all scoffed when word got out that they were going to be “proving the haters wrong,” as if there could be any meaningful improvement seen on the album. Turns out, it’s actually not as bad as all that, and I can’t fucking believe it.

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Head over to AO-LOL, Crank it up, blast it out, and either dance like a [insert politically incorrect adjective here] or spew your lunch all over the god-damn floor.

We’re well aware that iwrestledabearonce‘s latest effort Ruining It For Everybody — and the band at its core — splits opinion right down the middle (I’m not enjoying typing their full name, that’s for sure); Jimmy liked it, but we’ve got plenty of naysayers amongst ourselves and our fellow bloggers too.

Go take a listen, and tell us in a reasoned and balanced well what you think of it…

….pahaha. As if. Nah, I kid; we love you guys. For those interested, it’s out tomorrow on Century Media.

- CG

Woah! New IWABO!

My facepalm-worthy corny post title aside, the new IWABO album Ruining It For Everybody is pretty darn spiffy. I’m sure you’re well aware of my opinion of them, so I’m going to cut to the chase: iwrestledabearonce have posted a new song online, titled “Deodorant Can’t Fix Ugly.” It’s one of the finer tracks on their new album, complete with the zany experimental deathcore that you all know and hate, with a full-fledged choir outro. It sounds so much more cooler than you think.

You can listed to “Deodorant Can’t Fix Ugly” over at Revolver and be stunned by its wonder. Ruining It For Everybody is out July 26th on Century Media.

- JR

Suicide Silence – The Black Crown

Suicide Silence

The Black Crown

01. Slaves to Substance
02. O.C.D.
03. Human Violence
04. You Only Live Once
05. Fuck Everything
06. March To The Black Crown
07. Witness The Addiction
08. Cross-Eyed Catastrophe
09. Smashed
10. The Only Thing That Sets Us Apart
11. Cancerous Skies

[07/12/11]
[Century Media]

Suicide Silence catch the ire of many a metal fan, myself included. I can’t say I can blame anyone who does on passing, with relentless breakdowns and an annoying birdlike frontman who doesn’t have much of an employment prospect available outside of being a vocalist. Luckily for him, Suicide Silence is doing just fine, and if The Black Crown is any indication, they will continue to be.

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Despite what anyone else thinks about them, I truly dig IWABO‘s new album Ruining It For Everybody. It’s more coherent than their previous effort It’s All Happening, and it may just end up somewhere on the low end of my ‘Best of 2011′ list this December. I know, I don’t believe it either!

You can give some more new music from the album over at ArtistDirect, where IWABO premiered their music video for “You Know That Ain’t Them Dogs’ Real Voices.” It’s probably my least favorite song on the album, so take solace in the fact that it doesn’t get any worse than this particular song. The video’s pretty fun as well!

The party starts July 26th, via Century Media Records.

- JR

iwrestledabearonce

Ruining it for Everybody

01. Next Visible Delicious
02. You Know That Ain’t Them Dogs’ Real Voice
03. Deodorant Can’t Fix Ugly
04. This Head Music Makes My Eyes Rain
05. It Is “Bro” Isn’t It?
06. Gold Jacket, Green Jacket
07. Break It Down Camacho
08. Stay to the Right
09. I’m Gonna Shoot
10. Karate Nipples
11. Button It Up

[07/26/11] 

[Century Media]

iwrestledabearonce are a band that everyone seems to love to hate. Quite the polarizing band, people get fairly passionate about them either way—but somehow I’ve managed to straddle the fence on them since their self-titled EP. I gave their debut album It’s All Happening a fair shake, and while I wasn’t exactly ‘feeling it,’ I didn’t think it was overly offensive or deserving of some of the hatred that it received. However, criticism where it’s due; the music was inconsistent, overly spastic, and vocalist Krysta Cameron seemed to have a problem singing in key. The whole affair felt sloppy, really, and as such I didn’t have high hopes for their followup Ruining it for Everybody—at first anyway.

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