Death’s Door – July 2018

Hello my Hellions, and welcome to Death’s Door. Don’t even bother wiping your feet on the mat this time around. The blood runneth over. What an absolutely insane summer it’s been for death metal. So great that we’ve had to eliminate a multitude of records from our monthly list because…

8-Track: Amorphis

Amorphis has had an eclectic career, to say the least. The Finish melodeath pioneers have been responsible for some of the most memorable and the most forgettable melodic death metal the genre has to offer. While modern times may have seen them become overshadowed by their countrymen in Insomnium and Children of Bodom, yet few have traversed a stylistic spectrum as wide as Amorphis. The near three-decades since their inception has seen the band go through significant line-up changes, all while incorporating sizable aspects of folk, progressive, doom and even power metal into their ever-evolving sound. Now with thirteen studio records under their belt, finding an entry point into their oft-overlooked yet not inconsiderable career can be a daunting task. So, in celebration of the release of their new record Queen of Time, here’s a look at 8 of the most definitive and rewarding moments of their career.

The Anatomy Of: As Oceans

North Carolina is an underappreciated hotbed of talent in the American metal scene, where bands like Between the Buried and Me and Corrosion of Conformity, among many others, have come up to inform the progression of their respective musical niches on a worldwide scale. It also doesn’t hurt that acts…

What Heavy Blog Is Really Listening To – 10/13/17

For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.

Foredoomed – Ordeal

Imagine yourself, five years ago. Some friend or other, not too close but that guy with the weird musical recommendations and ideas, walks up to you and says: “you need what you need in life? You need a mix of Dream Theater’s Kevin Moore-era synths and Insomnium’s melodeath on one album”. Personally, this writer would laugh in this friend’s face; I assume you’d do the same. But yet, here we stand, reviewing Foredoomed’s Ordeal and that’s exactly what this is. The base formula, the foundation on which all else rests, is well made melodic death metal in the style of Insomnium, with the trademark flair on the riffs, the Iron Maiden influenced bass and the evocative vocals. But onto this another layer is added, made up of fantastically rich synths which throw back to neoclassical prog, Dream Theater’s Awake and other references known for their cheesy yet satisfying synth tone.

Video Premiere: In Twlight’s Embrace – “As Future Evaporates”

Polish melodic death metal outfit, In Twilight’s Embrace, are experts at finding the balance between black metal’s raw, foreboding aesthetic and death metal’s clear cut maximalism. Their last full length, 2015’s The Grim Muse, had some excellent riffage with a thin varnish of mystery and darkness. The band seems to be toying with the same sort of atmospheric melodic death metal as contemporaries Insomnium and Be’lakor but with the sinister undertones of black metal nihilists like Mgla. It’s a timeless sound that echoes of melodeath’s earliest Gothenburg demos and yet still finds resonance with today’s modern metal listeners.

Heavy Blog Is Heavy now has the honor of premiere a video for their newest track, “As Future Evaporates”, a righteous anthem with a beautifully shot video.

Voyager – Ghost Mile

It’s strange to think that Voyager have been active since before the turn of the century and actively releasing full length albums since 2003, beginning with Element V. Way back when, the now-progressive metal band from Perth would have been more readily lumped in with power metal mainstays like Rhapsody…

Heavy Blog Staff’s Top Ten Albums of 2016

With our general list for 2016 out of the way, we can now shift the focus from our aggregate opinion to individual ones. Both outlooks have their own merit; the former provides us with an overview of our year in music. However, the latter shines a light on something we’re extremely proud of and that’s the varied and eclectic nature of our staff these days. We used to have a very certain type of music associated with Heavy Blog and while we still have a long way to go, we feel like we’ve done a good job at expanding our palettes and the representation of different kinds of music and metal in our staff. The lists below reflect that; you’ll find black metal, avant-garde, technical thrash metal, hip hop, rap, noise, ambiance, post metal and rock, melodic death metal and much more throughout these lists.

Heavy Blog’s Top 50 Albums Of 2016

We wrote a pretty big check to ourselves when we closed off 2015. Publishing not only a list which proclaimed the triumph of 2015 but also a whole editorial dedicated to the idea of “The Golden Age of Metal”, we set ourselves up for disappointment. Like the rest of the music establishment which, in numerous places implicit and explicit, was apparently ready to join in the social lynching of 2016, we were well positioned to find it a sobering, dreadful, faith shattering year for music in general and metal specifically. Except it was nothing of the sort and we cannot stress our amazement at metal/music journalism’s reaction so far. 2016 was an absolutely fantastic year, building on the trend of solid and often groundbreaking releases from established acts and simply astounding, out of left field releases from virtually nameless bands. Sure, it had its disappointments for us from huge bands we had expected more from (although signs of their demise were certainly forthcoming) but, overall, it was a year which will surely be remembered in our circles as one of the best years for music in general.