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Leprous – Coal

Leprous - CoalLeprous

Coal

01. Foe
02. Chronic
03. The Cloak
04. The Valley
05. Salt
06. Echo
07. Contaminate Me

[05/20/13]
[InsideOut]

Considering Leprous‘s previous album Bilateral is considered by many to be a masterpiece of progressive metal; Norway’s Leprous had a tall order in front of themselves. Coming up with a followup to such a critically acclaimed and beloved album is no doubt a daunting task. Despite that, after two long years of waiting, Leprous have conjured the successor to Bilateral, and it’s called Coal. Usually, when bands release an album after their magnum opus, the result is either a “version 2.0″ of the previous album, or it’s a return back to the normal style of the band. Leprous have taken a bold turn instead, and they have reinvented themselves. Coal is clearly a Leprous album, carrying all their trademark touches, but it’s also very fresh and unique.

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That’s a hell of a line-up of guests, wouldn’t you say?

Revolution Harmony is a non-profit record label born from the mind of music lecturer/journalist Ray Holroyd whose latest single seeks to raise funds for Buskaid, a charity that ‘provides free music lessons and instruments to children in the townships of South Africa‘. ‘We Are is dedicated to Nelson Mandela and Lucky Dube, written by Holroyd himself and will feature guest vocals from Serj Tankian of System Of A Down fame and Ihsahn of well… you know, as well as a guest guitar solo from none other than Devin Townsend, amongst other contributors.

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Extol

You all likely know the story by now; Extol are an influential progressive metal band out of Norway that disbanded in 2007 and reformed to much praise in 2012 with the promise of a new studio album. We even interviewed frontman Peter Espevoll while the band were wrapping up work on their new album. Their comeback couldn’t have come at a better time! Extreme prog is more popular than ever, and their influence has grown even more obvious, with The FacelessAuthotheism pulling pretty heavily from the Extol playbook.

After the long wait for details and new music, the band have finally delivered. Extol announced this week that their new self-titled album will be out this summer, and have given us their first new song since 2005 with ‘Open the Gates.’ Listen after the jump.

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Leprous

Scandinavian progressive metal tends to have a certain grandiosity and bombast about it that seems unparallelled by the rest of the world. We’ve been singing the praises of this particular subsection of music for some time now, what with Ihsahn, Enslaved, SHINING, Vintersorg, and more coming out over the years with strong records that capture the region’s unique musical nuance. One band in particular that has engrained themselves as a part of the growing attention brought to the region is Norway’s Leprous. Breaking out with the critical hit of their sophomore record Bilateral in 2011 and gaining notoriety as Ihsahn’s designated live band, they became a band to watch in 2013 as they prepared their follow-up, Coal. It’s certainly one of our most anticipated records this year, and we’re proud to present the band’s first single from the album, ‘Chronic,’ below.

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Leprous

There’s something in the water out there in Scandinavia that makes prog metal so wild, fun, and thought-provoking, a la Ihsahn, SHINING, Enslaved, and up-and-comers Leprous. Leprous have had us captivated since the release of their third record Bilateral. We featured Leprous on our list of albums to look out for in 2013, and the good news is finally starting to come in.

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juular

I’m not going to go on about how great 2012 was for music, because everyone of my co-writers has already done that and then some. There’s no denying it was great, so let’s just move on. I’m writing this list pretty last minute, as I’ve had my choices locked in for some time, and I thought, “Hey, I’m not confused about anything, so I can push it back as far as possible”, and that was a terrible idea, as I’m now scrambling to get this thing finished, and having a hard time really talking about why I like these albums. However, I was the one who reviewed a lot of these, so if you find what I have to say on each individual one lacking, just go read  my review or the reviews of the other albums written by my fellow contributors.

Honestly though, I did not love 2012 as much as everyone else. Maybe it was the events in my personal life that caused me to have such a poor outlook on a lot of the earlier releases of the year, but it’s hard to deny the fact that I just did not connect with nearly as many metal releases this year as I did last year. It’s a shame, but not something I’ve overly thought about, because I’ve found other music to enjoy throughout the year. That being said, I did happen to find a good handful of great albums that I anticipate listening to for many years. Like I said, I’ve had my choices for my list picked out for some time, and that’s because I knew which albums I loved, and which albums I wanted to continually listen to for many years to come. I wasn’t wowed by a lot of the big name bands; I found Meshuggah and Gojira lacking a bit, which were two of my my anticipated albums of this year, but that’s okay. Sometimes you just can’t connect with certain albums. And even  though metal wasn’t all that great for me this year, I still love the genre, and it’s still my favorite type of music to listen to. Anyways, that’s why I listen to metal, and that’s really all I have to say on the matter, so here’s my top ten albums of the year.

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redbruschetta

My “Top 10 Albums of 2012″ is comprised of exactly what the title reads; albums. I’m way more apt to enjoy a work that flows from song to song (not necessarily saying the album plays out as one song) as if it were written with the record in mind rather than a collection of songs. To properly flesh out all my separate thought processes that went into making this list would almost certainly convince you that I am out of my fucking mind. In defense of my indecisiveness, there was just too much good music released this year that ranking how much more enjoyable one is over another becomes hair-splitting and impossible. However, I have forged ahead and done so for your enjoyment. Just know that you’ve made me do the equivalent of picking a favorite child and I’ll wake up every morning to these scars.

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Two years ago, Barcelona, Spain based progressive metal act Obsidian Kingdom released an EP titled 3:11, which we featured alongside an interview. Now the band are back with a new full-length album titled Mantiis, a rock-opera the melds genres from across a rich and varied palette. Classic progressive metal, post-metal, and black metal all come together in powerful influence to carry the story through bouts of despair and violence. Making comparison is difficult, but it wouldn’t be out of the question to associate Obsidian Kingdom with the likes of Opeth, Katatonia, Enslaved, and Ihsahn.

You can stream the album below, and download it for whatever price you’re willing to pay.

If you enjoy the album enough, there’s also a marvelous physical copy of the album with artwork curated by minimalist artist Ritxi Ostáriz (Ihsahn, Ulver) and fashion designer Elena Gallen (Kulte, VICE). If you’re one to collect outstanding physical albums, make this one a part of your collection.

- JR

Remember how I said that 2013′s iteration of Maryland Deathfest was going to be their best yet? Well I wasn’t lying, and they’ve delivered with an astounding lineup that consists of the likes of Down, Sleep, Converge, Pig Destroyer, The Melvins, Ihsahn, and a boatload more. For next year, they’re also introducing a no-barricade stage at Baltimore Soundstage where hardcore and grind acts will call home. My god!

Here’s the full list of bands you can expect to fill up a weekend in Baltimore next May:

!T.O.O.H.! (Czech Republic)
ABIGAIL (Japan)
AHUMADO GRANUJO (Czech Republic)
AMBASSADOR GUN
ANHEDONIST
ANTAEUS (France)
AOSOTH (France)
ASCENSION (Germany)
ASTHMA CASTLE
BENEDICTION (UK)
BOLT THROWER (UK)
BROKEN HOPE
CARCASS (UK)
CARPATHIAN FOREST (Norway)
COBALT
CONVULSE (Finland)
CRUCIAMENTUM (UK)
DEIPHAGO (Philippines/Costa Rica)
DOWN
EVOKEN
EXODUS
GLORIOR BELLI (France)
GRIDE (Czech Republic)
IHSAHN (Norway)
INGROWING (Czech Republic)
INIQUITY (Denmark)
INTEGRITY
KOMMANDANT
LOSS
MANILLA ROAD
(the) MELVINS
MIDNIGHT
MORGION
NECROPSY
THE OBSESSED
PAGAN ALTAR (UK)
PELICAN
PENTAGRAM
PIG DESTROYER
REPULSION
REVENGE (Canada)
RIGHTEOUS PIGS
SLEEP
SPEEDWOLF
UFOMAMMUT (Italy)
VENOM (UK)
VINTERLAND (Sweden)
WEEDEATER

Baltimore Soundstage:
CITIZENS ARREST
CONVERGE
DISCIPLES OF CHRIST
EDDIE BROCK
FEASTEM (Finland)
FULL OF HELL
HEARTLESS
HELLSHOCK
ILSA
INFEST
IRON LUNG
KROMOSOM (Australia)
LIKE RATS
MAGRUDERGRIND
MASSGRAV (Sweden)
OLD LINES
ROTTEN SOUND (Finland)
SETE STAR SEPT (Japan)
TINNER (Finland)
VITAMIN X (Netherlands)
WAKE
WEEKEND NACHOS

For more information on the fest, visit them on Facebook, where updates are coming in with the quickness! MDF XI is May 23-26 2013 in Baltimore, MD.

- JR

Enslaved – RIITIIR

Enslaved - RIITIIREnslaved

RIITIIR

01. Thoughts Like Hammers
02. Death in the Eyes of Dawn
03. Veilburner
04. Roots of the Mountain
05. Riitiir
06. Materal
07. Storm of Memories
08. Forsaken

[10/02/12]
[Nuclear BLast]

Nordic Prog giants Enslaved work like clockwork. Since 2004, they’ve consistently made a great album every 2 years. After 2010′s great Axioma Ethica Odini (that admittedly had some flaws, but was still great), they come back this year with RIITIIR. If you don’t know what Enslaved sound like, think Borknagar but with less synths and upbeatness and more black metal. Even though they started out their career rooted firmly in black metal, they kept pushing the boundaries of the genre until they broke through, just like the visionary Ihsahn. But after so many years of being at or near the top of the genre-pushing game, do Enslaved still have something relevant to say with RIITIIR? The short answer is: Yes, most definitely. This album is brilliant. The long answer is after the cut:

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