Unmetal Monday – 3/11/2019

There’s a lot happening in the music world, and we here at Heavy Blog try our very best to keep up with it! Like the vast majority of heavy music fans, our tastes are incredibly vast, with our 3X3s in each Playlist Update typically covering numerous genres and sometimes a…

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Mike Shinoda – Post Traumatic

Today marks around 12 months since the passing of Chester Bennington, another all too frequent day that sends shockwaves rippling through the music community. In this instance, more so than most, the sadness and anguish weren’t contained to the metal or rock communities, but the music world more broadly. Yet, as difficult as his death has been for countless people the world over, few would have felt his loss to the extent that friend and bandmate Mike Shinoda has. Our words couldn’t possibly describe how he would have been feeling, for grief is such a personal emotion, and so we won’t even try. But we can touch upon the various motivations that may have been at play when deciding to write, record and release Post Traumatic, a 16-song LP released in June.

Wave // Breaker – Robots With Rayguns

Synthwave is, in many respects, a hard musical genre to nail down and many disagree as to what exactly categorizes any particular act as such beyond the simple utilization of synthesizers. While most might immediately conclude that it involves imitating the sounds of the 1980s, there are those who blur that decade divide and bring in influences from the 1990s as well. Such is the case regarding Robots With Rayguns, an act which has been in the scene for quite a number of years now, who describes themselves as being “inspired by 80s and 90s electro, breakbeat, and RnB.” Indeed, with catchy beats and a healthy dose of vocal sampling, one gets the sense that their music would have been right at home in a dance club from that era or featured quite prominently on MTV alongside La Bouche and C+C Music Factory.

A Love Letter to Eyedea’s Here for You

On October 16, 2010, the world lost one of its best-kept secrets. Michael “Eyedea’’ Larsen was only 28-years-old when he passed away, and there’s been an unfillable void left in music ever since. As an emcee he was one of the greats, wearing his heart on his sleeve with every bar and often giving the listener something to ponder and even some life-affirming comfort. He was loved by both his fans and peers and those who knew him bestowed him with high plaudits as both an artist and human being. Eyedea was one of the good ones. His music is introspective, philosophical, socially conscious and profoundly human. And like all great music, it’ll never be irrelevant.

Chill, Dummy and Listen to P.O.S.

A man who overcame a failing kidney. A performer who was just about to take his leap at the ring. A rapper who came back and said “fuck it, this is me”. All of these statements are true about Stef Alexander aka P.O.S. and the back-story of his struggles have been told over and over again (our abridged version is below) so in this edition of HLT we’re going to look at the curious case of Stef and how he got his mojo back by producing one of the best LPs of 2017.

Run The Jewels – Run The Jewels 3

Run the Jewels’ Run the Jewels 2 (Known throughout the rest of this review as RTJ2) was one of the best rap albums of 2014 without a doubt. It showed Killer Mike & El-P coming together and really getting on the same wavelength required to become a stellar duo. Now on Run the Jewels 3 (RTJ3), dropped for…