Vallenfyre – Fear Those Who Fear Him

A whole host of good oceanic adjectives come to mind when trying to describe Vallenfyre’s sound, like “roiling,” “crashing,” “deep,” or “furious.” Although these UK extreme metal stalwarts don’t play music particularly themed towards deep bodies of water in the same way as, say, The Ocean, their sound burbles and hisses in a similar manner to some forgotten Cambrian trench, oozing and rushing in various degrees through briny swill and hot gas. Fear Those Who Fear Him, the third outing from Vallenfyre, doesn’t do much to change this – no big stylistic shift in trajectory has occurred in the three years since Splinters – but hey, when you’ve got a formula that routinely kicks this much ass, is there any reason to mess with it?

Cut Up – Wherever They May Rot

Sweden has quite the reputation for crusty, gruff death metal. Familiar legends like Entombed and Dismember are eternally inscribed in the brains of metalheads but they might not be as well acquainted with Vomitory, a band with a string of brutal, gory minor classics in the 1990s. Before breaking up 2011, Vomitory was signed to Metal Blade Records, so they aren’t exactly unsung heroes. Nonetheless, they are certainly still overshadowed by their more famous fellow countrymen. Two long time members of Vomitory, drummer Tobias Gustafsson and bassist/vocalist Erik Rundqvist, returned in 2015 with a new project, Cut Up, who are now releasing their sophomore album.

Henry Kane – Den Förstörda Människans Rike

Like gin and tonic or sunny days and the beach, crust and death are the perfect pairing. The glorious bludgeoning of death metal and overdriven, fuzzy crust makes short work of anyone uneducated in the mires of extreme music; novices may start and stop with Entombed, more shame on them. Henry Kane, a project headed by members of Wombbath, make even shorter work of those unwilling to get a bit of nasty dick crust in their jeans. Den Förstörda Människans Rike might compare to certain records with a certain guitar pedal sound, in that it sounds familiar in tone and feel, but not necessarily in terms of actual content.

52 – Wow, It’s Been A Year

We’re a year old now! So, we just do news like regular, then some opinion time. Also, bullshit philosophy time is back! Topics: Anthony Fantano on Meshugggah, Vader, Entombed, Red Fang, Car Bomb, Issues, Trivium, In Flames, Thrawsunblat, Ophidius, Avenged Sevenfold. This Metalsucks article on punk and comedy, then this thing about a certain luthier who is too good for pop music. Underrated album of the week: VOLA – Inamazes. Then we talk about why we got rid of review scores here at the blog. Enjoy!

Gatecreeper – Sonoran Depravation

There is simply no denying the power and intensity of Swedish death metal. It’s been one of the main influences for bands the world over ever since groups like Entombed, Dismember and At the Gates first came onto the scene in the early 90s, and their reach hasn’t slowed down…

Brian Izzi of Trap Them // The Heavy Blog Is Heavy Interview

Brian Izzi is the guitarist of the legendary hardcore outfit Trap Them, who through the years have decimated fans with such great releases as 2011’s Darker Handcraft and 2014’s Blissfucker. Their latest album Crown Feral is due out on September 23 on Prosthetic Records. So, you’re in Boston, and Ryan [McKenney, vocalist] is in Seattle; how does…

No Heroes In New England: Week of June 5, 2016

Welcome to No Heroes In New England, where we mine all the relatively undiscovered gems throughout the New England Hardcore scene. Hardcore, in this column, can refer to not only metalcore, but hardcore punk, post-hardcore, and everything in between. If you missed last week’s column, (giving brief shout-outs to Nihil, Swamps, and Phantom Glue), click here to check it out.