Tag Archive: Entombed


Everything Went Black - Cycles of LightEverything Went Black

Cycles of Light

01. XI
02. Gods Of Atlantis
03. Halo Of Vultures
04. Lifeless
05. Parades
06. Thorn Feeders
07. Amongst Wolves
08. Kingdoms
09. Baptists

[01/17/12]
[Lost Shepherd/Prosthetic Records]

Crossover, metalcore, metallic hardcore, all these are subgenres of heavy metal, which combine the various elements of extreme metal and hardcore punk. Now like most genres of music, it’s flooded with mediocre and lackluster drivel, but every once and a while a band comes along and reassures you that everything will be alright, and that the genre hasn’t completely fallen into disarray. And for one such band that hails from St. Louis, and who play a straightforward brand of fast and heavy aggressive music, Everything Went Black not only pay homage to the hardcore/punk sensibilities of the 80′s and 90′s, but are also able to satisfy the metalhead in all of us.

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Dragged Into Sunlight

Hatred For Mankind

 

01. Boiled Angel/Buried With Leeches
02. Volcanic Birth
03. To Hieron
04. Lashed To The Grinder And Stoned To Death
05. I, Aurora
06. Totem Of Skulls

[01/18/11]
[Prosthetic Records]

It’s November the 11th, 2011. It’s around 5pm and I’m at Damnation Festival, killing time inbetween bands. I’m drunk. Naturally.

And then the in-house music shuts off and the lights go down. The smoke machines begin to work overtime, pushing out gallon upon gallon of dry ice into the already cloudy room. Where there was only murmurs , an intro-tape suddenly lurches into life with a dry vinyl hiss and mechanical screeching jostling for space. I’ve never before seen such a large group of people snap into such a relentless concentration but all eyes are fixed expectantly on the cloudy haze that was once a stage.

At this point the only thing separating this from some kind of psychological torture scenario is the few sources of light emanating from the candles on stage. The buzzing and hissing becomes more violent. A metronomic low pulse pushes to the forefront, testing the ear drums of everyone present. Minutes go by whilst the endless aural abuse continues before suddenly 4 silhouettes make their way onto the stage and face away from the crowd.

It pleases me to serve you

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The Rotted – Ad Nauseam

The Rotted

Ad Nauseam

 

01. Anarchogram Sun
02. Rex Oblivione
03. Surrounded By Skulls
04. Non Serviam
05. Just Add Nauseam
06. Entering The Arena Of The Unwell
07. The House Of Bedlam
08. Apathy In The UK
09. Motorbastards
10. The Hammer Of Witches
11. Put Me Out Of Your Misery

 [10/31/11]
[Candlelight Records]

The Rotted (formerly Gorerotted) area London band, through and through. You could hear it distinctly on their 2008 full-length Get Dead Or Die Trying - stories of drug abuse, fist fights and even tour bus surfing nestled peacefully alongside a style of punk-y death metal that owed as much to Motorhead and Discharge as it did to Cannibal Corpse. Whilst The Sex Pistols shambled through most of their material in the name of ‘punk’, The Rotted shifted effortlessly between d-beats and blastbeats to show that you could retain all the sneering swagger of a punk band while still playing competently. Ad Nauseam is, however, a little different to what we’ve come to expect.

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All Pigs Must Die – God Is War

All Pigs Must Die

God Is War

01. Death Dealer
02. Pulverization
03. Sacrosanct
04. God Is War
05. The Blessed Void
06. Third World Genocide
07. Extinction Is Ours
08. Sadistic Vindicator

 

My first run in with All Pigs Must Die came about during a recent gig which involved them and Trap Them playing a ‘versus set’ where they would switch out every few songs and alternate periodically. With only low quality footage available online, it was doomed to only be documented with a hugely over driven sound that meant everything became a smear of distortion. So, in the end, both bands sounded extremely similar… Thankfully, due to the wonders of modern technology in being able to take a snapshot of a bands sound at any time (in this case, in the form of recent release God Is War) we can now all bear witness to the fact that in the studio both bands sound extremely similar…

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The Project Hate MCMXCIX

Bleeding The New Apocalypse (Cum Victriciis In Manibus Armis)

01. Iesus Nazarenus, Servus Mei
02. They Shall All Be Witnesses
03. A Revelation Of Desecrated Heavens
04. Summoning Majestic War
05. The Serpent Crowning Ritual
06. Bring Forth Purgatory

[02/22/11]
[Season of Mist]

With a name like The Project Hate MCMXCIX [That's 1999, for those too lazy to work it out - Ed.], I was lead to believe that these guys were just another brutal death metal band. How wrong I was; this is death metal with industrial influences, with both male and female vocals, featuring alumni from some great bands including Dark Funeral, Grave, Entombed, Torture Division and God Among Insects. Pretty impressive repertoire, but it’s far too easy to get caught up in past glories and forget the present.

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Special thanks to the guys over at The Number Of The Blog for bringing us back on for their podcast, The Number Of The Blogcast again! Same as before, we basically bullshit about metal (and other things) and pick a few songs.

Here’s the playlist for the affair:

Coffinworm- Spitting In Infinity’s Asshole
Aurelius – Hemlock (Download at their PureVolume page)
Nachtmystium – Addicts  (Download at Metalsucks.net)
Entombed – I For An Eye
Archons – Wandering The Burning Land (Download At Last.fm)

The Number Of The Blogcast (Episode 5)

- JR

Clocking in at just under 14 minutes, the new album by Southern California hardcore band NAILS is nothing short of awesome. Every one of the album’s ten tracks will pummel into you unrelentingly, as good hardcore and grindcore should. The Six Feet Under Records website describes NAILS as sounding like “Entombed covering Napalm Death and Drop Dead“, which is damn near spot on. Interesting enough, the album was recorded at Converge guitarist Kurt Ballou’s Godcity recording studio, with Kurt producing. That should already tell you that this album will be good.

The album opens to immediate chaos and aural violence with the 32 second “Conform”. The term “powerviolence” becomes perfectly clear. Before you even realize that song’s over, you’re under hell-fire with more pummeling blasts, maniacal screams, and grinding and screeching guitars that continue throughout the next three tracks, nonstop. This album doesn’t seem to want to let up.

Amidst the pissed off chants of “Suffering Soul”, NAILS step back from the chaos just a bit and play some hardcore riffs with some slower groove. Nails continues the pace into the title track “Unsilent Death”.

NAILS knows how to make 14 minutes feel like a long time, and they make good use of their time. The songs blend together seamlessly at times, giving the illusion of lasting much longer. Speaking on the album’s structure, I’d believe it if this album was written as one piece of music broken up into tracks.

The album is still pummeling away in fury like a jackhammer. A short guitar solo is thrown out in “No Servant”. Now it’s back to business as usual with “Scapegoat”, which leads into the album’s longest song and closing track “Depths”. The guitars are the main voice here. Layered screeches, noise, and feedback take over a lot of the song, creating the sonic equivalent of disaster. A considerably slower and heavy as fuck riff with proper use of pinch harmonics lead the track to close with a mood if impending doom, ending the album in guitar feedback. What a perfect closer.

NAILS – Unsilent Death is a great grind album. Although short, it does exactly what it’s supposed to. If you’re a fan of Pig Destroyer, Agoraphobic Nosebleed, Napalm Death, and Brutal Truth, you need to check out NAILS right away. You can stream the tracks “Your God” and “Suffering Soul” here, as well as buying the album on preorder.

NAILS – Unsilent Death gets

4/5 – Great

- JR

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