Get your Corpsepaint on with Mist Of Misery’s “Hymn to Silence”

I’ve always been someone with a soft spot for symphonic black metal, ever since first discovering Emperor and their classic album In the Nightside Eclipse, and have had an on-again, off-again infatuation with the genre and it’s eccentricities ever since.  One of my biggest complaints about the genre, however, was that…

DSKNT – PhSPHR Entropy

The concept of space in album production is an interesting and record-defining one. The way in which an album is constructed, coupled with the emphasis placed in the production room on each instrument, noise, and tone, can have a drastic impact on the way an album sounds and the manner…

Be Prog! My Friend Part II or The Long Night Filled With Hope

Prepped and pumped from day one, armed with the knowledge of where the best food and spots were, we entered Poble Espanyol. The setlist promised to be stacked with some of my favorite acts and my expectations were high. I was worried about being disappointed but it was just a nagging voice in the back of my head; my spirit was frivolous and I allowed myself to imagine crazy scenarios of far fetched and perfect set-lists, incredible and soul lifting shows and what have you. Those rampant expectations were all met and exceed, as the second day proved to be one of the best musical experiences of my life. Venue, company, performance, crowds, bands, all combined in that perfect, harmonious way which is usually resolved for dreams and erupted on to the scene. But let us start in the beginning and chart this journey towards the end, an unbelievable catharsis at night.

Hey! Listen to Gregorio Franco!

When one thinks about synthwave they more often than not conjure up images of neon landscapes made up of transparent grids, sunsets, beaches, palm trees, fast cars and anything else that may fit into such an aesthetic. That said, one does not tend to think about upside down crosses, demons, serial killers and an overall sense of evil in turn. However, for every genre that has ever existed there lies a much darker side, a subgenre which turns things on their head and produces a much more heavier sound in response. For synthwave that would be darkwave or darksynth, either seem to be interchangeable for the most part, with well-known acts such as Carpenter Brut, GosT, Perturbator, and Dance with the Dead carrying the torch. Of course, for every well-known act, there are those who are scratching, clawing and going through hell to be noticed, many of whom were influenced by those already leading that proverbial charge.

Gregorio Franco is one of those dark souls of the synth and, if what he’s produced thus far is any indication, he is not only one to keep an ear to the ground on but one to keep an eye out for as well.

Wreche – Wreche

Black metal has arguably the most eclectic genre palette in the metal pantheon. Though simple at its core, the genre’s aesthetics have been applied to countless concepts and shaped to include a multitude of other genres and accompanying instrumentation. Yet, the guitar still remains the one constant element in nearly all iterations of the genre, whether as a lo-fi wall of distortion or thundering gallop over equally blistering blast beats. It’s a rare occurrence when a band decides to forgo this six string staple; the only example this reviewer is aware of is Botanist, who instead opt for hammered dulcimers and harmonium. But when a guitar-less black metal album does surface, fans of the genre typically take notice to see if the experiment pays off. As such, the union of piano and drums in unholy matrimony on Wreche’s self-titled debut makes for an intriguing experience that’s deserving of at least an exploratory listen.

Nightbringer – Terra Damnata

In some circles, USBM has long been a dirty acronym. Much reviled for its less-than-trve-kvlt aesthetic, black metal originating from the United States has seldom been considered an equal with its European peers. Over the past decade, several bands have begun to chink away at the wall of cynicism surrounding USBM to varying degrees of success. Nightbringer is one of these bands. If you have not heard their music before, think the bombast of Anthems to the Welkin at Dusk-era Emperor, coupled with a slightly less insane mix of Deathspell Omega’s freneticism, the sonic oddness of Dodheimsgard, and the chilling atmosphere of Blut Aus Nord.

Soul Curator // Winter Albums

For most New Englanders, winter is pinnacle of all that is horrible and tedious about living in the Northeast—it’s full of dark days, cold weather, abundant strains of the flu, and more shoveling-related back injuries than you can count. To be fair, though, I actually like it. I adore the…

Listen As Season of Mist and Roman Sayenko Dig Deep Into the Folk Roots of Black Metal

Season of Mist teamed up in 2014 with Drudkh frontman Roman Sayenko to remedy the implicitness of folk tradition within black metal. Together, they gave us an underrated gem of an album called One and All, Together, for Home. It is nothing else but a collaboration album spanning various traditions, sounds and histories to shine a light on some of the folk music that acts as fuel for black metal. The roster includes the aforementioned Primordial, but also Haive, Winterfylleth, Kampfar and more. Together, they’ve compiled an album made up of a rich tapestry of styles, from true-to-source renditions of ancient songs to more metal oriented interpretations of said melodies. The guidelines for the contributing acts seem to have fast and loose and thus, the album features varied and disparate approaches, lending it a strong sense of personal, creative identity.