Hey! Listen To Fractal Cypher!

Sometimes you discover that one band that seemingly comes out of nowhere and blows your mind. Montreal-based prog metal outfit Fractal Cypher have done just that for me. As such, I feel obliged to share the love. Do you want to like Dream Theater but wish they had a more modern sound? Do you love modern prog but feel like it’s missing that old school heart? Well, these guys have got you covered. Their recent release The Human Paradox combines shredding and extreme metal elements with that cheesy sound from the 90s for an experience that just works.

Be Shattered! My Fortress – Barcelona Festival Adds Portnoy’s “Twelve Step Suite”

Up until now, seeing the Twelve Step Suite live was a distant dream; even when Portnoy was still in Dream Theater, chances of this being played from start to finish were slim for a variety of reasons. However, it seems that, like in all good myths, in death lies rebirth; Portnoy has thus far confirmed a series of performances of the Suite, in festivals around the world. One of those festivals is Be Prog! My Friend in Barcelona, which we will be attending as you might remember. The drummer will be joined by a as yet unannounced, progressive supergroup. We should get our first glimpse of these performers in February, when they first take to the stage as The Shattered Fortress.

50 – Back Off Track

Eden’s back! This means we get to talk about stuff like Tidal, other streaming services, this article about Opeth (which gets us pretty salty), the breakup of Bolt Thrower, Portnoy playing the 12 step suite he wrote for Dream Theater, inconsistencies in promos labels send to us, then new music or news from bands like Dark Tranquillity, Downfall of Gaia, Oathbreaker, Alcest, Metallica, A Sense of Gravity, the DOOM OST by Mick Gordon, Plini, Watchtower, Riverside, Pain of Salvation, Mithridatic and Venom Prison. Finally we talk about Elvenking’s underrated The Pagan Manifesto. Enjoy!

EXCLUSIVE PREMIERE: Hear A Brand New Song From Veilburner!

I really enjoy some good symphonic elements and occult references in a band’s music. The former, especially, is a favorite of mine. Ever since I heard Metallica and Dream Theater and Dimmu Borgir use live orchestras in their music, I’ve been a fan of incorporating the element into a band’s studio music. That’s…

Break The “Skylines” – Let Oddland Show You How To Write A Progressive Track In 2016

So, what exactly do we look for in 2016 when we try and ascertain whether a progressive metal is worthy? We can gather up a list by seeing how “Skylines” avoids the most common pitfalls. First and foremost then is that bloated tendency I mentioned above. Too many tracks within progressive metal are simply further iterations on what we already know of a band’s sound. Unisons are arranged a bit differently but are still heavily relied on, ad infinitum, for example. However, perhaps the most egregious examples of this lie with vocalists; in progressive metal albums, the vocal variety which characterized earlier phases of the genre has all but disappeared. This is perhaps the fault of the great (yes, the great) James LaBrie and his somewhat monotone (yet still brilliant) work with Dream Theater. His cohesive style, which favors a certain emotional range over diversity, is everywhere.

On Extended Ranges and Low Tunings, 4 Years Later

A few years back, I wrote a piece on the negativity towards extended range guitars in metal. You can find that piece here. The extended range guitar, which is loosely defined as anything that has more strings/frets/range than your average 6-string-24-fret-standard-scale guitar. We all know the deal. Four years ago, with the peak of djent and generally a new strain of progressive metal, extended range guitars were emerging in the mainstream of metal. Of course, just like any other change in the metal scene, a large amount of people reacted rather negatively to this. There was a portion of the scene that embraced this, and that lead to a variety of creative and innovative bands like Native Construct (8 strings), Dissipate (9 strings), Coma Cluster Void (10 strings) and so many more. After these years, are people more accepting of the movement now? What changed? Let’s take a look at it.

Oddland – Origin

Oddland are a bit of an oddball (heh) in the gamut of progressive metal. Rising from the fertile grounds (for metal, at least) of Finland, they garnered quite a bit of hype with scene insiders. Their The Treachery of Senses (2012) was an interesting take on the darker, Tool influences that have been running strong through the scene for more than a decade now. However, with only one album and then a prolonged silence, fans and critics were unable to fully flesh out a firm idea of what the band was about; the album certainly sounded great, but what was the approach behind it all? Luckily, Origin marks 2016 as the year where the gaps in the Oddland tale are finally filled in. The album builds firmly on the strata of dark progressive but also gives us further insight into what Oddland want to bring to table, what they want to modulate and very within the scene.