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Tag Archive: Dream Theater


Sleepers Awake – Transcension

sleepers awakeSleepers Awake

Transcension

01. The Auger
02. Burdened
03. Apparitions
04. Slave Within
05. Heathen Verses
06. Saint Condemned
07. Circles Without Division
08. Throat Of Winter
09. Wintertide
10. Equa Mortuorum
11. Under Hoof And Gavel
12. The Fulcrum

[06/17/13]
[Self-Released]

 

You’ll find a lot of people extolling the virtues of ‘hearing an album in full’ in the metal scene, suggesting you don’t get the full experience unless you take it the way it was meant to be heard and there is no genre this is more true for than progressive metal. Case in point: Sleepers Awake latest effort Transcension, which contains 70+ minutes of meandering and complex prog that weaves the tale of The Auger and his ‘struggle with higher forces’. From beginning to end, the entire trek feels connected and fluid and to simply sample parts of it would be to do it a disservice.

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Dream Theater have a spot in my heart as one of my favorite progressive metal bands. Though I was really upset drummer Mike Portnoy left, their album ‘A Dramatic Turn Of Events’ was actually decent, returning to their early 90′s style with more keyboards and textures. But I really want their new album to be something special. I’ve seen them live twice, and most recently on their US tour with Trivium from 2011, so when I heard they were shooting a concert DVD, I was stoked because I love those sorts of things. Check the trailer below. Honestly, it looks really sweet, and I can’t wait to pick it up. Details after the jump:

“Live At Luna Park, a live concert captured on 2DVD, Blu-ray, Digital Video, 2DVD/3CD, Blu-ray/3CD, and a deluxe edition (2DVD/Blu-ray/3CD), will drop in May 2013. To whet the appetite of their fans, Dream Theater have released this trailer.

Live At Luna Park was filmed over two nights in South America — home to one of Dream Theater’s most ardent fanbases. The DVD was filmed after a 15-month world tour, hitting 35 countries.

“This is without a doubt the closest a viewer at home will come to experiencing a live Dream Theater concert,” states guitarist and founding member John Petrucci. “Between the hi-def and 3D video, the huge audio mix and the documentary style behind the scenes footage, you are truly transported to the arena and completely immersed in the entire live experience.”

“We have the greatest fans on the planet and the people of Argentina are no exception!” adds Petrucci. “The energy and vibe at Luna Park was truly electric and contagious. The perfect synergy between band and audience. We are immensely proud of this DVD and incredibly excited to share it with everyone!”"

- SS

Dream Theater Enter Studio

Dream Theater have entered the studio to begin recording their newest album, which I can only assume will be out this year. I’m going to go right ahead and speculate this it’ll be their best release of the 2000′s right next to Six Degrees of Inner Turbulence.

Think about the progression of albums in tandem with their likability since then; 2003′s Train of Thought and 2005′s Octavarium were where it got a little hairy for me, and then it all went straight to hell with 2007′s Systematic Chaos and 2009′s Black Clouds and Silver Linings. Both of those records seemed  to have a very disproportionate ratio of good riffs and ideas to filler and overall boring crap. I occasionally go back to each of them and try to blame myself for not liking them. “Maybe you just listened to them at a crappy time,” or “maybe you’re just being an ass,” I’ll tell myself like someone trying to convince themselves that their ex wasn’t so bad and they should give it another shot. Needless to say it never really works out. Then there was 2011′s A Dramatic Turn of Events, which is a few steps up from the aforementioned records. Just going off the single ‘On The Backs of Angels‘ before it came out, I was pumped. It’s a coherent record with a lot of really solid moments that really doesn’t rely on filler and just feels like the band were trying to touch on their 1990′s selves once more. Could this be indicative of where they’re going? Dream Theater haven’t really touched on that classic Scenes From A Memory progressive rock sound now in almost 14 years, with the closest we’ve gotten being A Dramatic Turn of Events.

Speaking of touching on the Scenes From A Memory-type sound, keep in mind that A Dramatic Turn of Events has been the first time since Scenes that bassist John Myung has picked up the pen to write lyrics for any song. I realize that isn’t much to go on, but in the realm of Dream Theater fandom that’s a pretty big deal.

So now here we are is 2013. Considering my mini-theory, there’s one more thing to add- Mike Mangini’s capabilities as a fan and a writer. This will be the record Dream Theater puts out that’s been written with Mangini all the way through, and he’s no stranger to their entire catalogue (being a self-proclaimed “huge Dream Theater fan” and all). So, the band touched on their older sound with the record before and now they’ve got a fan in the studio with them who’s perfectly capable of giving them the extra push into that territory.

Are we in for a classic?

- GK

alkahest

So it’s Wednesday at 3:43 AM the week these year-end retrospective lists are being published and I’m scrambling to edit my fellow writers’ contributions when I’ve barely even started mine. To be honest it hasn’t even quite settled in that 2012 is just about over. As I’m writing this, there’s about a week and a half left of the year, and it puzzles me. It feels like just a couple of months ago that I was doing this exact same thing for 2011, only this time I seem to be much busier and everything looks different. The site, wordpress, and even my staff group have all changed.

We’ve picked up a number of fresh faces this year that you’ve already seen these past few days, but you may have also noticed that a couple of people from last year are no longer with us. A lot of people have come and gone over these past three and a half years that I’ve been doing this Heavy Blog thing, and most of them sort of float around and hang out when they can. The most important ones that come to mind right now are Dan (Dormition) and Chris (Disinformasiya), both of whom were very instrumental and valuable in the growth of this site, and it was sad to see them part ways with us. Without them (Chris in particular), I might have not kept this thing going this far. I love both of those guys dearly, and you can keep up with them at The Monolith, which you should bookmark if you haven’t already. Ya jerk.

Like I’ve said, this year has been busy. I don’t talk about my personal life much here despite the fact that it’s my blog, but what better time to get all personal than a year-end retrospective? As you may have noticed, I’ve been a bit more of a hands-off editor and the scheduling of posts have been a bit less rigid and frequent than they used to be. I’m at the tail end of my college career and I’m currently in and out of internships which have kept me busy and often away from Heavy Blog. Between classes, internships, my “actual” job, and this website, my hands are pretty full. You (and I, for sure) can thank Evan (Juular) for his help with editing since Chris’ departure as well as Damien, Noyan, Gunnar (DeusExMachina), Cody (Tentaclesworth), Spencer (Inhumed), Anthony (Alucard), Greg (Red Bruschetta), Atif (Dr. Killjoy), David (Riptide), Ridge (Deadite), Colin (Momento Mori), and Geoff (Denisovich) for sticking with me and making sure there’s enough content each week and that this site keeps going strong. Also a strong word up to Ben Robson who took over Heavy Blog recently and decided to stick around with us behind the scenes and Chris Collins, our resident photographer. These guys are awesome, and they manage to put a smile on my face every single day.

2013 promises to be even busier with my next internship, impending graduation, and career, but hopefully that doesn’t stop this site from growing and providing daily content that helps to promote and further our favorite genre of music. Thank all of you for sticking with us!

So with all these feels out of the way, here’s what most of you care about, my albums of the year:

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Forgotten Silence

La Grande Bouffe

01. Bouffe à Table!
02. TRANSLUCIDE (Brighton II.)
03. Bouffe Restaurant de Luxe
04. AALBORG
05. Bouffe Piano
06. Les Collines de Senyaan Pt. III
07. Bouffe Vingt et Une Heure Cinquante Sept
08. Fermeture de la Bouche
09. Bouffe Acoustiquement
10. DICHROISME (Two–Rooms World)
11. Bouffe Hyène
12. The Black Rider 4K8 (Chanson Pour la Station de Service)
13. Bouffe Montmartre

[05/17/12]
[Shindy Productions]

Contrary to the album title and tracklist, Forgotten Silence are a Czech avant-garde/prog metal band. La Grande Bouffe is their sixth studio album, and there’s quite a lot of diversity present in the tracklist (half of the songs are 30-80 second long interludes though). The overall theme would be jazzy progressive death metal with electronic elements employed in a manner that is closest to The Monolith Deathcult. Weird death metal that varies in tempo and tone, with industrial elements added to give the music more color. But does La Grande Bouffe provide a grand buffet of enjoyment, or will it be forgotten in silence?

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Behold the Arctopus

Horrorscension

01. Disintegore
02. Monolithic Destractions
03. Horrorsentience
04. Deluge of Sores
05. Putrefucktion
06. Annihilvore

[10/23/12]
[Black Market Activities]

Every so often there’s an album that can change someone’s perspective on music. For whatever reason, good or bad, this record alters the way a person thinks of music. Records like GorgutsObscura, Cynic‘s Traced in Air, or PrimusFrizzle Fry push musical boundaries and cause people to think of it in a whole new light. Behold the Arctopus‘ latest release, Horrorscension, has the potential to be one of those albums for a lot of people.

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Hey everybody! My name’s Shjon Thomas, and I play guitar in a Boston-based progressive metal band called The Deadstation. The awesome guys here at Heavy Blog is Heavy let me write a guest article on whatever I wanted… so I chose to share what I consider to be the ten most essential albums of “old-school progressive metal”!

Since the newer school of prog-metal is so popular with the readers here (Animals As Leaders, Periphery, etc…), I thought it would be cool to share some great albums that follow from the original style of the genre that was popular in the 1990s and 2000s. These albums have also been a large influence on my own music, so if you like something here, you might also like The Deadstation! (You can download our free EP “Episode 01” here)

My hope is that you guys find some enjoyable stuff here that you hadn’t heard before! Cheers!

Part One: Fates Warning – Disconnected (2000) & Riverside – Anno Domini High Definition (2009)
Part Two: Evergrey – In Search Of Truth (2000) & Ayreon – Into the Electric Castle (1998)
Part Three: Pain of Salvation – Remedy Lane (2000) & Porcupine Tree – In Absentia (2002)
Part Four: Opeth – Blackwater Park (2001) & Symphony X – The Divine Wings of Tragedy (1997)

2. Queensryche – Operation: Mindcrime (1988)

This entry is the oldest one in this article, but don’t be fooled… it is totally awesome. Queensryche’s magnum opus Operation: Mindcrime is a concept album revolving around a man named Nikki who gets involved with an underground organization that is assassinating political leaders. Dr. X, the leader of this group, uses Nikki’s addiction to heroin to manipulate him into doing his evil bidding. As you can imagine, things get worse from there. Since this album was released in the late 80′s, it definitely has a certain dated sound to it. If you’re coming from the more modern side of progressive metal, than this may be a bit of hurdle for you. There is a remastered version that was released recently which gives it a bit of an update though, so you might want to track down that version.

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Production styles seem to stir up significant differences of opinion amongst metal fans. Of course, every band and album has its own somewhat unique flavor, but I’d like to discuss the two biggest opposite extremes in metal production: sludginess and gloss. Let’s take a look at some tunes that exemplify how these sonic qualities can influence the listener’s enjoyment of metal.

 

This track from YOB’s Atma is a great example of how lo-fi production can give doom metal a murky, evil vibe. It feels like a mud monster opening its foul jaws, or something. I think that this kind of sloshy production works wonders for slow, churning music like doom metal. Clean production can work in the style, but the grinding, primal production YOB employ is usually more to my taste when I’m on a doom metal kick.

 

Many black metal purists swear by “cold” production, but I feel that fuzziness just gets in the way of the frantic music on records like Transylvanian Hunger. For the most part, I’ve always felt black metal lends itself moreso to the crisper, cleaner sounds explored by bands like Immortal and Emperor on their more recent material. So sue me!

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We here at HBIH pride ourselves on being up to date and in the know about most things progressive in the scene of rock and metal; it’s kind of our go to thing, if you hadn’t noticed. Sure, we spend time on other genres and things of a metal nature, but our main niche is progressive metal/rock.

Recently, Rolling Stone magazine conducted an online poll, asking their readership what they thought was the greatest prog rock album of all time.And after tallying the results — people still ‘tally’ right?? — the undisputed winner was Dream Theater’s 1999 album, Metropolis Pt. 2: Scenes from a Memory. Here are the full results:

1. Dream Theater: Metropolos Part 2: Scenes From a Memory (1999)
2. Rush: 2112 (1976)
3. Yes: Close to the Edge (1972)
4. Pink Floyd: The Dark Side of the Moon (1973)
5. Genesis: The Lamb Lies Down on Broadway (1974)
6. King Crimson: In the Court of the Crimson King (1969)
7. Genesis: Selling England by the Pound (1973)
8. Rush: Hemispheres (1978)
9. King Crimson: Red (1974)
10. Rush: Moving Pictures (1981)

Alright, well sure the album is gooood, but is it really the pinnacle of progressive rock? And what about metal? Don’t you think bands like Mastodon, Between The Buried and Me, and Cynic deserve to be on a list like this? Sure it’s all opinions, and it basically boils down to a popularity contest, but I’m still curious, what do our readers believe are the best prog rock/metal albums of all time? Chime in with your thoughts in the comments. And let’s keep it clean, alright?

- EC

 

The Faceless – Autotheism

The Faceless

Autotheism

01. Autotheist Movement I: Create
02. Autotheist Movement II: Emancipate
03. Autotheist Movement III: Deconsecrate
04. Accelerated Evolution
05. The Eidolon Reality
06. Ten Billion Years
07. Hail Science
08. Hymn of Sanity
09. In Solitude

[08/14/12]
[Sumerian Records]

The Faceless. What is there to say about them that hasn’t already been said? Starting out as a technical and progressive deathcore band, they devastated the genre with their debut album Akeldama. Then they matured and moved away from that, becoming 100% tech death, melting faces and expectations with 2008′s stellar Planetary Duality. But that was 4 years ago. The field has changed. It’s been quite a while, and expectations have been raised higher and higher; reaching a near-breaking point. Will The Faceless deliver? Well, the time has come, and the answer is not a simple yes or no, depending on the expectations of the listener. Autotheism is a very intriguing album. It is definitely the band’s most ambitious effort, which is saying a lot considering their previous output. Well, do they sink, or do they rise even higher? It’s finally time to find out.

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