Warsaw’s Riverside return with their seventh studio album in Wasteland. Whereas 2015’s Love, Fear and the Time Machine sought to connect with sounds of progressive giants Ayreon and Opeth (who themselves are heavily influenced by the progressive music of the ’80s), Wasteland embraces something in between the progressive and psychedelic…
Welcome to Connecting the Dots, the column where we give a brief rundown on a central band along with a host of other projects their members, both past and present, have been involved in. Today we’ll be focusing on progressive sludge powerhouse Mastodon and the myriad of projects they’ve been involved with.
Heavy Pod Is Heavy Cast! A bunch of good stuff this week! And some not so good stuff. So pretty usual. New
To be honest, this list makes me feel happy because it mentions Iced Earth’s Something Wicked This Way Comes. Early Iced Earth is criminally underrated in the contemporary progressive/power/heavy metal community; while their later works leave a lot to be desired, their early albums are downright incredible. Add more common, but still excellent choices like Dream Theater and Metallica to this list and you’ve got yourself one sweet Anatomy!
We here at Heavy Blog are not known for under-doing something when it comes to bands we love; we like to shower them with attention and do it often. Thus, it should be no great surprise that, so soon after we reviewed their most recent release, we’re here with an…
This Californian band’s first iteration lasted a decade, until 1997 (they are now reunited and working on new music, who’s quality is yet to be tested). During that decade they released four albums, with a clear difference between the first two and the latter two. Those two first album, and the debut especially, are masterclasses in progressive metal and represent to this day some of the best actualization of why progressive metal is great. They are technical but furiously aggressive, drawing from the pools of progressive rock and thrash equally. The result is two fantastically deep albums with the first being a timeless classic which has sadly gone forgotten.
This week me and my regular co-host Cody are tired of all the garbage in metal. Marduk, Cirith Ungol, Meshuggah, Decapitated, just throw it all in the trash fire. Then, more positivity. Cody is really excited about Psycho Las Vegas, which leads to him checking out Wolves In The Throne Room. There’s a new Ihsahn song, and I got into Krosis, and tried to get into the new Panopticon album. Then we talk about Death, Gruesome and Cist. Finally, we go over this video comparing Mike Portnoy and Mike Mangini, and what the loss of Portnoy means for Dream Theater. Then, cool people time with A Quiet Place, The Knick, Unsane, The Exorcist (TV show) and more. Enjoy!
Andorran prog lords Persefone’s latest album, Aathma, was one of my favourite albums of 2017. With that record, the band struck a perfect balance between the complex compositions of Dream Theater and the more ethereal odysseys of later day Cynic, to deliver what I honestly believe to be one of the greatest examples of contemporary progressive metal. While I’m sure the album will continue to reward for years to come, it was a long wait between their breakthrough record Spiritual Migration (2013) and this magnum opus. Thankfully, the band’s fans needn’t wait to hear more from the band this time around, as we are proud to present the lyric video for their brand new single “In Lak’Ech”—a noticeably darker track, featuring Tim Charles from Ne Obliviscaris.
Believe it or not, there are still folks out there who haven’t given Between the Buried and Me much spin-time; perhaps it’s due to the sprawling and technical nature of some of their later-era tracks or because of the deathcore and hardcore leanings of their early work. That’s fine and all,…
As they approach 20 years of activity, Between the Buried and Me have surely attained the status of legacy act in the realm of progressive metal with a weight to their name comparable to that of Opeth and Dream Theater; they’re world-class headliners and have crafted some of the greatest records to ever come out of the genre, and they arguably had a hand of influence in the influx of progressive metalcore acts that emerged in the mid-to-late 2000’s. With that prolific status comes its drawbacks, however; much like Opeth and Dream Theater, later-era works are the topic of much debate and are subject to higher scrutiny, and being guilty of creating an album that is just okay is damning.