Heavy Blog Staff’s Top Ten Albums of 2017

Our staff has shifted quite a bit since we posted our first aggregate AOTY list back in 2014. From refocusing our content to implementing The Brooklyn Plan™ to publishing our 2017 AOTY list, our roster of contributors has fluctuated substantially in terms of numbers and genre preferences. This ebb and flow…

Heavy Blog Guest List – Dreadnought’s Top 10 Albums of 2017

Editor’s note: Yes, it’s that time of the year again! While our own Album of the Year list is coming down the line, we have a ton of end of year content for you. Over the next two weeks, we’ll be exploring 2017 in various of ways: through curated summaries for specific genres, editorials on specific phenomena we found interesting and, of course, guest lists! This time around, we have one of the most exciting bands currently in operation: Dreadnought! Hailing from the by-now vaunted scene from Denver, Dreadnought traffic in the areas around doom metal, introducing influences from black metal, folk rock and progressive rock. Their albums are true monoliths of complexity and melody, with this year’s A Wake in Sacred Waves denoting somewhat of a high water mark for any bands wishing to work in the space of experimental doom. Their list is as diverse as you would expect; from the jazz styling of none other than the legendary Thundercat, through the blackened wastes of Ruins of Beverast and all the way back to the off-kilter musings of Bjork, their list draws from as many directions as their music does.

So, without wasting any more of your time, here is Dreadnought’s Top 10 albums for 2017!

DSKNT – PhSPHR Entropy

The concept of space in album production is an interesting and record-defining one. The way in which an album is constructed, coupled with the emphasis placed in the production room on each instrument, noise, and tone, can have a drastic impact on the way an album sounds and the manner…

Hey! Listen to Vitriol!

Vitriol are a death metal band from Portland, Oregon. Their debut EP, Pain Will Define Their Death, drops November 10th. Here’s hoping that next year they drop a full-length record. And perhaps another the year after that. Same the following year. So on and so forth. Mark your calendars, tune your EQ to “Deadly”, and prepare yourself for abject disappointment, because this EP only has three songs and that isn’t nearly enough music from this monumentally talented band. We need more of this, dammit, and we need it NOW!