In true soap-opera-that-outlived-its-course fashion, we’re replacing the actor who plays the part of Eden with David Wu of Cyborg Octopus! Yeah, he’s been here before, exactly 10 episodes ago!First, we talk about how artists feel about criticism, delve into the creative process a bit, and while we cover some of the same ground we did before, we end up in a different place! Then, we do the news, talking about Oathbearer, An Endless Sporadic, Metallica, Dance Gavin Dance, The Depression Sessions (The Acacia Strain, Thy Art Is Murder, Fit For An Autopsy), Virvum, Ninjaspy and Devin Townsend. Also, check David’s new channel he alluded to last time, RiffShop!
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made withtapmusic.netthrough your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
You didn’t think that, once I discovered the secret of being lazy about these show notes, I’d go back to being not lazy, right? The structure of that sentence was abysmal. But I had a fun time trolling Eden this episode, and so did his new dog (RIP)! We talk about: Oddland, Disillusion, Alcest, ColdWorld, Native Construct, Babymetal, Devin Townsend, Departe, Brain Tentacles, Opeth, Orphaned Land, Infant Annihilator, Betraying the Martyrs, Inanimate Existence, Fountainhead, Anciients, Hannes Grossmann, Leander, Abnormality, Wintersun and Nader Sadek. Then, balls deep on Lamb of Dog! I mean, Lamb of God!
So, June has came and gone. The usual horrors of the world keep coming and going and apparently there has been some sort of political shift in the UK. I wouldn’t know however, solely because I’ve spent the whole month watching music videos in preparation of my monthly round up…
We have (along with the rest of our niche of the community) been singing the praises of Astronoid for quite some time now. If you’ve never run into the name, imagine what would happen if you take a dream and then crash-landed it into a thrash metal concert. The guitars go fast, the drums blast away but the vocals are clean and soar high above the music. In composition as well there is a marked style, a bright, lazy, honey-slow drip that just pulls you right in. It’s like a hot, summer day when you were a child and the hours drew out in the long, dark tea time of the soul (as one Douglas Adams puts it) into a pastiche of nostalgia, fear, hope and dreams.
What goes into such a broth? How does a band like this come to be, seemingly emerging from nowhere to revolutionize what we thought was possible within the somewhat stale confines of thrash? Instead of speculating, hear it from the band themselves! We reached out just after our interview and asked the band our fateful, Anatomy Of question: what made you the musicians that you are today? More specifically, which musicians contributed to how you write, think and perform music? Below you can find styles ranging from progressive pop to Norse metal and much in between. Blast Air in the background and get ready to dive into what makes Astronoid tick.
It’s definitely easy to overlook an album or two in an artist’s discography, but it’s especially easy when you’re talking about Devin Townsend, one of the most prolific and creative figures in modern metal. In less than three decades he’s amassed well over twenty full-length albums and a host of…
Welcome back to Beyond the Veil! After last week’s detour into a bit of vocal theory (where I shamefully forgot to mention the heavily melismatic vocal stylings of Agent Fresco…) we’re back to what is perhaps more familiar territory with this column, albeit focusing a little more on the rhythmic side of things.
Like the grand majority of modern metal fans, our tastes here at Heavy Blog are incredibly vast, with our 3X3s in each Playlist Update typically covering numerous genres and sometimes a different style in each square. While we have occasionally covered non-metal topics in past blog posts, we decided that a dedicated column was warranted in order to more completely recommend all of the music that we have been listening to. Unmetal Monday is a weekly column which covers noteworthy news, tracks and albums from outside the metal universe, and we encourage you all to share your favorite non-metal picks from the week in the comments. Head past the jump to dial down the distortion:
Picture this: a young music enthusiast (disclaimer: I am the music enthusiast), who is constantly on the prowl for new music to jam — as music enthusiasts are wont to do — finally gets around to listening to a certain band he’s heard of in a positive light quite a number of times. Said music enthusiast eventually peruses the band’s discography and searches for a starting point. Once the starting point is identified, the jamming begins: good times are had, and all is right with the world. And so I, a music enthusiast and more specifically one of Heavy Blog’s resident tech death geeks, decided to set my sights on the Australian tech death band Psycroptic, after many months of constantly being reminded that they are a band whose work was bound to match my tastes.
When I buy an album, rarely will I buy the standard edition if a deluxe edition is available. There’s just something so tantalizing about having more music or visual content to enjoy from a band, even if it means paying a slightly higher price. I’ve recently started thinking about deluxe…