Heavy Rewind – Infinity

It’s definitely easy to overlook an album or two in an artist’s discography, but it’s especially easy when you’re talking about Devin Townsend, one of the most prolific and creative figures in modern metal. In less than three decades he’s amassed well over twenty full-length albums and a host of…

Unmetal Monday – 6/6/2016 (Cymbals Eat Guitars, Matt Corby, Neurotech)

Like the grand majority of modern metal fans, our tastes here at Heavy Blog are incredibly vast, with our 3X3s in each Playlist Update typically covering numerous genres and sometimes a different style in each square. While we have occasionally covered non-metal topics in past blog posts, we decided that a dedicated column was warranted in order to more completely recommend all of the music that we have been listening to. Unmetal Monday is a weekly column which covers noteworthy news, tracks and albums from outside the metal universe, and we encourage you all to share your favorite non-metal picks from the week in the comments. Head past the jump to dial down the distortion:

Deep Dive – Context Within A Discography

Picture this: a young music enthusiast (disclaimer: I am the music enthusiast), who is constantly on the prowl for new music to jam — as music enthusiasts are wont to do — finally gets around to listening to a certain band he’s heard of in a positive light quite a number of times. Said music enthusiast eventually peruses the band’s discography and searches for a starting point. Once the starting point is identified, the jamming begins: good times are had, and all is right with the world. And so I, a music enthusiast and more specifically one of Heavy Blog’s resident tech death geeks, decided to set my sights on the Australian tech death band Psycroptic, after many months of constantly being reminded that they are a band whose work was bound to match my tastes.

Deep Dive: Deluxe Editions

When I buy an album, rarely will I buy the standard edition if a deluxe edition is available. There’s just something so tantalizing about having more music or visual content to enjoy from a band, even if it means paying a slightly higher price. I’ve recently started thinking about deluxe…

25 – Ethics In Metal Journalism

Eden’s back! This week we have a whole batch of news! New music from First Fragment, Devin Townsend and Haunted Shored, Gorguts, Gojira and Inter Arma. Industry stories like Bandcamp’s success, Babymetal on Colbert, Northlane selling gear to make ends meet and Cult of Luna’s statement about leaking. New videos from Behemoth and Dethrone the Sovereign. Upsetting news including the arrest of Puddle of Mudd singer, Adam Young of Sockweb being arrested for assault and kidnapping, former singer of Fair to Midland in a sad situation. Finally, some random news including Disillusion teasing a return and Whitechapel being confused about whether they have clean vocals on their upcoming album or not. Then we talk about what “journalism” means in the metal scene. Enjoy!

Fake It Until You Make It? Musical Authenticity and the Metal Musician

When in the studio, musicians always use some “tricks” to get a sound that isn’t necessarily as achievable in a live setting. This is a pretty commonly known fact. It’s not even a new thing. Since the 60s, bands have made music in the studio that doesn’t reflect the process of how they actually play in person. As technology develops, more methods become available to the artists to achieve a more “perfect” sound, if they choose to use them. In the 50s and before, bands recorded performances together, in a single run through. Then they started recording each instrument separately, then split up songs into parts, then replaced some instruments with digital substitutes, used corrective techniques (both for pitch and timing) and recently, started performing at a slower tempo then speeding it up. These are the realities of recording. Whether they’re acceptable or not is a hotly debated topic, and a recent even in the metal spheres brought the question to the forefront yet again. The 2016 Guitar Solo Contest, where guitarists were asked to perform over a track by John Browne of Monuments and submit a video of their recording, recently announced their winners. The prizes ranged from a Mayones guitar, Mesa amps, Bare Knuckle Pickups and more. Here’s where it gets complicated. One of the winners was a performance that was clearly heavily edited.