Heavy Rewind – Psychotic Waltz’s A Social Grace

This Californian band’s first iteration lasted a decade, until 1997 (they are now reunited and working on new music, who’s quality is yet to be tested). During that decade they released four albums, with a clear difference between the first two and the latter two. Those two first album, and the debut especially, are masterclasses in progressive metal and represent to this day some of the best actualization of why progressive metal is great. They are technical but furiously aggressive, drawing from the pools of progressive rock and thrash equally. The result is two fantastically deep albums with the first being a timeless classic which has sadly gone forgotten.

121 – Weekly “Metal Is Trash” Update

This week me and my regular co-host Cody are tired of all the garbage in metal. Marduk, Cirith Ungol, Meshuggah, Decapitated, just throw it all in the trash fire. Then, more positivity. Cody is really excited about Psycho Las Vegas, which leads to him checking out Wolves In The Throne Room. There’s a new Ihsahn song, and I got into Krosis, and tried to get into the new Panopticon album. Then we talk about Death, Gruesome and Cist. Finally, we go over this video comparing Mike Portnoy and Mike Mangini, and what the loss of Portnoy means for Dream Theater. Then, cool people time with A Quiet Place, The Knick, Unsane, The Exorcist (TV show) and more. Enjoy!

Death’s Door // March 2018

Yes. Hello. Welcome to Death’s Door. I’d ask you to wipe your feet on the mat, but it really doesn’t matter. Everything is covered in this infernal sludge now, so what’s the point? Ever since that damned slug made its way down here and overthrew Lucifer and his armies its…

Best of 1998

Welcome back to our “Best of” column! This isn’t the first time we’ve celebrated twenty year milestones, but this installment is a bit more meaningful for all of us here at Heavy Blog. This list comes a week after we passed 20,000 likes on Facebook, a testament to how much…

In Vain – Currents

The five years that have passed since the release of Ænigma (2013) likely mean that the window of opportunity for In Vain and their phenomenal third outing to become anything more than curious blips on the progressive metal radar. Had the band come back in full force following that most…

Hellish God – The Evil Emanations

When dealing with themes of the occult, paganism or any suitably blasphemous subject, metal doesn’t always fare so well. Without a sense of humour, the dense themes can overtake the actual music itself, . The best “spooky” death metal needs strong instrumentation and subtle song writing behind it dare it…

Rapture – Paroxysm of Hatred

For the uninitiated, a paroxysm is defined as “a sudden attack or violent expression of a particular emotion or activity,” and such a word is certainly apt to describe the music of Grecian death/thrash metal band Rapture. As of late, the proto-death metal genre these guys traffic in has been hurting…