Every once in a great while we have calendar years that see iconic releases across a range of styles. It is rare that we see this happen in just one particular style. 1987 was one such year, though, as the entire spectrum of heaviness saw iconic records drop like so many tears from the eyes of mainstream pop music stars that these albums would devour. At the time, it didn’t seem like this was any different of a year for music until fans started to take a look at their growing record collections and what would spin out from the influence of so many landmark albums.
Cradle of Filth have become one of the most recognisable and quickly dismissed names in extreme metal. Yet, although the band are widely regarded as populist, entry level rendition of the black metal formula, a closer look at their extensive catalogue reveals a far more innovative and surprisingly consistent act than their reputation suggests. Since their discography is so extensive—the band have released eleven full-length studio efforts to date, with one in the pipeline as we speak, and numerous and often notable tidbits here and there—this survey has been broken up into two sections. This first offering examines what many would consider to be the band’s classic period: moving through their early, formative years, up until their commercial breakthrough and (only) major label release in 2003; while part two will pick up from 2004’s Nymphetamine and carry through to the present day.
As of recently, it seems as if black metal and crust punk are stuck on somewhat of a collision course. The two, finding natural company in their respective fringe existences, slowly began to adopt one another’s aesthetics. Eventually, this led to the realization that not only were both genres built on a bleak, misanthropic visual representation, but on a shared musical basis as well. Soon, both black metal and crust punk began to openly embrace one another, taking cues from the other on how to make their music the maximum level of pain. Such is the case with Wildspeaker and their electric brand of environmentalist neo-crust.
What exactly makes a good metal song or album? How does solid songwriting create a critically-acclaimed album? Some think that experimentation is the way to go, and with the recent rise in black and death metal acts that want to add different sounds—post-black metal, the new trend of “dissonant” death…
Production is a mystery. At a glance, it seems like a simple task: record some tracks, mix ‘em together, work out a couple kinks on GarageBand, and voilà! Album. The reality, of course, is quite a bit more complicated than that. To be successful, production must serve the music; there…
Welcome back to our Taxonomy series, where we break down umbrella genres like progressive metal, post rock and doom metal and outline all of the progressions and subgenres that have matriculated over the past few decades. The dissection of thrash metal you’ll find below contains a detailed dissection of the most crucial genre in extreme metal style. Thrash led to incredible innovations over the years, and in turn, a multiplicity of styles has made its way back into the genre’s core traits to form some of the most forward thinking metal coming out today. Seriously, many of the bands mentioned below have released records less than a year ago, and in some cases, less than a month. There’s a ton of ground to cover here, so without further ado, let’s riff on some of the best thrash you can use to mosh in your bedroom.
For most New Englanders, winter is pinnacle of all that is horrible and tedious about living in the Northeast—it’s full of dark days, cold weather, abundant strains of the flu, and more shoveling-related back injuries than you can count. To be fair, though, I actually like it. I adore the…
Last year I took it upon myself not only to organize and compile our own staff’s AOTY list, but to take things one insane step further and compile a bunch of lists from major metal or metal-covering publications and websites into one MEGA AOTY list to rule them all. Eden and I then analyzed the list and made some (mostly snarky) comments about the metal journalism industry and how they approach these sorts of things. Though I still 100% stand by what we wrote there and the conclusions we drew from it, I was really interested in seeing how well some of them would stand up to another year to use as a data point. Thankfully, this year I had a lot of help in all of our list-making efforts thanks to fellow editor Noyan, who put a ton of work into coming up with the method we ended up using to aggregate our lists (if you haven’t already, you should absolutely read his post delving into the nitty-gritty of that methodology) and then did the actual number-crunching.
Season of Mist teamed up in 2014 with Drudkh frontman Roman Sayenko to remedy the implicitness of folk tradition within black metal. Together, they gave us an underrated gem of an album called One and All, Together, for Home. It is nothing else but a collaboration album spanning various traditions, sounds and histories to shine a light on some of the folk music that acts as fuel for black metal. The roster includes the aforementioned Primordial, but also Haive, Winterfylleth, Kampfar and more. Together, they’ve compiled an album made up of a rich tapestry of styles, from true-to-source renditions of ancient songs to more metal oriented interpretations of said melodies. The guidelines for the contributing acts seem to have fast and loose and thus, the album features varied and disparate approaches, lending it a strong sense of personal, creative identity.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.