Kvlt Kolvmn // May 2018

Hello, friends. Welcome once more to Kvlt Kolvmn. Another month, another helping of fantastic black metal. May was a veritable smorgasbord of the good stuff, but also deftly displayed the variety in theme, style, and execution that makes black metal just the very best. A quick peek below at this…

Wayfarer – World’s Blood

“World’s Blood is black metal of the American West.” Thus begins the description of this album by Profound Lore records, and I’ll be damned if it isn’t accurate. Another descriptor I’ve heard of this record from a friend is “Cormac McCarthy black metal.” I’ve been telling anybody who will listen that this…

Doomsday // March 2018

Greetings, heaviest of Heavy Bloggers! Welcome to Doomsday, our monthly roundup of doom-centric releases from the last month that deserve some extra praise. March has been a particularly hellish (in a good way) month for the greater doom landscape, so be sure to go back and check out some of…

Kaoteon – Damnatio Memoriae

Metal is often intrinsically tied to story and band narrative. Especially in its most extreme forms, bands are often imbued with an aura of mystique and toil through the auspices of the stories they choose to tell about themselves, whether through marketing, interviews, or their music. Lebanon’s blackened death metal…

Love Letter – Cobalt’s Gin

I distinctly remember where I heard Radiohead’s Kid A for the first time. It was on a road trip, driving with my parents and siblings to Yellowstone National Park. The mostly desolate and flat landscape surrounding most of our seemingly interminable drive from Colorado and through some of the most…

ORYX – Stolen Absolution

Heaviness – that all important, ever elusive, sonic be-all and end-all – can come in many different guises. Black metal traditionally chases heaviness through tremolo-picked surging speed and haunting yet beautiful enveloping atmosphere. Doom, of course, typically retains some of the atmospheric trappings but reaches peak heaviness through slower means,…

Ehnahre – The Marrow

Literature has been one of the foremost sources of inspiration for metal lyricism and composition alike, regardless of subgenre. The list of examples is significant—Ernest Hemingway and Cobalt, Georges Bataille and Deathspell Omega, H. P. Lovecraft and seemingly everyone, and so on. Drawing inspiration from a novel is a challenging but relatively structured undertaking; a plot can be interpreted into numerous sonic and lyrical directions but will always follow the same trajectory of its narrative. Poetry contrasts this process by its very nature, as its natural code of symbolic meaning and suggestive prose necessitates musical decoding drawn from a strictly thematic place. Even poems with a decipherable narrative are often told in a verbose, indirect manner that challenges metal lyricists and composers to write with a liberated hand, looking beyond the words on the page to a deeper understanding of the poem’s true meaning and mood. Agalloch’s interpretation of W. B. Yeats is a stellar example of this process being executed beautifully, as is the latest offering from Ehnahre, a Boston-based avant-garde metal collective who count Kay Dot alumni among their ranks. Their incredible four-part song cycle on The Marrow captures the essence of Theodore Roethke’s eponymous poem* through consuming landscapes of avant-garde death-doom that are as ridden with despair as the poet’s initial musing on whether or not life is worthwhile.

Reading Between the Merch Lines: Literature and Metal

There’s an inherent alchemy required to successfully combine two seemingly disparate forces into something new. Famous, enduring pairings can be volatile and even counter-intuitive at first glance, but when done properly the result can be something far greater than the sum of each part. Peanut butter and jelly are each perfectly enjoyable on their own, but when paired together they create one of the most well-known and universally enjoyed sandwiches in modern history. Likewise, Calvin is a perfectly funny — albeit bratty – cartoon character and, similarly, Hobbes is a charming and occasionally profound tiger. But it’s their pairing that creates something greater: a friendship that serves as a vehicle for an entire comic strip, a philosophical and temperamental foil for each character to bounce off, and the sheer intangible joy the strip provides readers by allowing us to live inside their friendship. By fusing two independently enjoyable ingredients, an effective pairing can not only allow for a greater appreciation of the pair’s individual components, it can simultaneously create something richer and more meaningful in the magic as well.

Woe – Hope Attrition

Starting about a year ago signs of life began to stir once again on the Facebook page of Philadelphia black metal band Woe. At first, they only promised shows. Another chance at seeing a band who’s delicate blend of crust and black metal formed a uniquely progressive style all their own. This was exciting news to the wider Philadelphia area extreme music scene as the band was a long time favorite of many, sort of a source of pride. However, soon the murmurings of shows for the summer went silent, and fans were left wondering if it had all just been the hopeful ramblings of one member.