Tag Archive: Chelsea Grin


Woah, I didn’t really see this coming. After a great year and critical acclaim for their latest album The Discovery, Born of Osiris apparently fired their guitarist Jason Richardson.

To all of our fans and followers, we have decided to part ways with guitarist Jason Richardson. This was something that just needed to happen. We will be a more creative, energized, and focused unit as a result. The past year was the band’s most successful and we owe it all to our amazing fans. We promise everyone that 2012 will see us take further steps to bringing every aspect of our band to a new level. We couldn’t possibly be more excited for what the future holds.

Also, since the finishing touches were put on The Discovery we’ve already been in the process of writing our next album. The past month and next two we will be home writing and finalizing the record that will be released this summer/fall.

Big news coming soon regarding our summer touring schedule, we can’t wait to see all of you again soon with some new music to play for you!

On top of the split, Richardson has recently joined Chelsea Grin as a fill-in guitarist. Richardson is no stranger to band hopping, either; after replacing Chris Storey in All Shall Perish in 2009, he quit the next year to join BoO. I’m also a bit surprised that they already have another record preparing for release this year. Was the greatness of The Discovery due to Richardson joining or was it the direction the band were already heading?

Jason seems to think it’s the former. Not long after the announcement of the split, Jason gave his side of the story:

Just to clarify to everyone I did NOT quit Born of Osiris, I would have never been able to bring myself to do such a thing no matter how much tension was between us. All of those dudes were essentially my family, I lived in the same house as them for over 2 years. This was by no means at all my decision(not that I was involved in the decision in any way shape or form lol). I have been fired from the band because I, “don’t agree with the way they want to live their lives” and “it felt like their dad was in the band.” So instead of confronting me about my eeeendless bitching about their excessive drinking and assorted drug abuse they decided that calling me at 130 in the morning 4 days before christmas while I’m home visiting family to tell me that all of my belongings from the new BOO house were in my trailer on the way to me in VA was the professional way to handle it. So i can say with pride that I will NEVER play another note on stage with the group of cowards that is Born of Osiris. I don’t give a fuck what they think of me for putting their personal stuff out there, I want everyone to see them for who they really are. Im just happy the truth finally came out and now I know what truly matters to them and it is NOT putting out albums like The Discovery.

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Apologies for the flippant headline! No offense at all if you’re super stoked to see this tour, but save for Volumes (who really should be higher on the bill), there’s not much at all here I could get behind. Sorry! But I figure a few of you fine folks may still be interested, so here are the dates for this year’s not quite Thrash & Burn romp:

11/10- San Diego, CA @ Soma (no FTFD)
11/11- Sacramento, CA @ Ace of Spades
11/12- Salt Lake City, UT @ TBA
11/13- Denver, CO @ Summit Music Hall
11/15- St Paul, MN @ Station 4
11/16- Joliet, IL @ Mojoes
11/17- Indianapolis, IN @ Emerson Theatre
11/18- Detroit, MI @ Harpos
11/19- Dayton, OH @ The Attic
11/20- Louisville, KY @ TBA
11/21- Atlanta, GA @ The Masquerade
11/22- St Petersburg, FL @ The State Theatre
11/23- Ft. Lauderdale, FL @ TBA
11/25- Richmond, VA @ Kingdom
11/26- Allentown, PA @ Crocodile Rock
11/27- Baltimore, MD @ Sonar
11/28- New York, NY @ Gramercy Theatre
11/29- Worcester, MA @ The Palladium
11/30- Portland, ME @ TBA
12/01- Clifton Park, NY @ Northern Lights w/ HATEBREED (WOP, CG, ABRB only)
12/02- Montreal, QC @ Tulipe
12/03- Toronto, ON @ Opera House
12/04- Cleveland, OH @ Peabody’s
12/05- Pittsburgh, PA @ Altar Bar
12/07- St. Louis, MO @ TBA
12/08- Tulsa, OK @ Marquee Theatre
12/09- San Antonio, TX @ White Rabbit
12/10- Dallas, TX @ Unsilent Night Fest
12/11- Houston, TX @ Warehouse Live
12/12- Corpus Christi, TX @ House of Rock
12/13- Austin, TX @ Emo’s East
12/14- El Paso, TX @ Tricky Falls

If you’re a regular reader, then you’re probably like me and find hardcore dancing to be hilariously awful. With a lineup like this, it’s almost a guarantee. Try to count how many scenebro mullets you can find and get back to me. I know if last year’s Summer Slaughter had a bunch of them in wife beaters and v-necks, it’s obvious this tour will have them in spades.

- JR

Chelsea Grin – My Damnation

Chelsea Grin

My Damnation

01. The Foolish One
02. Everlasting Sleep
03. Behind A Veil Of Lies
04. Kharon
05. My Damnation
06. Cursed
07. Calling In Silence
08. Oblivion
09. Last Breath
10. All Hail The Fallen King

[7/19/11]
[Artery Recordings]

I’m sure you’ve heard of Chelsea Grin, and by now you either love them or you hate them.  I’m quite positive that our opinion on the matter has been well-voiced on HBIH — we aren’t fans at all.  However, I was willing to try it out.  Let it be known that I did not enter into this record with high hopes.  I was, however, optimistic.  This is their second album, and third release overall.  Perhaps an evolution was made in a short time?

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As much as I hate to undercut my good man Jeff, I figure I could offer up an argument for the opposing side of the three guitar player approach. Jeff cited Periphery, asking, “What’s stopping Periphery from writing a few crazy proggy sections where all three guitars are doing something completely different but complementary to each other?”

Absolutely nothing, because they’ve already done it. It happens all over their debut album, albeit often in a subtle fashion, because they’re either tucked behind vocals, or overpowered by production that isn’t actually as good and clear as it could be. The best example I can give is Periphery’s epic “Racecar,” which you can hear above. There are moments throughout the track where there are two harmonizing rhythm tracks playing alongside each other with a cleaner delicate melodic part over it—for example, 5:30; harmonies are panned left and right and there’s a centered clean ambient track being layered that you have to really listen for). There are moments where there are two melodic leads and a rhythm track—6:50, harmonizing leads and a chuggy rhythm being laid down underneath. Most importantly (and properly answering Jeff’s rhetorical question), there are even moments where there are three different guitar tracks being played simultaneously where nothing is doubled—clean atmospheric layering, killer guitar lead, and a low rhythmic chugging during the song’s major hook at 9:55. It takes more than a passing listen to pick out several different guitar parts, especially when they’re all being challenged in the mix alongside bass and drums.

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So over the weekend I finally got around to checking out the Foo Fighters latest, Wasting Light. I’ve never been a huge fan, but I have nothing but respect for Dave Grohl and the boys for consistently delivering high quality rock records. And since Wasting Light has sold about a billion copies so far and has received nothing but high praise, I decided to give it a spin.  Sure enough, it is a damn fine rock album. BUT-one thing I was really looking forward to that slowly drove me nuts while I was listening to it, is their brand new three guitar attack-specifically, the lack of it.

Despite reading an interview with the Foo Fighters in Guitar World a few months back stating that they have all these crazy, interwoven guitar lines throughout Wasting Light and Grohl saying something to the effect of “with three guitarists, you have to be really careful or everything turns into a big fucking mess…”, I found myself desperately searching each track for a part, ANY part, where I could even tell there were three different guitars playing. Much less playing three separate parts….

Which brings me to my point, and I think all bands with three guitarists (Periphery, Whitechapel, Chelsea Grin, Iron Maiden) suffer from this.  I’ll call it “trying so hard to not overplay that everybody underplays” syndrome.  Or to reference Grohl’s statement above, they try so hard not to make a mess with their three guitar attack, that they end up sounding like they don’t have three guitars at all.

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Uber-generic yet uber-popular deathcore band Chelsea Grin has released a single from their upcoming album which will be released in the summer.  It’s more of the same shitty deathcore we’re used to hearing.  However, if you have some reason of liking them, here you go.

- GR

‘YAY’…

- CG

Fuck. [Part II]

In a hilarious turn of events, Chelsea Grin frontman Alex Koehler fractured his jaw, effectively preventing him from Chelsea Grinning. Dohoho!!

However, instead of canceling the tour so we can all have a hearty bout of laughter, they decide to ruin our shit by going ahead and touring with Oceano frontman Adam Warren. It’s like shit going into other shit. So if you take into consideration this Chelsea Grin tour (with Atilla and Blind Witness) and the Attack Attack!/Emmure tour, the United States and Canada are rightly fucked as far as live show opportunities are concerned.

Check for dates after the jump. Dammit all.

- JR

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2010 hasn’t exactly been kind to us. It took away James “The Rev” Sullivan, Peter Steele, Ronnie James Dio, and Paul Grey. Not only have the tragic passing of our heroes made this year one giant let down so far, some circles are calling 2010 “The Year The Festival Died,” and this year’s iteration of the Thrash And Burn Tour sort of provides evidence to the claim.

The lineup consists of headliners Asking Alexandria (wat?!) and Born of Osiris. Support comes in the way off Kittie, Stick To Your Guns, Impending Doom, Through The Eyes Of The Dead (for the first half of the tour), Evergreen Terrace (for the second half), Greeley Estates, Periphery, Motionless In White, and Chelsea Grin.


Fuck me sideways, that would be terrible. I’m not going to speak for the rest of the writers here, but I like Born of Osiris, and Periphery’s debut album is probably my favorite album of the year so far–but I’m not gonna drive for four hours to see Periphery play for fifteen minutes and sit through two or three hours of deathcore and bland metalcore to see them and BOO perform. If I already lived in a city the tour was coming to, I’d might consider going. But they aren’t.

Here are the tour dates:

Jul. 16 – Louisville, KY @ Headliners
Jul. 17 – Nashville, TN @ Rockettown
Jul. 18 – Milwaukee, WI @ The Rave
Jul. 19 – Indianapolis, IN @ Emerson Theatre
Jul. 21 – Denver, CO @ Summit Music Hall
Jul. 22 – Salt Lake City, UT @ In The Venue
Jul. 23 – Las Vegas, NV @ Rock The Block
Jul. 24 – San Diego, CA @ Soma
Jul. 25 – Pomona, CA @ The Glasshouse
Jul. 26 – Fresno, CA @ The Crest Theatre
Jul. 27 – Los Angeles, CA @ House of Blues
Jul. 28 – Phoenix, AZ @ Nile Theatre
Jul. 30 – Albuquerque, NM @ Sunshine Theatre
Jul. 31 – Lubbock, TX @ Lonestar Event Center
Aug. 01 – San Antonio, TX @ White Rabbit
Aug. 02 – Dallas, TX @ House of Blues
Aug. 03 – Houston, TX @ House of Blues
Aug. 05 – Tampa/St. Petersburg, FL @ State Theatre
Aug. 06 – Atlanta, GA @ The Masquerade
Aug. 07 – Richmond, VA @ Hat Factory
Aug. 08 – Long Island, NY @ Crazy Donkey
Aug. 09 – Asbury Park, NJ @ Stone Pony
Aug. 10 – Montreal, QC @ Club Soda
Aug. 11 – Buffalo, NY @ Xtreme Wheels
Aug. 12 – Pittsburgh, PA @ Ches Arena
Aug. 13 – Cleveland, OH @ Peabody’s
Aug. 14 – Detroit, MI @ Harpos
Aug. 15 – Chicago, IL @ Metro

If there’s a tour I have a chance at seeing, it’s probably The Cool Tour, which isn’t all that great to begin with, but what other options do I have?

- JR

Chelsea Grin – Desolation of Eden

The deathcore scene is stagnant and slowly decaying, save for a few stand out Sumeriancore bands that decide to mix some shit up. Bands like The Faceless, Veil of Maya, and All Shall Parish actually have something extra going on and stand out as being the talent that’s ultimately saving this sub-genre from dying out.

Chelsea Grin, however, are prime example of how it can all go to shit. While they aren’t exactly the worst out there *ahemcoughOceanocough*, Chelsea Grin’s Desolation of Eden is probably the most uninspired music I’ve subjected myself to purposefully all year. There’s nothing new or exciting about this music at all.

Just what I expected. The crabcore influence is plain as day!

The riffs are nothing exciting, although there’s a hint of a decent melodic guitar line every now and then, nothing saves this album from being a wasteland of 3rd rate chugging and breakdowns. The vocals are as you’d expect at this point in the review. The highs are lackluster and the lows are just plain average. There’s even some BREEEEE going on at points. No thanks.

The breakdowns. The fucking breakdowns. In general, sometimes breakdowns are useful. But when you put them in every single song (sometimes multiple times), then you’re missing the whole point of having a breakdown in the first place. Speaking as deathcore as a whole, it’s gotten to the point where breakdowns ALL SOUND EXACTLY THE SAME. How many variations of breakdowns can possibly be written before we can just call it a day? Even the one great song on this album, “Elysium”, which is a melodic instrumental track, is plagued by the most pointless breakdown ever tacked on at the end. It’s like they didn’t even try and are throwing them in as a crutch for poor songwriting.

The only good song. I’m not even going to bother posting another sample.

In summation, unless you enjoy uninspired chugging that doesn’t challenge the listener at all or want to be bored to sleep, then this is an album you should avoid. This music is as contrived as it gets.

Chelsea Grin – Desolation of Eden gets

1.5/5 – Poor

- JR

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