Firtan – Okeanos

There are few genres in music that have a deeper and more fundamental connection to nature and history than black metal. From its earliest thematic inception, the most evil of metal’s subgenres has sought to restore through music and philosophy a way of life that, for the most part, has…

Earthless – Black Heaven

The act of musical evolution can be a jarring experience for fans and listeners, and honestly not always an altogether pleasant one. Watching our favorite acts incorporate new elements, sonic textures, or thematic directions into their work is often a very mixed bag. Some bands (recently reviewed death metallers Of…

Kvlt Kolvmn // February 2018

Welcome to Kvlt Kolvmn, “Is This Even Black Metal?!” Edition. We hope you’ve had a frosty, satan-blessed month. But, I mean, let’s be real. Such exclamations are couched in the traditional, stereotypical norms of a community that has built and staked its reputation on an allegiance to popularly assumed constructs…

The Anatomy Of: Kaoteon

It’s always thrilling to find extreme metal in unlikely places. Labenese (by way of Amsterdam) blackened death metal act Kaoteon are embracing their status as unique cultural representatives by writing some truly compelling music while smashing middle-eastern stereotypes. Regardless of locality though, Kaoteon crushes. Spearheaded by duo Anthony Kaoteon (guitar) and…

Love Letter – Cobalt’s Gin

I distinctly remember where I heard Radiohead’s Kid A for the first time. It was on a road trip, driving with my parents and siblings to Yellowstone National Park. The mostly desolate and flat landscape surrounding most of our seemingly interminable drive from Colorado and through some of the most…

MONARCH! – The Heavy Blog is Heavy Interview

Writing a standout doom metal album is a difficult task nowadays. This isn’t due to an overall lack of quality within the genre’s modern progenitors, but because of the antithesis; more and more excellent doom metal albums seem to enter the running for our year ends lists with each passing year. MONARCH! (Monarch from here on out) has never struggled with this  endeavor over the course of their 15-year career, particularly when it comes to their recent output with the eminent Profound Lore Records. Yet, while Sabbracadaver was certainly a doom highlight in 2014, Never Forever sees the band returning this year with their most colossal and grandiose album to date, presenting a masterful synthesis of drone metal with doom’s more macabre characteristics. We sat down with the band to discuss the process of writing their latest epic, as well as a handful of other topics related to their past, present and future within the shifting landscape of modern doom. 

The Metal Explosion: 1985 – 1987

If the story of 1980 to 1984 was how NWOBHM (and more specifically, Iron Maiden) awoke metal from its dormancy to tear the boundaries of popular music, then 1985 – 1987 is about the coronation of thrash metal atop the metal throne, and the subsequent underground rumblings of a closely linked cousin, a blood brother faster, more brutal, and more astonishing — death metal.