Tag Archive: Atheist


Atheist – Jupiter

Atheist

Jupter

01. Second to Sun
02. Fictitious Glide
03. Fraudulent Cloth
04. Live, and Live Again
05. Faux King Christ
06. Tortoise the Titan
07. When the Beast
08. Third Person

[11/09/10 | Season of Mist]

Atheist, at this point, are no doubt legendary status. Born out of the 80′s Florida death metal scene alongside bands like Cynic and Death, Atheist went on to be a major influence for a whole generation of prog and death metallers. Just as Cynic did with 2008′s Traced In Air, Atheist put an end to their inactivity and wrote an album. Does Shaefer and Co still have what it takes to release an album on par with their old material and successfully introduce their style of progressive death to a new generation of metal listeners?

Most certainly. It’s been seventeen years since Elements was released in 1993. When listening to Jupiter, it’s like that gap in time never happened. If it weren’t for some modernized production and a showing of age in Shaefer’s voice, you’d think it was 1995. Well… almost, anyway.

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Unfortunately, I have yet to hear the new, long awaited Atheist album Jupiter. I’m lucky enough to be in a position where I get to hear new music before it comes out for review because of Heavy Blog, and most of the labels are on board except for Season of Mist, label to Heavy Blog favorites such as The Dillinger Escape Plan, Cynic, and Atheist. I tried to remedy this situation by sending my greetings to Season of Mist, but after being directed to North American PR through the friendly French crew, no dice. That sucks, because judging by this new Atheist song, “Second to Sun,” the album would have been greeted with a positive review!

“Second to Sun” is streaming over at Atheist’s website, and I certainly dig it. It’s got enough prog to make me happy, that’s for sure. My man Grover at The Number Of The Blog thought the album was good too, so I’m looking forward to it!

Jupiter is out November 8th on Season of Mist.

- JR

Looks so much like an Atheist cover, you don’t even know.  This is some beautiful artwork as well. Anyway, it’s done by Eliran Kantor who has done some stuff for Testament, Sigh, GWAR, and some other guys. Atheist’s Jupiter comes out November 9th on Seasons of Mist.

Atheist Has No Low End

Tony Choy entered the hall of Atheist to fill the gigantic hole left by Roger Patterson‘s untimely death (R.I.P.). Tony has decided to leave Atheist four weeks prior to his recording duties in the studio, without much notice to the band leaving them quite peeved. The band claims Jupiter is still well on its way to being released with Jonathan Thompson (guitar) taking over bass. If you look over the band’s comments on the Blabbermouth article, they sound a little more butthurt than simply peeved. Either way, lets hope Jupiter is better than Elements.

My response to anyone getting butthurt over musical differences

Inspired by the inane ramblings of fanboys when their favorite band is under scrutiny. Everyone just needs to relax, take a deep breath and realize not everyone is out to laugh at your musical taste or bash bands simply for the sake of it. In fact, and I know this may come as a shock to many people, not everyone has the same musical taste!

Now, I like to consider myself well-informed of the internet and its happenings. Not only this, but its nature as well. I realize anyone can be an obnoxious troll, or that 12-year-olds can get their hands on a forum and make absurd and invalid fanboy arguments (see Xbox Republic), but I’ve come to wonder: is it just me or is everyone getting more uptight and angsty about a certain band not having 100% approval? Go on Last.FM, make a negative statement about a band or album and watch as the brigade of butthurt tremors the Earth in fury as they destroy the shoutbox with “fag”, “you’re retarded” and “you like x band so your opinion doesn’t matter.” In retrospect, everyone has musical differences. Bob may like T-Pain and Cannibal Corpse, but he may dislike Atheist and Death. Is it really that big of a deal? Is everyone suddenly fucking retarded? There’s a difference between making erroneous statements and having an opinion. Calling Cryptopsy crunkcore is a flatout lie, but not liking Cryptopsy‘s older work and enjoying their new stuff does not make a person ignorant, “untrue” or even stupid. The stigma of certain genres and bands is disgusting. Not everyone who likes Korn is an angst-ridden teenager nor is everyone who likes death metal weird and socially inept. But I’ll save that for another rant.

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Inspired by GroverXIII of TNOTB’s series of posts regarding nu-metal, Heavy Blog Is Heavy will be counting down the top five reasons why the genre of deathcore isn’t totally full of shit. Check back every day this week at 3 PM EST for cannon fodder for your flame wars. If you want to throw in your two cents and call me out on missing out a gem that this genre has to offer, mouth off in the comment section. Enjoy!

So far…

#5. The Red Chord – Fed Through The Teeth Machine

#4. Arsonists Get All The Girls – Portals

Arguably the ones who were responsible for the Sumeriancore movement, The Faceless turned some heads when they released their debut album Akeldama in 2006. They took a technical and progressive approach to deathcore, immediately sprinting out of the gate with one of the strongest and most influential debut releases in recent years. You’d be hard pressed to find another band that garnered as much acclaim and recognition as these guys despite only being on the radar for about four years.

Interestingly, Akeldama is a concept album inspired by classic alien sci-fi horror films, filled with eerie alien-sounding melodies and timbres (as heard in “All Dark Graves” and “Horizons of Chaos II: Hypocracy”) to tie the music in with the theme of the album, and it all works convincingly with the lyrical imagery. This theme was carried over to their 2008 follow-up, Planetary Duality, also meeting to a nearly universal acclaim.

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Last night I decided to give the new Whitechapel album a try, a band I have always joked about for being generic and having three guitarists. My opinion didn’t really change much, but it inspired me to really start listening to some of my more older music. If you were born in the early 90′s and you listened to heavier forms of music, there’s no doubt you probably listened (and liked) to Slipknot, Korn and Limp Bizkit (although, this rant is mainly about Slipknot). After all, the music was simple, it was catchy and really related to a lot of issues a kid might be dealing with. The lyrics never affected me, but maybe to others it did. In any case, I miss the days of this kind of music. Nowadays the trend for kids growing up is generic -core music that really has no substance. Yeah, that’s right. No substance. You’re probably thinking I’m fucking retarded for saying Slipknot has substance but we all know the unnecessary 9 men had a sound that wasn’t really paralleled. Anyone could pick out them in a crowd. Now, you have Deathcore Band #825, all playing the same music endlessly. Breakdowns and being brutally HXC!!111! is the new thing and it sucks. Of course anyone who was never into Slipknot and enjoyed much of the heavier 80′s/90′s metal like Death and Atheist will disagree entirely and say it all sucks and call you an untrue faggot… and it’s that elitism that caused me to push my old musical taste aside.

The reason is stupid, I agree. Entry-level metal bands really gave me a more wide variety of metal taste and I’m always going to thank them for that. Yet, until today, I just couldn’t stomach listening to them again. Not because my tastes evolved and that I hate it now as a result, but because you’re untrue and a disgrace to metal if you do as previously mentioned. At least in the eyes of some people, anyway. Entitlement and elitism has always been retarded and it will continue to be retarded, but for some reason it always got to me. I felt like I was betraying the metal community if I didn’t listen to stuff the majority accepted. It’s a dumb reason, but I didn’t want to betray the community that I loved. The community who showed me great bands. The community who helped me find the roots of the more technical music that I listen to today such as Death, Atheist and Iron Maiden. The community who really helped me push aside the stereotype that if you listen to death metal you’re weird. Of course maybe that’s just from growing up, when everyone else started to stop giving a fuck about the social norm. Even though a lot of things suck this generation of kids (shorthand typing for example), that was one thing I liked. In any case, I can’t ignore what the metal community has done for me indirectly and directly. So, any metalhead, or anyone who just likes metal in general, I thank you. I may be the only one in my group of friends who doesn’t share the same taste, but I’ve learned to just not care because of you guys. But now, within my own musical taste, I should stop caring about what the metal community thinks.

I nostalgia’d hard last night when I listened to a few songs off Slipknot‘s Iowa album. Anyone who was born in the early 90′s and liked them knew that CD was a classic. I can’t sit here and lie saying that it sucked because last night I enjoyed it thoroughly. Tracks like “New Abortion”, “Metabolic” and “The Shape” are just too catchy and memorable for me to pass off, no matter how “untrue” it makes me. Slipknot has a place in my heart because they were the entry-level to In Flames and Soilwork, who were entry-level to modern metalcore, who were subsequently entry-level to death metal.

At the end of the day, I can’t ignore it. Fuck staying true, if I even was in the first place. I wanna listen to all kinds of metal. Of course I still prefer the music I like now exponentially and I’ll always respect the bands who shaped metal today, but I think I’ll start mixing it up when I get tired of listening to noodling and radical tempo changes. It just gets tiresome to listen to the same kind of metal. I do like electronica and 90′s rap a lot so I’m not exactly narrow-minded in the grand scheme of things, but within metal I need to stop closing off music I used to like simply because I care about what people think.  I’ve tried post, sludge, doom and black, but they just don’t click for me. Of course, I’m always down to give a chance to any kind of metal so feel free to leave me any kind of recommendation. Ultimately, though, I get tired of the same music. And I’m remedying this by going back 5 or so years to the golden days of nu metal.

Maybe it’s just a nostalgia thing. Maybe it’s just part of growing up. After all, I bought a used Wii and Super Mario Galaxy 1 & 2 JUST for the platforming. I miss platformers, but a lot of developers seem to be hellbent on generic brown & bloom rehash shooters. I digress, though.

This could all be temporary and in a few weeks I might give a big fuck you to the music of my youth, but in any regard, I’m gonna pop in Iowa after I finish digesting how great of an album Monsters by The 25th Hour is.

In summary, if it’s good, listen to it.

-MK

Embrace the Exivious

Exivious have gotten attention in “underground circles” from their first demo, but with the release of their self titled full length “Exivious“, they’ve stirred up quite a controversy (or they did, since I’m a bit late on this). The band features Tymon Kruidenier of Cynic fame on guitars along with Michel Nienhuis, Stef Broks of Textures fame on drums, and Robin Zielhorst of Cynic/Blue Man Group fame on bass. Jazz fusion/metal is nothing new. Atheist, and Cynic really launched the style back in the 90′s Florida death metal scene. But since then the genre has changed. Bands like Planet X, Continuo Renacer, etc. have taken a different approach by making the metal/jazz fusion combination a lot more jazzy. Exivious continue along this line with their newest release. There are some heavy riffs here and there but don’t expect anything death metal worthy. The riffs are still very memorable though. The guitars also have a lot of defined jazz fusion soloing with lots of legato technique, and a smooth horn like tone. The fretless bass Robin lays down is absolutely exceptional. He does more than keep rhythm, he makes the music sway, makes it pulses, makes it smooth. I’m not a drummer so I can’t say much here, but he certainly is good and has some nice fills and sounds great. This album should go down in history imo. Shit is fantastic.

5/5

-MW

Today, Metalsucks hosted the premiere of a new Veil of Maya song, “Namaste”. It’s unmastered, but it still sounds good. If I’m not mistaken, it’s the final version of the song we heard them play live with the LOST inspired breakdown:

I’m thinking I really like the new song, but Mitch doesn’t (to put it lightly). Here’s an excerpt from our conversation:

Jimmy says:
I actually like it
Mitch says:
I’m going to stop Atheist for this, and I’m going to hate myself for it.
Jimmy says:
Dont bother then I guess
Mitch says:
this guitar tone is pretty awful.
Jimmy says:
It’s unmastered
Mitch says:
oh
just noticed that
Jimmy says:
I’d say it’ll be better
Mitch says:
it’ll still sound shit on the album anyway, just with a bunch dumb effects THREE POUNDS OF REVERB, NOISE GATING ETC ETC
and this is still just bad deathcore.
Jimmy says:
Well I dig it. I dunno
It’s like a more melodic Meshuggah I guess
Mitch says:
if all Meshuggah played was breakdowns instead of weird accented riffs, maybe.

Mitch and I disagree on various subjects. This is nothing new at all though. Comments on various articles I post should tell you this, if you read the site enough.

Anyhow, I like it. I’m into Sumeriancore anyway. If you didn’t like Veil of Maya before, this won’t change your mind. If you loved them before, you should (in theory) love “Namaste”.

VoM’s new album (id) (or is it [id]?) is out April 6th on, you guessed it, Sumerian Records.

- JR

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