Monotheist – Scourge

There are a few geographic locations that are intrinsically tied to the music they helped spawn and cultivate. Norway for black metal in the nineties. San Francisco for thrash in the eighties. The State of Florida for old school and progressive death metal. While the extent of the influence of…

EXCLUSIVE PREMIERE – Let The Death Metal Flow Through You With Monotheist’s “Scourge”

There are few words strung together in a sentence that make me salivate like “Florida” and “death metal”. As the geographical epicenter of one of the most influential branches of the metal tree, it’s nearly impossible to discuss the growth and development of death metal without namedropping Tampa, Orlando, and…

In Vain – Currents

The five years that have passed since the release of Ænigma (2013) likely mean that the window of opportunity for In Vain and their phenomenal third outing to become anything more than curious blips on the progressive metal radar. Had the band come back in full force following that most…

Akercocke – Renaissance In Extremis

While Akercocke aren’t necessarily what one would call a legendary band, they’re definitely a cult favorite, and very well-revered by those who know of them. As such, their disappearance was a big blow to fans of progressive death metal. Back in the day, Opeth and Akercocke were one of the…

Death’s Door – July 2017

Welcome to our latest edition of Death’s Door. Wipe your feet on the mat, etc. There’s a lot to discuss this month, though frankly, I had my doubts at certain points about whether or not there would be. You see, July tends to be a musical doldrums for yours truly, with lots of leftover releases that didn’t make it into the prime Spring and early Summer release calendar clogging streaming services with mundane/barely serviceable drivel. Obviously, this makes for some not-so-great listening experiences. Thankfully, July pulled through regardless, delivering unto us another fantastic batch of death metal releases that can stand shoulder-to-shoulder with the rest of 2017. So much so, in fact, that we are foregoing our new tracks section to focus exclusively on the great records released this month. So prepare yourself for some good stuff and thank your lucky stars, because hell hath no fury like a month without good death metal.

Decibel’s Toxic Nostalgia – Exploring the Magazine’s Narrow View of Modern Death Metal

The following article is a collaboration between editors Jonathan Adams and Scott Murphy.  Before we dive in, let’s make one thing clear—we and Decibel (“America’s only monthly extreme music magazine”) agree that 2017 has been an exceptional year for death metal. Jonathan has highlighted countless fantastic death metal albums this…

Exist – So True, So Bound

The progressive metal “scene” has become more and more insular over the past decade or so as it’s risen to prominence. While the higher profile has lead to more diversity among bands who can reach an audience, as with additional size comes additional bulk, the definition of “progressive” has become blurrier as more bands incorporate elements from the sound into their toolkit, forcing the genre to define itself by contrast. Complexity, self-seriousness, “enlightenment” and a gratuitous focus on music theory and pseudo-intellectualism have become pervasive. While the counter-movement of doubling down on “ignorant”, more streamlined music has also fostered, it’s become easy to be stuck between two extremes. As such, being able to find music that doesn’t stick to tropes has become increasingly difficult. Enter Exist, a progressive metal band that’s almost anti-prog. They take the intricacy of bands like Cynic and their predecessors in Death and combine it with sarcastic disrespect towards prog conventions. The end result is their sophomore release, So True, So Bound, and it’s a clever combination that is confusing in an intriguing way.

Best of – Brutal Death Metal

Brutal death metal has the rare benefit of being exactly what it sounds like. The differences one would expect between “regular death metal” and “brutal death metal” are manifold and, by and large, pretty predictable: guitars are more downtuned; riffs are chunkier and more visceral; vocals are far deeper and even less intelligible; the whole nine yards. As far as subgenres go, it doesn’t exactly shake up its progenitor’s foundations by a relatively large amount, choosing instead to just take everything that makes death metal an already pretty brutal genre and crank that bad boy up to 11. To the surprise of absolutely nobody, the ensuing auditory carnage is not for the faint of heart, but it is for anybody that feels like extreme metal just isn’t extreme enough yet. If you’ve ever felt that way—the grooves could be groovier, the riffs could be riffier, the blasts could be blastier, the gutturals could be gutturalier—then brutal death metal is the answer to all your prayers. So without further ado, let’s dive in to what our staff considers to the be the Best Of – Brutal Death Metal!