95 – Taylor Swift

We’re back! Sorry. Not much going on, anyway. First, Matt Harvey of Exhumed’s dumb statement about Nazis and Toilet ov Hell’s great response. Oli from Archspire wanting to fight Tim Lambesis of As I Lay Dying. Indie labels creating their own streaming services. The unfortunate news that Todd Honeycutt, the bassist for Enfold Darkness has committed suicide. Then, new stuff from Mastodon, Shokran, Soften the Glare (featuring Ryan Martinie from Mudvayne), Taylor Swift, Unleash the Archers, and Archspire. Also, Messengers by August Burns Red is 10! We also discuss me going back to Slipknot’s latest and thinking it’s not bad. Enjoy!

After the Firestorm – The Incarnation of Metalcore

Music operates in cycles and waves, with the energy generated from one, feeding directly into another. This is one of the major ways that we see genres and styles achieve growth. One particular genre that we have seen outgrow its roots and reach with newly grown tentacles into ever-evolving styles is hardcore. Just look around at the number of sub-genres that include the affix of “core” to their names. In this piece we look at the bands who evolved hardcore in both subtle and major ways to arrive at what we now know as “metalcore.” First, we take a look at some of the bands who were most directly tied to hardcore in its last iteration before metalcore truly came into being.

Djent Was A Genre Full Of Great Debuts And Little Else

Djent had an explosive entrance into the world of heavy music, around the start of the decade. It was a truly exciting occurrence, with first-wave acts like Periphery, Animals As Leaders and Cloudkicker filtering the technically-driven progressive sound of acts like Meshuggah, Sikth, and those of the budding “Sumeriancore” movement, into something  altogether more accessible, while still retaining much of their forebears’ technical and progressive edge. Yet, like most new sub-genres, djent quickly devolved into pastiche and gave way to over saturation—perhaps a little bit quicker than most. Djent, it seems, has had a propperly ballistic trajectory, and—in 2017—as its momentum trails off, it’s hard to get excited about this once-promising phenomenon.

67 – The Critique Of Pure Shitpost

This episode is just too good. Seriously, just listen to it. What does it contain? Edgy cultural/political jokes, a history of black metal and racism, an extended cool people section shitposting on philosophers like Kant, and much more. I’ll just tag some of the relevant bands here for SEO purposes, and the left is at your own peril. Abandon all hope, we who enter here. Warbringer, Suicide Silence, As I Lay Dying, Dream Theater, Overkill, Nidingr feat Myrkur, Sikth, Megadeth, Angra, Killswitch Engage. There you go.

Heavy Rewind: 36 Crazyfists – A Snow Capped Romance

36 Crazyfists has always been a band that hasn’t achieved huge popularity, but they have proven time and time again that solid songwriting and musicianship aren’t tied to any particular genre. What makes A Snow Capped Romance so good, aside from its stellar songwriting, is the way the band is able to convey heavy emotions without becoming melodramatic in the process.