Rise of Avernus – Eigengrau

For their second full-length release, Sydney’s Rise of Avernus have stripped back a lot of the operatic elements that characterized their debut. Instead, with Eigengrau,  they’ve opted for a more extreme symphonic metal sound akin to that of Septic Flesh and… well… Septic Flesh really are the major point of…

Death On Fire – Witch Hunter

Being a music critic, journalist and/or blogger can be quite a thankless task at times, particularly when it comes to reviewing albums. A while back we ran a piece on some of the most aggravating comments a writer can receive on their reviews, but that article didn’t touch upon related…

Hey! Listen to The King is Blind!

What exactly qualifies as “metal” can be a contentious issue. As any dedicated listener knows, the label itself accounts for a wide spread of sub-genres—ranging from softer, more atmospherically-inclined fare such as post-black/gaze and folk metal; to the frantic, bombastic realms of speed and power metal; and onto the spasmodic worlds of math- and grindcore; and even the bleak, all-encompassing, sonic oppression of drone and funeral doom. Many of these sub-genres remain contentious, and what is considered metal, or even just heavy music can shift and change depending upon what circles you frequent. Then again, there are those bands who (for any number of reasons) simply ooze the ideal of heavy metal, no matter which way you look at them, so that their status as a nothing less than a fucking heavy metal band cannot be denied. The King is Blind are one of those bands.

What Heavy Blog Is Really Listening To – 9/9/16

For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.

Half-Life – Amon Amarth

Amon Amarth has been one of the most consistently excellent melodic death metal bands to come through the pipes in the last two decades. Over the years, they’ve honed and refined their sound from the raw death metal ferocity of Once Sent from the Golden Hall into a cleaner, more accessible melodic death metal sound. Their graduation away from raw brutality happened largely in landmark leaps at a few points in their career. Because of this, I’ve taken the liberty of dividing Amon Amarth’s career into three distinct sonic stages in order to more closely examine the Amon Amarth of yesterday and today.

Infinite Density – Recollapse of the Universe

Another month, another Ne Obliviscaris side project. Just a few short months after Vipassi released their amazing debut EP Śūnyatā, multi-instrumentalist Brendan Brown, best known as the bass player in the aforementioned bands, has put the finishing touches on the debut LP of his solo project Infinite Density. A staggering nine years in the making, this album saw Brown compose and track each instrument. As mentioned in his initial album announcement, one reason for the length of time taken in releasing this record is because Brown has spent much of that time honing his guitar skills to a level where he could actually play the songs he had written. That moment is finally upon us as he enlists Ben Boyle (Hadal Maw, A Million Dead Birds Laughing, Vipassi) on vocals to release a technical death metal album in the vein of acclaimed acts such as Wormed and Inanimate Existence.

What Heavy Blog Is Really Listening To – 6/17/16

For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made with tapmusic.net through your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.

24 – In The Nick Of Time

The title is a pun you see, as this week instead of Eden we have another editor, none other than Nick Cusworth! We go on many tangents this week, but we also talk about relevant new music stuff! New music from Schammasch, Vektor, Amon Amarth and The Fall of Troy! Also some streaming service shenanigans from Tidal, Soundcloud and Last.fm (they did a Decapitated live show), and then we talk about our big editorial about growing your brand as a band, and tie it all together with a discussion about metal in mainstream culture.

Amon Amarth – Jomsviking

Much like their Metal Blade labelmates in Cannibal Corpse and The Black Dahlia Murder, Sweden’s Amon Amarth have become one the most stable commodities in extreme music today. It’s pretty safe to say that all three of these bands found their niche about two or three albums into their respective…