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Tag Archive: Alcest


Altar of Plagues - Teethed Glory and InjuryAltar of Plagues

Teethed Glory & Injury

01. Mills
02. God Alone
03. A Body Shrouded
04. Burnt Year
05. Twelve Was Ruin
06. A Remedy and a Fever
07. Scald Scar and Water
08. Found Oval and Final
09. Reflection Pulse Remains

[04/23/13]
[Profound Lore Records]

Despite my personal love of post-black metal, the genre has seemingly reduced into effects-laden tremolo picking over blastbeats and distant tortured screams without all that much emotional depth. The formula was indeed a powerfully emotive one to build from, but save for a few big names, the genre seems to have lost a bit of panache that made it such a powerful statement to begin with. Irish stargazers Altar of Plagues have always been on the cutting edge of the genre, albeit guilty from time to time of the tropes that made the fringe movement slightly homogenous and incredibly predictable. After gaining traction with a consecutively acclaimed discography, Altar of Plagues have grown into their own as a frightening yet beautiful musical force that puts their undifferentiated peers to shame.

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alkahest

So it’s Wednesday at 3:43 AM the week these year-end retrospective lists are being published and I’m scrambling to edit my fellow writers’ contributions when I’ve barely even started mine. To be honest it hasn’t even quite settled in that 2012 is just about over. As I’m writing this, there’s about a week and a half left of the year, and it puzzles me. It feels like just a couple of months ago that I was doing this exact same thing for 2011, only this time I seem to be much busier and everything looks different. The site, wordpress, and even my staff group have all changed.

We’ve picked up a number of fresh faces this year that you’ve already seen these past few days, but you may have also noticed that a couple of people from last year are no longer with us. A lot of people have come and gone over these past three and a half years that I’ve been doing this Heavy Blog thing, and most of them sort of float around and hang out when they can. The most important ones that come to mind right now are Dan (Dormition) and Chris (Disinformasiya), both of whom were very instrumental and valuable in the growth of this site, and it was sad to see them part ways with us. Without them (Chris in particular), I might have not kept this thing going this far. I love both of those guys dearly, and you can keep up with them at The Monolith, which you should bookmark if you haven’t already. Ya jerk.

Like I’ve said, this year has been busy. I don’t talk about my personal life much here despite the fact that it’s my blog, but what better time to get all personal than a year-end retrospective? As you may have noticed, I’ve been a bit more of a hands-off editor and the scheduling of posts have been a bit less rigid and frequent than they used to be. I’m at the tail end of my college career and I’m currently in and out of internships which have kept me busy and often away from Heavy Blog. Between classes, internships, my “actual” job, and this website, my hands are pretty full. You (and I, for sure) can thank Evan (Juular) for his help with editing since Chris’ departure as well as Damien, Noyan, Gunnar (DeusExMachina), Cody (Tentaclesworth), Spencer (Inhumed), Anthony (Alucard), Greg (Red Bruschetta), Atif (Dr. Killjoy), David (Riptide), Ridge (Deadite), Colin (Momento Mori), and Geoff (Denisovich) for sticking with me and making sure there’s enough content each week and that this site keeps going strong. Also a strong word up to Ben Robson who took over Heavy Blog recently and decided to stick around with us behind the scenes and Chris Collins, our resident photographer. These guys are awesome, and they manage to put a smile on my face every single day.

2013 promises to be even busier with my next internship, impending graduation, and career, but hopefully that doesn’t stop this site from growing and providing daily content that helps to promote and further our favorite genre of music. Thank all of you for sticking with us!

So with all these feels out of the way, here’s what most of you care about, my albums of the year:

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inhumed

If I had my say, there would be a top one hundred list, because I enjoyed so many different albums this year. I’ve changed this list fifty seven times over the past week, so this list is me finally making a decision. It’s honestly been harder choosing this list than it has been choosing classes for next semester. I must say that 2012 has shown that music has not totally gone down the drain, because there are still so many amazing bands I’m just now hearing about, and so many great albums to listen to. So, without further ado, here are the twenty best albums to come out in 2012, and the six best albums that would be twenty one through twenty six that just didn’t make the cut.

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thedeadstation

The Deadstation are good friends of the site. Ever since Gunnar gave them high marks, we’ve invited them to contribute to Heavy Blog and we’ve been running an ad on the site for their debut EP since October. When considering who to ask to contribute to our year end retrospectives, it only made sense to extend a guest countdown to these purveyors of prog. Below, TDS guitarists Shjon Thomas and Ryan Mattheu outline their picks for 2012, offering a touch of contrast from our otherwise collective overlapping selections!

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Drudkh – Eternal Turn of the Wheel

Drudkh

Eternal Turn of the Wheel

01. Eternal Circle
02. Breath of Cold Black Soil
03. When Gods Leave Their Emerald Halls
04. Farewell to Autumn’s Sorrowful Birds
05. Night Woven of Snow, Winds and Grey-Haired Stars

[03/13/12]
[Season of Mist Records]

The frigid howl of a mid-December tempest giving way to the serene warmth of what lay cloaked beneath the blanket of snow: both a summary of how Ukrainian black metal outfit Drudkh chose to open up their latest offering, Eternal Turn of the Wheel, and an accurate description of the evolution within black metal itself. Those that penned the genre’s blueprint had a particular mindset for what emotions would exist within their forest’s boundaries. Mayhem unleashed the carnal ferocity of winter’s bite, with anger gnashing like wolves thrashing about evergreen tree trunks. Burzum captured the atmosphere of emptiness and hopelessness, such as the dead cold of the still air. Above all though, Darkthrone created the essence of unending anguish, permeating the forest with desperate cries from those trapped in a blizzard and freezing to their doom in an indifferent heap of snow.

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Blut Aus Nord – 777 – Cosmosophy

Blut Aus Nord

777 – Cosmosophy

01. Epitome XIV
02. Epitome XV
03. Epitome XVI
04. Epitome XVII
05. Epitome XVIII

[09/21/12]
[Debemur Morti Productions]

Taken merely at surface value, French black metal outfit Blut Aus Nord’s 777 trilogy (2011’s Sect(s) & The Desanctification and 2012’s Cosmosophy) could be interpreted as a unique and effective blend of Deathspell Omega’s chaotic black metal and Godflesh’s grinding industrial groove. Such a conclusion would mistakenly settle for genre tags rather than allowing the trilogy’s expansive sonic themes to define these three releases for the monoliths that they are. The core sensation lies within the plight of a delicate human soul being torn to shreds as infernal and divine forces both lust for ownership via a celestial tug of war. For moments of varying brevity, the spirit experiences respite in purgatory as the higher beings recuperate for another bought of soul reaping.

While certainly an extraordinary summary of these albums’ accomplishments, BAN undoubtedly excels at their ability to seamlessly transition between sinister blackened bludgeonings and gorgeous ethereal soundscapes. Cosmosophy is perhaps BAN’s most pristine example of this talent, the strongest album in the 777 trilogy and the most appropriate to conclude it.

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Ne Obliviscaris – Portal Of I

Ne Obliviscaris

Portal of I

01. Tapestry Of The Starless Abstract
02. Xenoflux
03. Of The Leper Butterflies
04. Forget Not
05. And Plague Flowers The Kaleidoscope
06. As Icicles Fall
07. Of Petrichor Weaves Black Noise

[05/07/12]
[Code 666 Records]

Black metal is quickly evolving from a one-off listen to a personal favorite of mine. There is just something about its music that entrances me, something other-worldly. I also happen to like its distant nature, by which I mean its ability to still sound heavy without downtuning a guitar. Take the first Mayhem record; standard tuning, but some of the heaviest songs I have ever heard. I also really enjoy some more relaxing non-metal acts, such as The Mars Volta and even (yes, true story) Dave Matthews Band. Part of what attracts me to both is not only their versatility, but their sometimes shocking surprises.

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Hypno5e – Acid Mist Tomorrow

Hypno5e

Acid Mist Tomorrow

01. Acid Mist Tomorrow
02. Six Fingers In One Hand She Holds The Dawn (Part I)
03. Six Fingers In One Hand She Holds The Dawn (Part II)
04. Story of the Eye
05. Gehenne (Part I)
06. Gehenne (Part II)
07. Gehenne (Part III)
08. Brume Unique Obscurite (Part I)
09. Brume Unique Obscurite (Part II)

[02/24/12]
[Klonosphere/Season of Mist]

France has been an ever-growing presence in the realm of metal, blossoming into a vibrant source of stand-out musicians from the likes of Gojira, Alcest, Gorod, and Betraying the Martyrs, just to name a few. The great thing about this growing metal mecca is that these French bands are often quite artful. That’s a common theme that Montpellier-based prog quartet Hypno5e carried through their career thus far, releasing their debut album Des Deux L’une Est L’Autre to critical acclaim and breaking out with the 2009 Metal As Art North American headlining tour alongside Revocation and The Binary Code. Their sound since its inception has invoked cinematic imagery and a broad scope of musical scenery, and their sophomore effort Acid Mist Tomorrow continues the trend.

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Let me set the scene for you; a stage illuminated with Christmas lights hung from the ceiling, wooden panel walls adorned with custom band skate decks, a fixed gear bike, a mounted zombie-esque deer head, and an endless obsession with Pabst Blue Ribbon. The Hideaway, by any measure, is a hipster paradise tucked away in the form of a hole-in-the-wall bar in Johnson City, Tennessee. This place certainly had its niche carved into its walls, as evidenced by the Baroness Blue Record house music and Weedeater and Black Cobra posters. This is where the sincere and dirty southern flair of Tennessee and the ironic hipster scene intertwine. During sets, it wasn’t unusual to hear the loud shattering of beer bottles as they’re tossed into the garbage. Without a doubt, The Hideaway makes good on the aesthetic evoked by its name, being the smallest and most intimate legitimate venue I’ve ever personally been to. Given this scenery, it’s only fitting that the two most premier post-black metal touring acts would bring their sense of atmosphere into a venue seemingly build specifically for sludge. Trust me, it all works in context.

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Since it’s a dreadfully slow news day, I thought I’d let you guys know that Alcest and Deafheaven will be at The Hideaway in Johnson City, TN tomorrow, where Gunnar (DeusExMachina) and I will be hanging out and enjoying the show. Is there anyone else hitting this show up tomorrow? Let us know so we can keep an eye out for you!

If you’re in the area and for some reason don’t know what Alcest are all about, here’s the brilliant video for ‘Autre Temps.’

- JR

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