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This past weekend, the above advertisement for Periphery‘s sophomore album was spotted in a magazine and quickly made its way around various circles on Facebook and the SevenString.org forums. The ad sports the band’s latest promo photo and announces the release date of their upcoming sophomore album as July 3rd. Also noteworthy is the mention that the record will feature a guest solo from John Petrucci of Dream Theater fame. Interesting!

The ad comes as a surprise to just about everyone, including frontman Spencer Sotelo, who commented on the “leak” via Formspring:

Bad planning on somebody’s end. We were just as surprised as anyone else when we saw that revolver had put the release date out there when no official announcement has been made.

Oops. Looks like somebody’s in for a chewin’.

So with the release of the album around a month and a half away, it’s a safe bet that in the coming weeks, there will be new music available in some form. Get excited! Just as the advert says, the band are touring this summer with the likes of Cannibal Corpse, Between the Buried and Me, and more! Check here for dates and hit up your local show.

We’ll bring you more info when we have it!

- JR

Anathema – Weather Systems

Anathema

Weather Systems

01. Untouchable Part 1
02. Untouchable Part 2
03. The Gathering Of The Clouds
04. Lightning Song
05. Sunlight
06. The Storm Before The Calm
07. The Beginning And The End
08. The Lost Child
09. Internal Landscapes

[04/16/12]
[Kscope Music]

It’s strange to imagine that a band like Anathema, who currently pride themselves with grand post/progressive compositions and uplifting melodies and climaxes, took roots in the form of an almost disparate fashion as a brooding death/doom band. Perhaps their evolution over the years is due to personal growth and the need to be emotive without being so bleak; you can only stay angry for so long, and while death metal and doom can capture quite a range of emotional music, the genre is actually fairly limiting on what you can ultimately achieve. Anathema must have felt that there’s a certain atmosphere you can create with symphonic keyboards, acoustic guitars, and soaring vocal melodies that is much more effective at conveying profound emotions and concepts. The band really started hitting their stride in this style with 2010′s We’re Here Because We’re Here, but with Weather Systems, they nearly perfected it.

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Last week we directed your attention to a pretty nifty sampler from Candlelight Records which featured the world premier of the track “The Paranoid” from Ihsahn‘s upcoming solo release, Eremita. Now it seems other labels are ponying up and offering their own samplers, one of which is my favorite label, InsideOut Music. This short sampler features eight tracks from a wide selection of bands, but the overall emphasis of this download is progressive metal. There is a lot of really great bands on this, several of which have received tons of praise from us here at HBIH — Arjen Lucassen, The Safety Fire, Leprous — but there’s also some lesser known bands that you may not be all that familiar with, and their tracks are pretty great too!

To top this thing off the final track is a live rendition of the song “Addicted”, taken from Devin Townsend‘s upcoming live boxset release, By A Thread. Without giving too much away, or saying anything all too surprising, the song is amazing. Addicted is one of the best releases from Townsend, and it’s an album that really transitions well into the live format.

You can download the sampler here. You just have to give your email address and click a link to verify that you’re not a part of the Borg collective, but other than that the download process is much more fluid than that of Candlelight’s. Props to InsideOut and their great lineup.

- EC

Glass Cloud, the new band featuring former Sky Eats Airplane and Of Mice And Men vocalist Jerry Roush and Josh Travis of the Tony Danza Tapdance Extravaganza, have recently signed to Basick Records for European release. While I’m no fan of Roush’s previous bands, I’m a hug fan of Josh Travis’ work in Danza and I’ve grown to trust the Basick name, so I’m interested. The group’s new song ‘Counting Sheep‘ is pretty catchy; definitely some solid metalcore that’s a rung or two up the ladder of bands you’d catch on Rise Records. You can check it out below:

Glass Cloud’s debut album The Royal Thousand is out July 2nd on Basick in Europe and July 3rd on Equal Vision in America. Speaking of Josh Travis, Danza IV has been done for about a year or so now. Could someone tell Black Market Activities to do something about it? Appreciated!

- JR

I’ve been saying that 2012 is the year of death metal, and the trend of stellar and high profile death metal releases just continues to leave me stoked. One of the most anticipated releases on the calendar right now is Dying FetusReign Supreme. I was never really a huge Dying Fetus fan before, but I’m really liking how their forthcoming album is starting to shape up. Revolver is streaming a new track called ‘Second Skin’ and it has everything you could really ask for from the group. These tech grooves are delicious. Check out the track below:

Reign Supreme is due out June 19th on Relapse Records. If you’re as interested as you should be, the album is currently available for pre-order here.

- JR

I don’t always partake in black metal, but when I do, I listen to something progressive like Enslaved, who have incorporated more experimental and melodic aspects to their sound with every passing record. That wasn’t really a Dos Equis parody; I’m not nearly interesting enough. At any rate, these legends have been hard at work on their new record this year, recently wrapping up the recording process. Norway’s NRK caught up with the prog metal vikings and got some details on the new Enslaved record, including a 66-second sample of new music!

Here’s how the record is expected to sound:

We’ve given more space to it all this time around. More space to the melodic stuff, more space to the prog flavor and ’70s-inspiration, there are glimpses of some doom, some good Voivod-style thrash, some cool guitar solos. All the little things that we like we have provided even more room for.  It’s the “more is more”-philosophy. We’ve given up on the structural stuff once and for all. It’s not for us. So there’s not much verse-chorus-verse on the new record. We have tried a few places, but no one even hears that it is an attempt at a chorus.

So a logical progression from their previous record Axioma Ethica Odini and their two recent EPs into more proggy territory. Not shocking, but totally excellent news. Read up on the new album’s creation over at NRK (and hear some new music!) and get excited for their new album, due out later this year on Nuclear Blast.

[via No Clean Singing]

- JR

The California based deathcore group Bermuda were supposed to release their debut album The Wandering this week, May 8th, on Mediaskare Records. As a few of you out there have noted, that never happened. In fact, there wasn’t really an official announcement that it was pushed back until the day it was actually supposed to be released. Via Facebook:

Alright guys, first off we want to apologize so much for the albums delay. But that being said, no more delays, the album WILL be out July 17. Again, we really are sorry. We wanted the album out today as bad as you guys.
Seems odd that it was pushed back, but it’s also actually pretty shocking it hasn’t leaked yet despite going out for reviews back in late March. Resident contributor Anthony DiGiacomo gave it his thumbs up last month, likening their chaotic grooves to Ion Dissonance, whose vocalist Kevin McCaughey actually makes a guest spot on ‘In Trenches,’ which can be heard below.

So yes, Mediaskare pushed back the album release. No word is available as to why, but if you were looking forward to The Wandering, you’re gonna have to wait til July 17th.
- JR

7 Horns 7 Eyes – Throes Of Absolution

7 Horns 7 Eyes

Throes Of Absolution

01. Divine Amnesty
02. Phumis: The Falsehood Of Affliction
03. The Hill Difficulty
04. Cycle Of Self
05. Delusions
06. A Finite Grasp Of Infinite Disillusion
07. Vindicator
08. The Winnowing
09. Regeneration

[04/24/12]
[Century Media/Basick Records]

The most exciting part about watching a trend in metal is keeping an eye on the peripherals — watching out for the bands that are tangentially related to it, be it by sound or image, but don’t quite fit the pre-defined mould. It’s pretty much a rule of thumb by now that those are the bands that create the most interesting and varied music. Take 7 Horns 7 Eyes, for example. You’d be hard pushed to deny that their off-kilter riffs and movements weren’t inspired by the almighty, chug-titans Meshuggah, but unlike the masses who kneel at that altar and declare all others to be false gods, 7H7E take great pride in lifting other influences from all around the progressive metal world.

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Freshman year was—let’s just say—less than satisfactory. Getting sick with an ailment that doctors couldn’t diagnose for almost 7 months, missing half of my first semester, and not being able to spend time with friends was a real bummer. The two things that really kept me happy were my poetry and my music. My library grew extensively over that year, mostly due to me being bedridden most of the day. The only joy I got was when I could get the newest releases from my local music store or Amazon. I remember searching endlessly through the internet trying to discover the next band that would floor me. I came across this one band from Sweden that released an album earlier that year. The album was called obZen. I dug a little deeper and found that the band actually been around since 1989, and that it was their sixth album. Now, naturally, whenever I find a new band, I begin from the middle or early portion of their discography, so that I can hear them morph over time. I chose their album from 1999, Chaosphere, and gave their song ‘New Millennium Cyanide Christ’ a listen, and liked it enough to buy the album.

I listened to the first track, and had to stop after about 45 seconds. It was WAY too intense. I couldn’t follow it to save my life, the vocals were abrasive, the drums all over the place. I thought, “Maybe it was just that one song”. After NMCC, the album was ridiculous. Every song was really scattered, out of place. The players didn’t seem to get each other at all. I thought it was garbage. I removed their CD from my collection and threw it in my closet. It was like the demon seed of my musical libary. I was almost angry that I wasted my money on something so terrible, then I stopped whining about it and moved on.

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Tesseract is one of my favorite bands at the moment, and I’m beyond excited for their upcoming acoustic inspired EP Perspective, which is on the pipeline for later this month. While the EP is mostly a re-imagining of tracks from their debut album One (which was our sort of unofficial collective album of the year for 2011), they decided to tackle the Jeff Buckley classic ‘Dream Brother‘ and totally made it their own. The song is available for streaming over at Metal Hammer right now, so go give it a listen!

Perspective is out on May 22nd on Century Media Records. Pre-orders are available here for North America and here for Europe.

- JR


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