Kvlt Kolvmn // June 2019

Welcome to Kvlt Kolvmn. I’ll kick off this month’s festivities by stating with relative certainty that I’ve never written in one place about so many albums released in one month that I genuinely feel are going to show up on my yearly top 25. Each and every one of this…

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Release Day Roundup – 6/28/19

Each month, we always seem to come to the same conclusion when it comes to our Editors’ Picks column: Friday release days open the floodgates and unleash a seemingly endless stream of quality new music. But while some of our Editors and Contributors sit down gleefully each week to dive into this newly stocked treasure…

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Kvlt Kolvmn – July 2018

2018 has been quite the year for metal as a whole. With big releases from big bands hitting all the high notes, and several subgenres experiencing some of their most consistently impressive output in decades, it’s fairly safe to say that this has thus far been a premium year for…

An Ode to Spring – Metal, Thematics and Politics

Since the vast majority of Heavy Blog contributors fall on the left side of the map (shocking, we know), focusing on the latter seems like the way to go. Criticizing the other side of the political map is easy enough; taking a hard look at your own camp is where things get tricky. Thus, let us turn our eyes on one of the most typical leftist refusals to engage: the retreat. There are few places in the cultural world where this retreat is more obvious than in music and, more specifically, in metal. Even more specifically, the current throes which are black metal is undergoing are even more lucrative for our needs. There, leftist retreat is alive and happening right now, both because of the virility of the claims on the other side (read: the amount of black metal that’s truly awful) and because the themes of black metal have already been declared by the larger, more abstract “left” as anathema in the past.

Kvlt Kolvmn // October 2017

Happy Halloween, 2017, from your nefarious friends at Kvlt Kolvmn! Hard to imagine a better day for this column to land near, what with all the ghouls, spirits, demogorgons and Eleven’s traipsing around with their sugar receptacles and real world terror encroaching from every corner of this planet. God, what a miserable year in so many ways. Thankfully, that misery has not extended into the world of black metal, which continues to drop sensational releases month after month. October is no exception. This month saw the release of several exceptional albums that not only continued to solidify the importance of black metal’s existence as one of the premier subgenres within the metal universe, but also its ability to offer complex, fierce statement of countercultural urgency. That last component is important for one particular album that screams thoroughly against some of the prevailing philosophical dogma that runs rampant in the darkest corners of the subgenre. Despite the most truly reprehensible portions of its collective ranks, black metal can indeed speak the language of justice. But enough talk. Let’s metal.

Editors’ Picks – October 2017

Well, this is it, folks: October’s here to cap off the year with the final month replete with more albums than is seemingly possible to digest in the time allotted in the Gregorian tradition. Now, you’re probably thinking something along the lines of “Hey! November and December exist!” Indeed they…

Yellow Eyes – Immersion Trench Reverie

Yellow Eyes came to the metal world’s collective attention primarily through their outstanding third album Sick With Bloom. With this release, the band sought to meld the cold, overwhelmingly bleak stylistic tropes of the second wave of black metal with a pastoral, naturalistic aesthetic and succeeded in damn near every…