Talons – We All Know

For those willing to rummage through the fecund fields of modern post-rock, there’s plenty to appreciate in this new life, springing to action for a decade now. A good example is Talons, whose experimental take on the genre and unique timbre makes a resplendent return and rebirth on their latest album, We All Know. The first half of the album is a more condensed version of that sound, leaning heavily on noise rock and other, chunkier genres for its punch and impact. Thus, tracks like “On Levels” and “Movements on Seven”, channel a more urgent, industrial sound that reminds us at times of Stateless by way of early Long Distance Calling, a kind of urgent post-rock that’s more abrasive and compact for that urgency, even when it builds up and releases slowly.

Post Rock Post – Salvya (Again!)

It’s rare that I dedicate two Post Rock Posts to the same band; usually, they’re all about new artists operating within or around the post rock genre. However, sometimes artists change their sound so much from album to album that I feel as if they justify another entry in the same column. Besides, this is Heavy Blog; when have we been super strict about our definitions and categories? With these things in mind, let me update you as to Salvya and how they’ve been doing. I first wrote about this Israeli band over two years ago; they were gearing up for Unrecognizable then, an ethereal album that was firmly rooted around progressive and post rock influences and a strong main vocalist. Last week, the band released Impostor Syndrome and let’s just say there have been some changes. Head on over the jump for an example.