Exclusivo ad absurdum: Stream Instrumental (Adj.)’s New EP

Australia's musical scene seems to know no bounds, and, thanks to the talents and efforts of people like Lachlan of Art as Catharsis, they are spread to the outside world. Case in point: I have the pleasure of introducing you to the entirety of Reductio ad absurdum, the upcoming EP from Sydney trio Instrumental (Adj.). The three have made quite a few waves on the Internet when they released their surprising and fresh debut A Series of Disagreements. It was short, but it overflowed with clever musical ideas and precise execution. It was jazzy, progressive, aggressive, mathematical, and, most of all, I couldn't get enough of listening to it.

Beyond the Veil: Twelve-Tone Technique

For this week's Beyond the Veil, I'll be your substitute teacher. We're going to look into twelve-tone technique, also called dodecaphony and twelve-tone serialism. It's a technique used in some of today's more "intellectual" metal writing. It's a useful knowledge to possess, as it can add colour to your compositional palette and help you grow as a musician and as a listener as well. So, let's lift the veil of obscurity on twelve-tone serialism, and let me introduce you to this technique, listeners and musicians alike!

19 – feat. Jimmy Pitts and Tom “Fountainhead” Geldschlager

We have two very special guests today! Jimmy Pitts and Tom "Fountainhead" Geldschlager, who are involved in so many projects that it's kind of ridiculous. Between them, they've worked with Christian Muenzner, Hannes Grossmann, Obscura, Spastic Ink, Scholomance, Nader Sadek, Cerebric Turmoil and many more. Jimmy's currently playing keyboards for Muenzner's power metal band Eternity's End, and him and Tom are currently crowd funding the Pitts Minneman Project's new album, The Psychic Planetarium on Indiegogo. Top notch prog metal/jazz fusion. We invited them over to have a chat about their projects, but of course it all devolves into talking about a whole slew of topics, and we had a great time!