With Pure Noise Records snapping up just about every decent band playing some variant of early 2000s metalcore, Prosthetic Records stepped up to the plate and signed their very own turn of the century nostalgia/homage act, meth.. Thankfully, the bedroom project turned full-band endeavor has more than enough substance because…
(I don’t really feel comfortable starting this review off without a disclaimer about this band’s name, so here goes: there are many people, myself included, who have struggled in some form with self-harm and/or suicide, and feel as though Wristmeetrazor is a band name that is tasteless and some degree of…
Given that they’re a band that’s been active since 2013, the fact that it’s taken Aussie screamo upstarts Blind Girls five years of making music to materialize a full-length debut – and that this debut, Residue, comes almost two full years after their last release, a split with excellent Japanese band Sans Visage…
My initial impressions of portrayal of guilt, mostly based off their self-titled EP, were that the band bore compelling similarities to You Fail Me-era Converge. Holistically, both releases invoke the sense of urgency in the aftermath of trauma (something arguably still present in Let Pain Be Your Guide); more specifically,…
Denmark is home to a particular scene of hardcore-meets-sludge that contains heavy-hitters such as The Psyke Project (sadly no longer), Hexis, and LLNN. I was very pleased to discover that We Are Among Storms, featuring members from the first two bands as well as Église, had popped up with a four-track EP that…
Growing up in the late ’90s and early ’00s meant being exposed to some of the greatest examples of bad metal. Like, genuinely really bad metal. Some of it was great though, of course. Everyone loved it at the time too, or so one would think, given the absurd amount…
Philadelphia upstarts BINARY made waves in the screamo/emoviolence scene in the second half of 2017 with a killer three-song demo that seemed to perfectly encapsulate all that one would expect from the genre: loud and rowdy, full of storm and fury, yet with a melancholy churning just below the surface-level aggression that…
Thanks to the editor gods, I was given an opportunity to talk to the two founding members of my favorite band of all time, Dance Gavin Dance. For me, this is a dream come true. For you, it’s an insight into the minds of drummer Matt Mingus and guitarist Will Swan, two essential components that are integral to one of the most unique bands of the last 15 years. On the last day of their tour with Underoath and Veil of Maya (the only other band I’ve interviewed), we had a chat over Skype. We talked about how they select album titles, how they view bands getting softer as they get older and the legendary Paul Blart.
There are several War and Peaces worth of words strewn about the internet in blogs and interviews and Facebook comments about how misused the term “screamo” has become in our century. Its birth as a term can be traced back to the 1990’s, when, as it was until the mid-2000’s, it…
It’s been five long years; five long years since Converge, the forefathers of emo leaning metalcore, have released music. That all changed last week, however, as the band put out a 7″ with not one, but two brand new tracks. They still remain slightly controversial, with some in the Heavy Blog camp dismissing them. Here at Grind My Tears, however, those tracks are nothing but pure gold and the exact music the band should release after a five year absence. It is for exactly that reason that those tracks will be explored in depth below, putting them under an intense microscope and examining their every detail.
