meth. – Mother of Red Light

With Pure Noise Records snapping up just about every decent band playing some variant of early 2000s metalcore, Prosthetic Records stepped up to the plate and signed their very own turn of the century nostalgia/homage act, meth.. Thankfully, the bedroom project turned full-band endeavor has more than enough substance because…

  • spread the world

Wristmeetrazor – Misery Never Forgets

(I don’t really feel comfortable starting this review off without a disclaimer about this band’s name, so here goes: there are many people, myself included, who have struggled in some form with self-harm and/or suicide, and feel as though Wristmeetrazor is a band name that is tasteless and some degree of…

  • spread the world

Hey! Listen to Blind Girls!

Given that they’re a band that’s been active since 2013, the fact that it’s taken Aussie screamo upstarts Blind Girls five years of making music to materialize a full-length debut – and that this debut, Residue, comes almost two full years after their last release, a split with excellent Japanese band Sans Visage…

  • spread the world

Portrayal of Guilt – Let Pain Be Your Guide

My initial impressions of portrayal of guilt, mostly based off their self-titled EP, were that the band bore compelling similarities to You Fail Me-era Converge.  Holistically, both releases invoke the sense of urgency in the aftermath of trauma (something arguably still present in Let Pain Be Your Guide); more specifically,…

Vein – errorzone

Growing up in the late ’90s and early ’00s meant being exposed to some of the greatest examples of bad metal. Like, genuinely really bad metal. Some of it was great though, of course. Everyone loved it at the time too, or so one would think, given the absurd amount…

Matt Mingus & Will Swan of Dance Gavin Dance: The Heavy Blog Interview

Thanks to the editor gods, I was given an opportunity to talk to the two founding members of my favorite band of all time, Dance Gavin Dance. For me, this is a dream come true. For you, it’s an insight into the minds of drummer Matt Mingus and guitarist Will Swan, two essential components that are integral to one of the most unique bands of the last 15 years. On the last day of their tour with Underoath and Veil of Maya (the only other band I’ve interviewed), we had a chat over Skype. We talked about how they select album titles, how they view bands getting softer as they get older and the legendary Paul Blart.