We here at Heavy Blog like to ponder the big questions: Who are we? Why are we here? Do people even “own” music anymore? Did they ever own music? Can music ever actually be owned? You know, the big stuff (actually, that one is kinda big). In order to better…
There are some punk bands that still manage to subvert the grand cliches, both musical and stylistic, that overtook punk. One of those bands is Canadian hardcore/punk/experimental heroes Fucked Up, a band who has never shied away from pushing punk to its very furthest limits, effectively achieving the goals punk initially set out to accomplish. Recently I was lucky enough to talk to their drummer Jonah Falco about exactly what inspires Fucked Up to constantly push the boundaries of punk music, as well as their most recent release, Year of the Snake.
The wait is over. The release date for Opeth’s latest, Sorceress, is almost upon us; and with it, the latest round in the controversy that has dogged them for three albums now. “What happened to the death growls?” “Why aren’t these guys heavy anymore?” “Opeth sucks now.” These are not opinions that I personally share, as I’m huge fan of Pale Communion. That said, Heritage is certainly not their best record, or even one of their top 5. In fact, it may even be their weakest. No shame there, given the ridiculous quality of their complete discography. Time will tell how successful and well-regarded Sorceress is, though early indications are that your opinion on Sorceress will likely mirror your opinion on Pale Communion. The two tracks released in advance, the title track and “Will O’ The Wisp” certainly strongly suggest this.
But they aren’t the first band to release a record that has the fans howling with rage.
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as…
It’s a well documented fact that rock music has roots in the blues; you can’t really step into rock without running into the staples of the genre. Bands like Led Zeppelin, Guns N’ Roses, Rolling Stones, Aerosmith and more all lapped up the sounds of B.B. King and Muddy Waters like milk in their early careers. Blues rock is still prevalent today, with bands like The Black Keys and The White Stripes taking massive influences from early blues acts. But where’s blues metal in all of this? We always think of blues rock, but not much more. Guns N’ Roses arguably footed the line between hard rock and metal, and some bands today – Elder comes to mind, as do many bands from the recent trend of throwback and “occult” metal (Graveyard, Witchcraft) – have some minor hints of blues. However, we never really think of/see metal bands adding a significant chunk of Muddy Waters to their music.
I believe that Electric Hoodoo, and their self-titled album, are an important stepping stone on the path to that blues metal sound. While they aren’t entirely metal, they are about as heavy as you’re going to get at the moment with a band so inspired by the blues.