A while ago, I wrote about one of my favorite bands operating as part of the traditional heavy metal revival, Spellcaster. Since then, sadly, the band has disbanded, leaving a denim-jacket wearing hole in my heart. Luckily for me, Gabriel Franco (who played bass for Spellcaster) has forged Idle Hands from out of the molten wreckage of his former band. Idle Hands are still very much inside the traditional heavy metal definition but channel a much darker version than Spellcaster; they tend to err on the side of ballad rather than the epic proclamations of power that were Spellcaster's stock and fare but, to be honest, that approach might even be better than the original. Head on down below for your first taste!
While death and black metal are seeing amazing leaps forward in talent, production, and ability for the denizens of the traditional metal world what we’re seeing from bands such as Enforcer, dawnbringer, Sumerlands, Eternal Champion, and Striker must seem like manna from heaven… or hell, depending upon your preference. One band that has been plugging away at this style, beginning as a bit of a Mercyful Fate worship act and evolving with each new release is Sweden’s Portrait (the band name derives from Diamond’s first solo album, Fatal Portrait). On their latest offering, Burn the World, we see a band who is getting comfortable with their own take on the venerable speed riffs, blazing solos, and soaring vocals of trad metal creating an addictive blend for fans.
Metal has, for all intents and purposes, pretty much reached the peak of how far it can really go with the extremity and weirdness while still remaining in its musical sphere and not moving into genres like noise or purely avant-garde. Subgenre movements like brutal slamming deathcore, atonal death metal, and noisegrind have been pushing the limits of slowness, weirdness, and overall listenability into strange, bizarre, wonderful new territories, and although the experimentation is certainly welcome, after a certain line is crossed, the returns start to diminish quickly, and what we're left with as a musical community is a handful of bands that are great in the context of a clambering race to the tipping point, but really don't serve much purpose for a listener who wants something, you know, metal. Don't get me wrong - I love Gigan, Jute Gyte, and probably any other ridiculous and 'unlistenable' band you could throw my way, but shit, what's a guy to do at this point if he's looking for something more reminiscent of the classic sound?