Total Fucking Destruction – #USA4TFD

What does one do when the genre-defining band they’ve played in for years, disbands? Most will pack up their instruments and kit, settling into another grind altogether – regular, boring ass working life. Not Richard Hoak. During the final days of Brutal Truth’s existence, Hoak obviously decided he hadn’t had enough. The melting pot of blasts and wicked arrangements in his mind finding a new home in Total Fucking Destruction. Nearly twenty years after the first release under this name, we find ourselves in a time where grindcore is more important than ever. It’s always been political, but the platform is sometimes a bit wobbly. Not in this case. #USA4TFD is a viral musical statement that no one is sharing. Yet.

Mos Generator – Shadowlands

There’s a virtue to artists who don’t try to reinvent the wheel with every new release, instead focusing on refining their core sound and musical ideas and themes. Mos Generator have spent the last eighteen years doing just that to great effect on numerous albums, EP’s and splits with like minded bands…

Best of 1998

Welcome back to our “Best of” column! This isn’t the first time we’ve celebrated twenty year milestones, but this installment is a bit more meaningful for all of us here at Heavy Blog. This list comes a week after we passed 20,000 likes on Facebook, a testament to how much…

Release Day Roundup – 3/23/18

Each month, we always seem to come to the same conclusion when it comes to our Editors’ Picks column: Friday release days open the floodgates and unleash a seemingly endless stream of quality new music. But while some of our Editors and Contributors sit down gleefully each week to dive into this newly stocked treasure…

Ghastly Sound – Self-Titled

Misdirection. Sleight of hand. Tools used to create confusion often, and especially so, in the name of showmanship. This type of confusion that has fueled many a magic act over the years and a variant of it is on display on Ghastly Sound’s self-titled EP. There are times that bands span genres and styles over the course of their career to keep fans slightly off-balance but rarely do bands try that on an album, let alone an EP. Ghastly Sound says “hold our drink” and proceed over the course of four songs to throw a lot of influences and ideas at the wall on their debut.

Mothership – High Strangeness

Mothership, out of Dallas, TX, claim a lot of ‘70s hard rock as influences while making one of the more interesting styles of stoner-space rock. The opening and title track of the album sounds more like a mashup of Monster Magnet and Explosions in the Sky than it does, say UFO or Black Sabbath. That said, the second track, “Ride the Sun”, on their third album, High Strangeness, lands squarely in that wheelhouse. One can also hear elements of Kyuss in the noise Mothership bring and it’s easy to see why they have become a favorite in their local scene and are now getting out on their own headlining tour. Just two songs in and they show a surprising range when they create a positively Iron Maiden-esque break around the 2:45 mark before locking down into a half-time groove to wind down the song.

The Midnight Ghost Train – Cold Was The Ground

Where visual art can announce itself as everything from an explosion of different shapes, dimensions and hues or restrict itself to the most minimalist, one-dimensional, single-colour blocks, music can do much the same. This particular beard-toting Kansas trio find themselves at the latter end, pumping out an unfaltering combination of…