Hello fellow pit-sters! This month, I thought we could do something a little different. You all know I’ve been playing fast and loose with the schedule of this column, and August will be no different! Fellow thrash Josh Bulleid and I thought we’d introduce ourselves to you all a little…
The thing about old hardcore bands is that they kind of never really die. There is inevitably some festival or other, especially these days, that will invite X or Y legendary hardcore band to get the kids to circle pit and stage-dive one more time all while pointing to the sky and shouting along unintelligibly to, usually, lyrics about how important it is to stand on your own two feet, rise above some aspect or another of society, and be true to yourself. There is a reason for this, though, and it’s because of a certain timelessness to the cliches that present themselves in what we think of when we call something “hardcore”.
Modern hardcore, in its most traditional strain, stems directly from the likes of Black Flag but exists now through a twisted evolution that people like me have attempted to label with absurd titles like emoviolence, powerviolence, and any number of “-core” affixed descriptors. However, one of the main common themes that can be found when listening to or discovering newer variants is a critical nucleus consisting of compact, ferociously brief songs that maintain a rapidfire pace just shy of grind, at least to these ears. Sometimes these include (extremely) brief breakdowns or mid-tempo breathers before flying off the handle again in a manic explosion of righteous vengeance and furious anger.
One band that hits all of those elements and goes hard as fuck on their new EP is Entry out of Los Angeles, CA.
What exactly is Real Emo™? To put it simply, Real Emo™ was a movement started by a select few hardcore bands located in or around DC in the early 80’s and continued on through the late 80’s/early 90’s. Around this time is when bands on the West Coast adopted the more experimental, melodic approach to hardcore punk music and began to lay many of the foundations for what would eventually become screamo. The music is often stylistically similar to early hardcore acts such as Minor Threat or The Bad Brains in that it is fast and passionate, but differs in the sense that the lyrics tend to be a bit more introspective and the overall sound far more melodic. With bands like Nation Of Ulysses and Moss Icon further experimentation became increasingly popular as well, adding many “spacier” elements as well as incorporating a bit of spoken word. Nation Of Ulysses even had a saxophone occasionally, something that later bands like Native Nod couldn’t help but pick up. And, interestingly enough, not a single had any “twinkly” guitar parts.
Even a cursory glance of our biweekly “What Heavy Blog Is Really Listening To” posts (last week’s update here) will reveal that there is a great deal of variety among our staff’s musical tastes. Due to this, we brainstormed the idea of “Playlist Swap,” another biweekly segment that takes place between playlist updates. We randomly select two of the participants from each update, have them pick their favorite track from each of the nine albums in their grid and then send the list over to the other person to listen to and comment on. Within these commentaries occurs praise, criticism and discovery, and we hope that you experience a few instances of this last point as well. This week’s post has Scott and Jimmy 2 duking it out again, in what will surely be a battle for the ages:
Sure, there are metal bands from Germany, and from a variety of genres at that, including (but certainly not limited to) Rammstein, Blind Guardian, Kreator, Accept, and The Ocean. And yes, they’re all pretty awesome—there’s no denying that. But I ask you, where’s the punk in all of this? I…
For those who missed our last installment, We post biweekly updates covering what the staff at Heavy Blog have been spinning. Given the amount of time we spend on the site telling you about music that does not fall neatly into the confines of conventional “metal,” it should come as no surprise that many of us on staff have pretty eclectic tastes that range far outside of metal and heavy things. We can’t post about all of them at length here, but we can at least let you know what we’re actually listening to. For those that would like to participate as well (and please do) can drop a 3X3 in the comments, which can be made withtapmusic.netthrough your last.fm account, or create it manually with topsters.net. Also, consider these posts open threads to talk about pretty much anything music-related. We love hearing all of your thoughts on this stuff and love being able to nerd out along with all of you.
Welcome to yet another week of No Heroes In New England, where we scope out the latest, greatest hardcore from the Northeast and give them some much-deserved cred! Let’s get to it, shall we?
Konichiwa, and welcome to this week’s installment of No Heroes in New England, where we dig deep, deep into BandCamp for the best underground hardcore the East Coast has to offer. If you want last week’s entry, click here. Guilt Grindcore has always gone hand-in-hand with punk; after all, on…
Welcome to yet another week of No Heroes in New England—your source for only the best hardcore that New England has to offer to the world. Last week shed some light on some excellent bands, including Chaos Cross, Burden, and Mass Graves, and this week we have some weird stuff, including the newest genre craze, Spongecore (not really, but more on that later), and just some more kickass music that you’ll want to listen to so loud that you’ll develop tinnitus.
So, strap on in and enjoy another entry of No Heroes!