Tombs have always been a band of interesting mixtures. Combining several different types of metallic goodness (black, doom, post-metal, etc.), as well as various musicians coming in and out for seemingly each new project, the band has become borderline impossible to categorize, very rarely sit still long enough to revel in whatever iteration they currently exist in. This is often an indication of discord and listlessness in a band, but Tombs have seemed to make it work. Particularly with their previous album, Savage Gold, the band seemed to be firing on all cylinders. It was a cohesive, consistently bludgeoning and artfully structured album that ended up being one of my favorites of 2014. With their latest record, The Grand Annihilation, Tombs seeks to replicate many of the aspects that made Savage Gold such a rousing success. They accomplish this feat with potent (albeit somewhat mixed) results.