‘You ever laugh just to keep from crying/Think less about living and more about dying’. This closing line from track “Dr. Seuss”, reverberates from the pitch-shifted maw of Tierra Whack as if it’s a narration. “Who? Me?”, I imagine myself responding in my mind. “Yes, you” the deep voice confirms.…
There’s a lot happening in the music world, and we here at Heavy Blog try our very best to keep up with it! Like the vast majority of heavy music fans, our tastes are incredibly vast, with our 3X3s in each Playlist Update typically covering numerous genres and sometimes a…
Today marks around 12 months since the passing of Chester Bennington, another all too frequent day that sends shockwaves rippling through the music community. In this instance, more so than most, the sadness and anguish weren’t contained to the metal or rock communities, but the music world more broadly. Yet, as difficult as his death has been for countless people the world over, few would have felt his loss to the extent that friend and bandmate Mike Shinoda has. Our words couldn’t possibly describe how he would have been feeling, for grief is such a personal emotion, and so we won’t even try. But we can touch upon the various motivations that may have been at play when deciding to write, record and release Post Traumatic, a 16-song LP released in June.
This column will now be a monthly feature where I point the Heavy crowd to some more obscure releases that deserve to be heard. If you want more obscure and weird music recommendations, visit my website! … Current Banger: Haolin Munk – Planestasia Suite I recently found out and praised extensively the new album…
The music of Tokyo based but UK native Submerse was passed on to me by a friend recently, and I was immediately impressed by the modern take on 90’s slow jams mixed with instrumental hip-hop. His newest album, Are You Anywhere, came out last October on Project Mooncircle records, and…
Synthwave is, in many respects, a hard musical genre to nail down and many disagree as to what exactly categorizes any particular act as such beyond the simple utilization of synthesizers. While most might immediately conclude that it involves imitating the sounds of the 1980s, there are those who blur that decade divide and bring in influences from the 1990s as well. Such is the case regarding Robots With Rayguns, an act which has been in the scene for quite a number of years now, who describes themselves as being “inspired by 80s and 90s electro, breakbeat, and RnB.” Indeed, with catchy beats and a healthy dose of vocal sampling, one gets the sense that their music would have been right at home in a dance club from that era or featured quite prominently on MTV alongside La Bouche and C+C Music Factory.
It doesn’t really take a whole lot of thought to see the need for politically-charged rap in this cultural moment. Better writers than I have waxed poetic plenty on this point, so I’ll keep it short and to the point: when we live in an era where governments around the…
On October 16, 2010, the world lost one of its best-kept secrets. Michael “Eyedea’’ Larsen was only 28-years-old when he passed away, and there’s been an unfillable void left in music ever since. As an emcee he was one of the greats, wearing his heart on his sleeve with every bar and often giving the listener something to ponder and even some life-affirming comfort. He was loved by both his fans and peers and those who knew him bestowed him with high plaudits as both an artist and human being. Eyedea was one of the good ones. His music is introspective, philosophical, socially conscious and profoundly human. And like all great music, it’ll never be irrelevant.
Travelling in space will probably be a lot less glorious than what most of science fiction would like us to imagine. When it comes, space travel will be intrinsically tied with the very real forces of economics, efficiency, and all powerful physics. As such, the smooth flight of an Enterprise…
A man who overcame a failing kidney. A performer who was just about to take his leap at the ring. A rapper who came back and said “fuck it, this is me”. All of these statements are true about Stef Alexander aka P.O.S. and the back-story of his struggles have been told over and over again (our abridged version is below) so in this edition of HLT we’re going to look at the curious case of Stef and how he got his mojo back by producing one of the best LPs of 2017.
